For twelve years, Thomas Hug has watched over Artgenève, an art fair unique in French-speaking Switzerland for its high standards, its plurality and its influence. He saw it born and grow, he is its long-term captain. A wise captain, by all accounts, whose methods seem to work wonders. He is currently piloting his 11th edition of Artgenève (see our selection from the vast program at the bottom of this article), but he has also carried out six sessions of the Monaco art fair, organized two Sculpture Garden biennials and many almost opened a salon in Moscow.
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