The artist’s painting, “Jehan Qattan”, is linked to the artistic meaning that is formed from his saying, “If your beaches are crowded with loaded ships, stuck in the sand, and waiting for the tide to lift them, you do not have to hasten the hours of your tide.” In the creation of states ravaging the conscience through what is formed, by what is inspired and within the creations of the imagination away from the scattering of lines, as if it collects them in the midst of waves in an intuitive physiological manner with an aesthetically floating criterion, in contrast to what is evoked by the philosophical idealism emanating from forms that gather as forms in space in an image A mentality that, with its spontaneity, leads us to the meaning without embodying it, as quoted from “Gibran Khalil Gibran.” The link between literature and art through his poetry is a kind of endless, incomprehensible spiral lines that can be in the minds in advance. Aesthetics becomes clear following every struggle, and this contradicts what pleases the eye in its spiral lines that are sensually comfortable. Physiological interpretations between literature and art are guided by a spark of color, line, space, or even mental reception that results in measurements and proportions of imaginary consistency. It is a simulation of the word through the broad lines that establish silhouettes of emotional reflections, which were allocated by “Jihan Qattan” to gain aesthetic objectivity that arose from a literary meaning rich in images. The mentality, and this is what Gibran Khalil Gibran, the writer and artist, writer and painter, wanted, so that his words would be like paintings shaped by different images, and even each word has its own meaning. Are there artistic conflicts that the recipient feels as an expression of the entwining feelings between literary meaning and art? Does the musical sentence contradict the line and its spiral rhythms, as is the case in this Jihan Qattan painting?
A midst of conflicts that we live in multiple lives that represent a group of spiral lines that provoke a visual whirlwind that is somehow related to the way of life that we practice, as if we are in a spiral of endless conflicts, and follow each other within the cold and hot force or good and evil, as the poetic energy in art emerges when Wisdom reaches its maximum through a word written by “Gibran Khalil Gibran” to become a mental image from which many liberal lines emerge, albeit in a spiral form in which the levels of visual attraction that represent several ascending axes change, and others related to a series with intermittent rotation that represents the force of attraction, according to developments Pronunciation and meaning completely, like the shapes of the line in letters that are in themselves like waves that get stuck in their spiral floundering like ships stuck between the waves just like souls with turns that start from one point and break at another point, to come back once more and form, as if we are born and form a spiral in rings through which we wrap ourselves around the self Let us live in images that we see, as if we are spectra revolving around a point or around the return and not far from the center. The spirals in her drawings are synonyms for a terminological meaning resulting from human wisdom in life, which “Gibran Khalil Gibran” grabbed and translated in his drawings, poems, and even the literature he wrote, especially in this saying. Do the spiral lines in Jihan Qattan’s painting represent the different cultures to which Gibran Khalil Gibran, the writer and artist, belonged? Do we die, live, and repeat self-circulation as an expression of the power of renewal and positivity following how many disasters befall us?
