The hero of “Choice 3” tells scenes that the audience did not see on the screen

Choice 3" (Written by Hani Sarhan – Directed by Peter Mimi) to the actual characters they embody.

Great praise was received by the Egyptian make-up artist with the presentation of the first teaser for the series a few days before the holy month of Ramadan, especially with the appearance of clips of each of Yasser Jalal (President Abdel Fattah Al-Sisi), Sabri Fawaz (Mohamed Morsi), Khaled Al-Sawy (Khairat Al-Shater) and their arrival in a form Perfection is very close to the real characters.

Macaire tells the series regarding the difficult period before the start of filming, saying: "We mentioned all the details of the characters during regarding two years, the period between 2011 and 2013, everyone had confidence in success and excellence, and the sessions between us always confirmed that they would strive to reach the closest form of the character they embody.".

Draw faces with colors
"At first we used to draw the characters with colors on the actor’s face, exactly like the portrait drawing, until we got to doing many rehearsals before filming, and when we got to the last rehearsal, everyone was happy with what had been accomplished."so he explains "Mostafa" About the changes that took place in the stars of the series.

Duration: "I cut the hair of the artist, Yasser Jalal, from the front, and on the contrary, the upper part of the forehead of the artist, Sabri Fawaz, was completed, besides that it was small, unlike the personality of Mohamed Morsi, which he is trying to embody, so the role of the hairdresser appeared to combine the wig with the original, which he was also able to implement in a distinct way.".

It includes a series "Choice 3" A constellation of Egyptian and Arab drama stars, most notably Yasser Jalal, Ahmed El-Sakka, Karim Abdel Aziz, Ahmed Ezz, Sabri Fawaz and Khaled El-Sawy, who meet in a work of art for the first time, and a number of other senior stars.

character study
And the Egyptian make-up confirmed in his speech to the site "Sky News Arabia": "Studying the characters is very important, and watching them through the era that will be expressed through the artwork. The artist, Yasser Jalal, used his facial muscles to facilitate my task, besides, he used to give me the expressions that he will photograph before filming in order to put the frills that suit them.".

وأردف: "The most difficult stage was Yasser Jalal’s front-facing haircut, and then I started working with his own hairdresser, Mohammed Saad and the stylist Hassan Mustafa, to reach the ideal shape, all amid a welcome from the artist Yasser Jalal, who did not show his anger at all, and he encouraged us to all attempts as long as the character would benefit.".

try to "Mostafa" Joining the Film Institute and specializing in the make-up department, but the department was canceled, to specialize in the computer and appointed his uncle, through whom he loved the make-up world, to work with him and obtain the required experience prior to his death.

He indicated in his speech to"Sky News Arabia": "We used darker colors to reach the skin tones required for them. Artist Yasser Jalal made a mark on his forehead in the place of prayer (the zebiba) and the audience did not feel that it was made with make-up, next to the artist Sabri Fawaz, who made sure to grow his chin to help us a lot and to work with him on the front only during filming period".

happy reactions
Regarding the reactions he received regarding the success of the characters in the series, he stressed: "It was very joyful, I felt that my efforts and efforts were not in vain, and that the audience has an artistic sense and can appreciate the effort expended, and I hope to always present the distinguished personalities that enrich the Egyptian and Arab art world".

He sees the owner of the creative touch in the series "The choice 3" The role of the make-up is very important because with simple tools and different thinking, he can put the character in his main place, noting "I learned a lot from makeup artist Ahmed Mortada, and from my spiritual father in this profession, makeup artist Mohamed Youssef Taha".

Khairat Al-Shater’s chin
وأوضح: "Khairat Al-Shater’s character was difficult, because I executed Khaled Al-Sawy’s chin, a feature by a trait, as the implementation of the chin is one piece that makes the artist unable to express through his face in the best way, in addition to the details of makeup under the eye, raised eyebrows and changes in his face that always express anger".

And he went on to win the Best Makeup Award for 2021 for the movie "man and mongoose": "Director Peter Mimi has always asked me that the characters be natural and not artificial, and that my touches are clear on the spirit of the character without reaching the resemblance only.".

و .ردف "Mostafa" Speaking to"Sky News Arabia": "I must thank all the team that worked with me during the preparation period and the filming period. We worked daily for hours to prepare the stars as they were the day before, and this is a very difficult work, but we were confident in our abilities and capabilities.".

