Art channels on the famous video site “YouTube” have re-published the boldest acting scene in the history of Egyptian cinema, which is the scene that was prevented from showing and brought together the artist Suhair Ramzi and the artist Youssef Shaaban in the movie “The Sinners”, and Suhair Ramzi appeared in it as (Sana Kamel), who is Completely naked in the bedroom with the engineer (Tahseen), who embodied his role, Youssef Shaaban, and according to the description of the followers, Suhair Ramzi and Youssef Shaaban appeared as they merged, and the scene was closer to the truth than to acting.
The scene of betrayal between Suheir Ramzy and Youssef Shaaban was not the only hot scene. The movie The Sinners, which was produced in 1975, contained many bold and sexual scenes, and caused a stir in the Arab street, and the Egyptian one in particular, in addition to that those shameful scenes caused divorce. The artist, Suhair Ramzi, from her husband at that time, “Muhammad Al-Mulla.”
And the movie “The Sinners” is the fourth feature film by director Saeed Marzouk. The story was written by the writer Naguib Mahfouz, while the screenplay and dialogue were written by Mamdouh El-Leithi. The film stars Suheir Ramzi, Hussein Fahmy, Salah Zulfiqar, Adel Adham, and Zubaida Tharwat.
Despite the passage of nearly four and a half decades since it was shown in the cinema, the details and history of the movie (The Sinners) are still full of excitement and scenes that many do not know, to remain one of the controversial Egyptian films, especially with its reservation for a place in the list of the 100 best Egyptian films in the festival referendum. Cairo Film Festival in 1996, on the occasion of the 100th anniversary of the establishment of Egyptian cinema.
Sinners movie story
The film tells the story of the murder of an actress, and the police’s attempt to find the perpetrator, so the two investigators (Omar Hariri) and (Saeed Abdel Ghani) listen to each accused’s story until they reach the real perpetrator.
The first thing that distinguishes the film is that it takes the viewer quickly to the course of events without preparing for an introduction, middle, or ending that we are accustomed to in the traditional format of the film. Collect pieces of puzzle pieces to reach the solution with the end of the movie.
This narrative form is not common in Egyptian cinema, but its origins are found in international cinema with the famous Japanese film Rashomon by Japanese director Akira Kurosawa, and this pattern was repeated following that in other films such as Vantage Point, and we can also see this form in the world of Arabic literature with the novel (An unjust village) by Muhammad Kamel Hussein.
Ban the sinners movie
Censorship of artistic works in Egypt did not go through a crisis like the one it experienced in 1975 because of the movie “The Sinners.” The censor’s permission to show the film led to the punishment of all the censorship cadres responsible for this permission. It also led to the issuance of new censorship laws.
And because the film was shown in the official competition for the first session of the Cairo International Film Festival, and it was received excellently by international critics, this made the censorship of works tend to allow a show, and indeed the censorship agreed to show the film, which happened on 9/23/1976 in addition to showing it. in several Arab capitals.
After the film was shown, the Egyptian People’s Assembly received many letters from Egyptians working abroad, calling for taking a position on the movie “The Sinners” because it offends them in the countries in which they work, because of what it carries of exposing the deviations of Egyptian society and the corruption of many of its segments.. The Assembly referred these letters to the Minister of Information and Culture At that time, “Dr. Jamal Al-Atifi” to take the necessary measures. So, he decided to stop showing the film and transfer its entire censorship file to the Administrative Prosecution to punish the agency. Scenes, movements and expressions of sexual significance, banning dance scenes, not showing crimes of revenge and taking revenge, not showing suicide, not showing social problems in a way that calls for despair among the masses. As for the oversight body, its head, “Etidal Mumtaz,” was referred to the pension and transferred, along with 14 others from the body, to the Supreme Disciplinary Court on charges of gross breach of job duties.
