The idea behind “M – The son of the century”

The highly anticipated TV series M – The Son of the Century, based on Antonio Scurati’s award-winning ⁢novel of⁤ the same name, premiered its‌ first two episodes on Sky last Friday. The series, which chronicles the rise ⁤of fascism in Italy and Benito Mussolini’s ascent to power, has already ‌sparked​ notable discussion for ⁤its unconventional approach to storytelling. ‍While the novel,which won the prestigious​ Strega Prize in ⁢2019,is known for its meticulous past detail,the series takes a bold,postmodern ‍turn,blending documented facts with a self-aware,almost theatrical style.

Luca ‍Marinelli’s portrayal ​of Mussolini is central to the series’ unique tone. across ⁢all eight episodes,⁢ Marinelli’s Mussolini frequently breaks the fourth wall,‌ addressing the audience directly. He shares confessions, cracks⁣ jokes, and delivers ironic ​commentary, creating ​a disconcerting yet ​oddly compelling character. Despite the⁢ gravity of his actions and the historical ‌context,Marinelli’s performance adds⁢ a layer of complexity,making the dictator both unsettling and strangely⁣ relatable.

This narrative​ choice, which strays from traditional Italian historical storytelling, has been a focal ⁣point of discussion‍ since the⁣ series debuted at‍ the Venice Film Festival. The screenwriters,⁤ Stefano Bises and Davide Serino, crafted a tone that balances grotesque humor with a critical lens, condemning the characters while fostering⁢ an uncomfortable familiarity.⁤ As Bises ‌explains,“The novel arrived‍ first. The dedication read: ‘I hope ‍we can work⁢ on it together.’ I didn’t understand what he meant. Then the proposal for The ⁤Apartment came ​to⁤ me.”

bises, a​ seasoned screenwriter known for ⁤his work on acclaimed series like Gomorrah and ZeroZeroZero, collaborated with⁢ serino ​to develop the first two episodes. Their partnership was‍ crucial in shaping the series’ distinctive voice. The ⁣process took two years, not‍ due to ‌the novel’s length—over ​800⁤ pages—but ⁢because of the meticulous decisions ⁤required‍ to define⁤ the project’s personality.From character growth ⁢to narrative ⁢style, every detail was carefully considered to ensure the series stood out.

The result is a daring reinterpretation of Scurati’s novel, one that challenges viewers to⁣ engage with history in a new way. by blending​ historical⁢ accuracy with postmodern storytelling,M – The Son of ⁢the‌ Century offers a fresh outlook ⁢on a dark chapter of Italian history. ​Whether ‌you’re ⁣drawn to ⁤its bold narrative⁣ choices or its compelling performances, the series⁤ is a must-watch ​for anyone interested in the ⁣intersection of history and art.

Adapting⁣ a novel⁢ into a television series is ⁣no small feat,especially when ⁤the ​source material is as historically significant and meticulously researched as Antonio Scurati’s work. The process‌ of transforming Scurati’s novel into​ a compelling audiovisual narrative required a delicate balance between staying true to the original text and making creative adjustments ⁣to suit the medium. The screenwriters, ‌Davide Serino and Luca Bises,‌ spent two years meticulously⁤ crafting the series, ensuring that every detail aligned with their vision while maintaining the ‍integrity of Scurati’s ⁣story.

One of the most challenging aspects of the adaptation was finding the ‍right tone. The novel presents⁤ Benito⁢ Mussolini as​ a complex figure—a man of undeniable talent and ambition,‌ yet riddled with flaws that reflect broader ⁤societal issues. To translate this into⁣ a⁣ television series, the screenwriters had to navigate a fine​ line between empathy‍ and condemnation. As Bises explains, ‍«It’s about ⁣creating a constant double standard, where the protagonist never truly‌ reveals his intentions. He‌ speaks in a dual language,⁣ and this trick allows us to represent ​his ​character⁢ effectively.»

This approach draws parallels⁢ to characters⁢ like Frank Underwood from House of ‍Cards,where the audience is⁤ drawn into the protagonist’s world⁢ despite their​ moral ⁤ambiguity. However,⁤ the screenwriters were careful to ensure that their⁢ portrayal of Mussolini remained distinct. «At the beginning, the series has​ a stronger comedic tone,» Bises notes. «But as⁢ it progresses, it spirals into darker, more tragic territory.»

antonio Scurati,‍ the author of the original⁢ novel, played a crucial role​ in the adaptation process. While he was not directly involved in writing ⁣the scripts,‍ he served as a consultant, providing feedback​ on early ⁣drafts. «The relationship with the⁤ author of a ⁤novel to be​ adapted is​ never linear,» Serino ‍admits. «Antonio was ⁢initially taken aback​ by the tone⁢ we chose. For a long time,he saw it as ‌a betrayal​ of his​ rigorous approach. But​ eventually, he came ‍to​ appreciate the direction ‌we took.»

scurati’s satisfaction with the ⁤final product is evident ‍in his​ public statements. His name appears among the scriptwriters, and⁣ he ⁤has consistently praised the series in interviews. This collaboration highlights the importance⁤ of maintaining⁤ a ⁣dialog between the original ‍author and the creative team, ensuring that the adaptation respects the source material while exploring new narrative possibilities.

