What makes Christopher Walken an icon

Ja, there it is, the Christopher Walken voice, in the small loudspeaker of the mobile phone. Not quite as distinctive as in the cinema, but unmistakable. Christopher Walken. Need I say more? Maybe so, the man is not immediately present to non-cineastes, at least not by name. So: look in the dictionary under “cinema icon”; there you will find his photo. He is considered a cool sock. Often imitated. For one of his first film roles, in 1978 in “Going Through Hell” alongside Robert De Niro and Meryl Streep, he immediately received an Oscar; He had Quentin Tarantino’s tailor-made monologue for Pulp Fiction, he was a villain in both a Batman and a Bond film, and Leonardo DiCaprio’s father in Catch Me If You Can.

Bertram Eisenhauer

Responsible for the “Life” section of the Frankfurter Allgemeine Sunday newspaper.

The trademarks of the 78-year-old: the large, flat face, the slightly watery eyes, the quiff, inspired by his youth idol Elvis. But above all: the idiosyncratic way of speaking. Walken pays little attention to punctuation (which is lost in the German dubbing). He emphasizes sentences there. where it him. In. The sense. Comes.

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