2023-06-10 03:02:44
One of the great figures of the national scene lives a great moment of exposure in theater and television.
Gone is the television cycle in which he presented novels and productions and from which memes quickly went viral on social networks and all kinds of support inherent to the digital universe. It is that the diva of the novels of our land and of international scope, that she is none other than Virginia Lago, has crossed generations with her talent and charisma, which have led her today, for example, to be one of the key figures in Argentina, Tierra de Amor y Venganza II, the only national fiction on Argentine television today. Likewise, today the talented interpreter is a stable and leading part of the play Let’s Vote, which sells out in each of her performances. In this sense, daily today spoke with Lagos exclusively to find out more details regarding the intense and deserved present that he lives, embracing the profession. She also covered his vast career, talked regarding upcoming projects and current events that go through his passions: fiction and theater.
—How are you experiencing this return to theater and television? What feelings surround you regarding it?
—Ah, happy, we are all very happy; We miss fiction, the public too. The public likes to be told stories. He loves his actors. It was always like this.
—The public always has you very present, that’s nice too, right? How do you live this situation?
“Yes, of course, he is grateful.
—Tell me a little regarding what it’s like for you to travel to the eighties in this second installment of ATAV (Argentina, land of love and revenge). What was it like to put yourself in the role of this character who leads two decades due to his experiences?
—Well, this takes place in the seventies and eighties. And I have a character who has a very important role in the dictatorship, because she is a mother and grandmother. She is a mother whose only daughter disappears, because they found out that she was pregnant, so she looks for her granddaughter together with her grandson. She is a mother and grandmother seeking justice and looking for her granddaughter. I have lived very close to the dictatorship, so it is something that brings back very hard memories, and it also seems good to me that it be told, because well, “never once more” has to be present.
—Do you think that fiction also helps to bring the subject closer? Because generally people consume this type of product, and it is important that something so painful for everyone be talked regarding once more…
“You can’t stop talking. No no. You have to talk. This is so, because you cannot make a clean slate. You believe in life, and you have to love it, take care of it. Life is extraordinary, but you also have to tell what has happened to us. The war, the wars continue to be counted to this day, it is like that. Nazism continues to be counted to this day, it cannot be forgotten. One has to keep it in mind so that it doesn’t happen anymore.
—What are the feelings regarding the return of national fiction to television in these times of technologies and digital universes so in vogue?
—We are all very mobilized with that. I tell you, not only the actors, but the technicians, the directors, the authors, all mobilized by fiction. We really like doing it. Well, we have to thank Adrián Suar, who really bets. He is an actor, a director, so that is where fiction bets with everything. And well, we are happy there, hopefully there will be a lot of fiction, because it is good for us and for everyone.
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