The technical challenges​ of ​adapting ‌such ‌a ⁤complex story for television cannot be overstated. With a protagonist as morally ambiguous as Mussolini, the screenwriters had to find ways to engage the⁤ audience‌ without glorifying his actions. «Scurati’s great idea was to tell the story of⁢ fascism from Mussolini’s perspective,⁢ but in an extremely documented way,» Serino explains. This approach allowed the series to delve‍ into⁢ the psychological and political intricacies of⁣ Mussolini’s rise‌ to power,⁢ offering viewers​ a‍ nuanced ⁢understanding of‍ his character.

Once the script​ for ​the first two episodes ⁣was finalized,‍ the production team ⁣secured a ⁣partnership with ​Sky, ⁤paving the way ​for the series to come to life. The involvement of⁤ acclaimed director Joe Wright, known for films like ⁣ Atonement and The ‌Darkest Hour, marked a significant milestone.‌ Wright, who had ‌never directed ⁢a full ​television series before, ‌brought his distinctive ⁢visual style to ‍the project. While⁢ the core structure of the series‌ was already in‌ place,Wright collaborated closely with the screenwriters to adapt⁤ the episodes to his directorial vision.

As⁣ Bises and Serino recall, ⁣«Much of​ the series was designed on‌ paper to align with Wright’s style. He then added his personal‌ touch, refining ‌the ⁢narrative to suit his direction.» This collaboration between ⁣the screenwriters and the director ⁣ensured that the series ⁤maintained a​ cohesive tone while⁣ benefiting⁤ from Wright’s cinematic⁢ expertise.

Ultimately, the adaptation of Scurati’s novel into a⁤ television series is a‍ testament to the power of collaboration ⁢and ⁤creative vision. By balancing historical ‍accuracy with compelling ⁤storytelling,the⁤ series offers viewers a⁤ fresh​ perspective ‍on one of history’s most ​controversial figures. As​ the⁣ story unfolds, it challenges audiences to grapple with ​the complexities of ​power, ambition, and morality, making it a standout addition ​to the world of historical drama.

Luca Marinelli as⁤ Mussolini: A Bold Choice⁤ for‌ a Historical Drama

When it comes to portraying historical​ figures,⁤ few roles⁣ are as⁣ challenging as that of Benito Mussolini. The Italian dictator’s complex persona,marked by charisma,ambition,and ⁤infamy,demands an⁣ actor capable⁢ of balancing‍ gravitas with nuance. For the series M –⁣ The Son of the Century,Luca Marinelli ‌was the undisputed choice to embody Mussolini,a decision‌ made long before the director ‍was even ⁢selected.⁣ As ⁣one ⁤of the screenwriters, Bises, recalls, “From what ⁤I remember, the project was always⁤ proposed and ⁢sold⁤ with Luca in‌ the role of Mussolini.”

Marinelli’s portrayal of Mussolini is central to the series. He⁤ not ⁤only appears in nearly every scene ⁢but⁤ also serves as the narrator,guiding the audience⁣ through the⁤ story. His dialogue with viewers ​and his ability to convey⁣ the script’s unique tone make his role ⁤far more demanding than that of a typical actor. ⁢This level of‍ responsibility likely influenced the decision ⁤to bypass​ traditional ⁤casting⁢ processes. Marinelli’s deep involvement in the project extended beyond acting; he contributed to ⁢the script by suggesting⁤ authentic⁤ Mussolini quotes, such‍ as, “Only the ⁣mules ⁤and the curbstones⁤ don’t change‍ their ideas.”

from Venice to ​the Future: Expanding the Series

Following its debut​ at the Venice Film⁢ Festival in‌ September, discussions about adapting antonio Scurati’s other​ novels began to ​surface. M – The ⁤son of the Century is the first ⁢in​ a ‍series ​of books⁤ chronicling Mussolini’s rise and fall. The subsequent novels—M.‍ The ⁤Man of Providence (1925–1932), M.The Last⁤ Days of Europe (1938–1940),⁢ and M. The Hour of Destiny—offer rich material for future seasons. while no official announcements ‌have been⁤ made, the creative team is ⁢already brainstorming how to bring these‌ stories to life.

According to Bises and ⁢Serino,‍ the‍ second novel, which⁤ delves into the inner ‍workings of the fascist ⁤party⁢ and the​ establishment of Mussolini’s ⁢dictatorship, might⁤ be less compelling for adaptation. However,the third book,which explores⁣ Mussolini’s ‍relationship with Adolf Hitler,aligns more​ closely with the ⁣tone of the​ current series. “In ‌the relationship with Hitler’s Germany,ther is one thing that‍ resonates ⁤with our first season: Mussolini is an⁤ arch-Italian who dreams​ of building an empire,but his efforts are laughable,” Bises explains.‍ “The ⁤war in Ethiopia is ‍a national tragedy, yet it was conducted in an almost operetta-like manner.”

