Ahmed Saad and his wife Alia Bassiouni
Egyptian artist Ahmed Saad revealed that the secret of his stability and artistic success is his wife, Alia Bassiouni.
The artist Ahmed Saad, during his visit to the “TEN Nights” program, shown on the “TEN” satellite channel and presented by the media, Bossi Shalaby, said that the positive change that occurred in his life recently was surprised that his audience had noticed, which was evident during the comments he received through his accounts on the communication sites. different social.
Saad indicated that he has become interested in presenting works worthy of his art, away from the problems he has entered into during the past years, as he said: “I reached a point where I knew what might harm or benefit me.”
“Saad” attributed the reason for this change to his wife, who positively affected his life: “All my life I thought randomness was part of creativity.. The topic came out, not like that at all, when you have talent and are organized, you do a great thing like Abdel Halim (Hafez) and Umm Kulthum.” .
controversial picture
It is worth noting that the artist Ahmed Saad recently faced sharp criticism, because of his appearance in one of the pictures during his performance of the rites of Umrah, and in his arm “tatto” while wearing the Ihram clothes.
“Saad” responded at the time to what was raised once morest him, saying that people interfere in subsidiary matters, and leave the content and substance in performing the rituals of Umrah: “I went to seek God’s forgiveness and thank Him, Glory be to Him, for His blessings on me and on people.”
He added that the tattoos on his hands he drew following he had an accident a while ago, he left a great mark on his hand, and everyone who saw it mocked him, and asked him if it was because of a quarrel with others: “The people who criticized me for tattooing were a main reason behind doing it… So I made a shape Beautiful on the hands of an administrator (hide) with injuries, and God Almighty always looks at what is in the hearts and not on the shapes.”
