You are now following the news of a hot scene and hysterical screams by Cinderella Souad Hosni with Rushdi Abaza in this forbidden movie..and the director did not stop filming until the end.! And now with the details
Riyadh – Ruwaida bin Abbas – 11/29/2022 at 05:08 pm | (Maya)
Souad Hosni remained, and will remain forever, the Cinderella that will not be repeated. When you only remember her, you will find your eyes laughing even if you are in a bad mood.
What do you think if you sit in front of the TV screen, you see and see her beauty, the charm of her eyes, her lightness, her cheerful spirit, and her sweet voice.
Cinderella of the Arab screen, whose features mixed with innocence, mischief, maturity and romance, which enabled her to present all roles in many films, including: Young on Love – The Well of Deprivation – Hassan and Naima – Mindless of Zozo – A Stranger in My Home – Love in the Dungeon – Appointment At dinner – Shafiqa, Metwally and many others. I presented to the Egyptian cinema regarding 85 films, all of them great films.
The late first screen boy, Rushdie Abaza, fell in love with her while they were filming the movie “Sunset and Sunrise.” After filming one of the scenes in the movie and behind the scenes, and in a surprising scene for everyone who was behind the scenes of the work, “Rushdie Abaza” knelt in front of her, saying to her: “I love you.” However, because Rushdie Abaza is known for his capriciousness, especially with female artists, Souad did not believe him and started laughing, expressing her happiness with his words, but she did not take him seriously. Likewise, following completing filming one of the work scenes, Rushdie Abaza knelt in front of Cinderella for the second time, and said to her: “I love you.” This is despite the presence of the beautiful Zubaida Tharwat with the most beautiful eyes in the Middle East behind the scenes of the work, but Suad Hosni is She always captures the eyes, the camera, and the hearts of everyone around her, to respond to Rushdie Abaza, crying out to the director of the film, “Henry Barakat”: “Follow me, O Barakat.. Rushdie will help me.”
The strong friendship between Muharram Fouad and Souad Hosni strengthened following they stood together in front of the camera for the first time in the movie “Hassan and Naima”, and the relationship developed for the better, following they participated together for the second time in the movie “Without Appointment”.
But because of Muharram Fouad’s preoccupation with his work and Suad Hosni’s preoccupation with her work, the relationship between them was severed, and many years passed without him seeing each other, but he quickly entered the courtyard of one of the huge hotels, and Suad Hosni was there by chance in an attempt to get a new job, and She was exhausted by the disease and completely changed her features, especially following she was exposed to an abnormally high weight. Muharram Fouad did not notice her because of her completely changed appearance.
But she ran behind him and called him and extended her hand to shake his hand, but his reaction was shocking to her, as he marveled at her audacity with him as if he knew her even though he did not remember the features of this face in front of him at all.
And when she said to him, “How are you, O Muharram?”, he asked her in astonishment, saying, “Sorry, I don’t care… Who are you?” So she took off her black glasses that she always wore to hide the dark circles under her eyes, and tears flowed down her cheeks out of grief over her beauty, which had collapsed to such a degree. And she said: “I do not know Naima, Hassan.
Here, Muharram Fouad was very embarrassed, but he began to console her and justify his great preoccupation with her, which made him unable to focus on anything. Sixth apartment «6A» in the Stuart Tower building in central London, where the body of the late artist was found dumped from the balcony of the house in which she lived with her friend, “Nadia Yousry”.
