Activists circulated a rare picture of the artist Karim Abdel Aziz from childhood, while he is in the arms of Soad Hosni.
Egyptian artist Karim Abdel Aziz recalled his first artwork with Egyptian artist Adel Imam and artist Soad Hosni, when he was three years old.
Karim Abdel Aziz, said during his meeting on the “Sahranin” program, broadcast on the satellite channel on e, that he was 3 years old, with the artist Adel Imam and Lebleba, and he also presented a role with Adel Imam, Souad Hosni and Saeed Saleh in the movie “Suspicious”.
He added: “I was a child, and I did not understand the need, and Adel Imam and Saeed Saleh understood that we are gang workers and we are joking, and I say the words of the subject of the shot and the righteousness of the shot.”
He continued, “The film is one of the greatest films in cinema.. If I were aware that I would be similar to the names at this time.” The artist, Karim Abdel Aziz, revealed the reasons for his lack of media appearance, saying that he was mistaken in his lack of appearance in the media, but he does not know why he stays away from appearing in programs.
As well as regarding social networking sites, saying: “I do not know, by God, I say why… But maybe because I am not the type of people who like to look out and say I ate and drank what and do you like to do what, I like to talk regarding movies.”
And he added, that the first person who encouraged him to enter the field of social networking sites was director Marwan Hamed during the work period in the first part of the movie “The Blue Elephant”, saying: “He said you don’t have Instagram, I told him I only have 7 or 8 followers.. It was Private. He did not tell anyone regarding it. He said, “I do not do such-and-such and it began to spread.”
insulting mohamed ramadan
The artist, Karim Abdel Aziz, commented on the nickname “Number One”, which the star Mohammed Ramadan calls himself all the time.
Karim Abdel Aziz said during his honoring symposium at the 43rd Cairo Film Festival, that he and his generation were brought up in respectable art schools and know their limits well, noting that previous generations supported them, which they are currently doing.
Karim Abdel Aziz said, “We did not have the idea of Number One… you make a movie and present it to people, and you hope that they like it and make revenues, and once once more your colleagues achieve revenues that are the world like this.”