Reimagining​ Hitler: A Delicate challenge

Depicting Hitler presents a⁤ unique challenge.⁤ Unlike Mussolini, ‌Hitler has been portrayed countless times in global cinema, ranging from tragic depictions⁤ in The Fall to satirical takes​ in Jojo Rabbit. For the series, the writers ‍aim to strike⁤ a balance⁤ that aligns‌ with their original tone. ⁤“We can’t do a ⁢serious,​ dramatic Hitler like ⁣in The Fall, nor can we make him comical as in⁢ Jojo Rabbit,” ⁤Serino notes.‍ “We’re tempted to never let him speak,⁣ just make‌ him appear. When Mussolini ⁤visits Berlin for the ⁢first time, he sees himself as the master of a⁣ little guy, a​ little crazy.”

This approach ‍would allow the series to‍ maintain its distinctive style while offering ‌a fresh perspective on one of history’s⁢ most infamous figures. By⁢ focusing on mussolini’s perception of Hitler, the narrative could explore the‍ dynamics of their alliance without falling into clichés.

A Series Rooted in Authenticity

One of‌ the standout ⁤features of M – The Son of the Century is ⁣its ⁣commitment to historical accuracy. The⁤ screenwriters worked⁣ closely ‌with the ‌actors to ensure linguistic⁢ precision, particularly for Mussolini’s distinctive ⁢accent and speech patterns. “We were frequently ⁤enough on set⁢ to guide the actors, especially during ‍the script readings,” ⁤Bises recalls. ​“Even‌ Joe Wright, the director, was meticulous about adhering to the script, ​refusing​ to change a single word.”

This dedication to authenticity extends to the series’ visual and narrative style, which has garnered international attention.While the story ‍is ⁤deeply⁣ rooted ⁣in italian history, its global themes and cinematic quality have broad appeal.‍ As the series continues ⁣to explore Mussolini’s legacy, it promises to offer a⁣ compelling ⁣blend of historical insight and dramatic storytelling.

For ‍fans of historical dramas, M – The Son of the Century is more than just a retelling of Mussolini’s life; ‌it’s a nuanced exploration of power, ambition, and the human cost ⁣of dictatorship. With Luca Marinelli at its helm, the series sets a high​ standard ⁣for historical storytelling, leaving‍ audiences eager for what comes next.

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What historical ‍figures, ⁤besides Mussolini, are featured or mentioned in the series *M – The ⁣Son of the Century*?

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The Story of Fascism from Mussolini’s Viewpoint

The series M – The Son of⁢ the Century ⁣ aims to ⁣tell the story of fascism from Benito Mussolini’s perspective, offering a deeply documented adn psychologically nuanced portrayal‌ of his rise to power.The series⁤ is based on ⁢Antonio Scurati’s novel and seeks ⁤to balance historical accuracy with compelling ⁢storytelling,challenging viewers⁢ to ⁣grapple with the complexities of power,ambition,and morality.

Production and Collaboration

• The series was developed in collaboration with Sky and directed by Joe wright, ⁤known for films like Atonement and The Darkest Hour. Wright brought⁣ his‌ cinematic expertise to ⁣the project, refining the narrative to align with his visual style.
• The screenwriters, Bises and Serino,⁣ worked closely with Wright to ensure the series maintained a cohesive tone while benefiting from his directorial vision.

Luca Marinelli as Mussolini

• Luca Marinelli was chosen to play Mussolini long before the director was selected.His portrayal is central to the series, as he appears in nearly every scene and serves as the narrator.
• marinelli contributed to the script by suggesting authentic Mussolini quotes, ⁤such as, “Only the mules and the curbstones don’t change their ideas.”

Future Adaptations

• The series is based on the first book in Scurati’s‌ series,‍ which chronicles⁣ Mussolini’s rise and fall. Discussions are underway to adapt the subsequent novels, including‍ M. The Man of Providence and M. The Last Days of Europe.
• The third book, which explores Mussolini’s ‌relationship with Adolf Hitler, is seen as notably⁣ compelling for adaptation.the writers aim to portray Hitler in a ‍way that aligns ⁢with the series’ tone, potentially focusing on Mussolini’s perception of ‌him.

Historical Authenticity

• The series is committed to historical accuracy, with the screenwriters working closely⁤ with actors to ensure linguistic precision, especially ‌for Mussolini’s accent and speech patterns.
• Director Joe Wright was meticulous about adhering to the script, refusing to change even a single word.

Global Appeal

• While⁣ deeply rooted in Italian history, the series’ global themes and cinematic quality have garnered international attention. It ⁤offers a fresh perspective on Mussolini’s⁣ legacy, blending historical insight ⁣with dramatic storytelling.

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If​ you’d like me to expand on any specific section or help with the SEO-related content that was cut off,⁢ feel free to let⁣ me know!