“>

A difficult and historical task assigned to Mustafa to reach the stars of the series “”Choice 3(Written by Hani Sarhan – directed by Peter Mimi) to the real characters they embody.

Great praise was received by the Egyptian make-up artist with the presentation of the first teaser for the series a few days before the holy month of Ramadan, especially with the appearance of clips of each of Yasser Jalal (President Abdel Fattah Al-Sisi), Sabri Fawaz (Mohamed Morsi), Khaled Al-Sawy (Khairat Al-Shater) and their arrival in a form Perfection is very close to the real characters.

Macaire tells the series regarding the difficult period before the start of filming, saying: “We remembered all the details of the characters during regarding two years, the period between 2011 and 2013. Everyone had confidence in success and excellence, and the sessions between us always confirmed that they would strive to reach the closest form of the character they embody.”

Draw faces with colors
“In the beginning, we used to paint the characters with colors on the actor’s face, exactly like the portrait, until we got to doing many rehearsals before filming, and when we got to the last rehearsal, everyone was happy with what had been accomplished,” thus explains “Mustafa” regarding the changes that took place in the stars of the series.

He continued, “I cut the artist Yasser Jalal’s hair from the front, and on the contrary, the upper part of the artist’s forehead was completed, in addition to that it was small, unlike the personality of Mohamed Morsi, which he is trying to embody, so the role of the hairdresser appeared to combine the wig with the original, which he was able to implement. Distinctively too.”

The series “The Choice 3” includes a constellation of Egyptian and Arab drama stars, most notably Yasser Jalal, Ahmed El-Sakka, Karim Abdel Aziz, Ahmed Ezz, Sabri Fawaz and Khaled El-Sawy, who meet in a work of art for the first time, and a number of other senior stars.

character study
Al-Makier Al-Masry confirmed to “Sky News Arabia”: “The study of the characters is very important, and watching them during the time period that will be expressed through the artwork. The artist Yasser Jalal used his facial muscles to facilitate my task, in addition to that, before filming, he would give me the expressions that he will photograph. in order to put the frills that fit.”

And he added, “The most difficult stage was the shaving of the frontal front of Yasser Jalal, and then I started working with his own hairdresser, Muhammad Saad and the stylist Hassan Mustafa, to reach the ideal shape, all amid a welcome from the artist Yasser Jalal, who did not show his anger at all, and he encouraged us to all attempts. As long as it helps the character.”

Mustafa tried to join the Film Institute and specialize in the make-up department, but the department was canceled, to specialize in computers and appointed his uncle through whom he loved the make-up world, to work with him and obtain the required experience before his death.

In his speech to “Sky News Arabia”, he pointed out: “We used darker colors to reach the skin tones required for them. Artist Yasser Jalal made a mark on his forehead in the place of prayer (the zebiba) and the audience did not feel that it was made with make-up, next to the artist Sabri Fawaz, who was keen to germinate His chin helps us a lot and work with him on the forehead only during the filming period.”

happy reactions
Regarding the reactions he received regarding the success of the characters in the series, he stressed: “It was very joyful, I felt that my efforts and efforts were not in vain, and that the audience has an artistic sense and can appreciate the effort expended, and I hope to always present the distinguished personalities that enrich the Egyptian and Arab art world.”

The owner of the creative touch in the series “The Choice 3” believes that the role of the make-up is very important because with simple tools and a different thinking, he can put the character in its main place, noting, “I learned a lot from the make-up artist Ahmed Murtada, and from my spiritual father in this profession, the make-up artist Muhammad Yusuf Taha.”

Khairat Al-Shater’s chin
He explained: “The character of Khairat Al-Shater was difficult, because I executed the chin for Khaled Al-Sawy, a lock of a trait, as the implementation of the chin is one piece that makes the artist unable to express through his face in the best way, in addition to the details of makeup under the eye, raised eyebrows and changes in his face that always express anger. “.

And the winner of the Best Makeup Award for the year 2021 for the movie “Man and Mongoose” added: “Director Peter Mimi has always asked me that the characters be natural and not artificial, and that my touches be clear on the spirit of the character without reaching the resemblance only. “.

And Mustafa added, in his speech to “Sky News Arabia”: “I must thank all the team that worked with me during the preparation period and the filming period. within our capabilities and capabilities.

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