With an vital doc – printed and audio (in Sindhi) – linked to Patras, the journal “Entefktirion” (p. 125) of Thessaloniki is revealed. That is the final radio interview with Faros 9.85, given by the nice man poet Manolis Anagnostakis to the paternal writer Kostas Logaras, April 1979, when he had come to Patras to current the sequence “Our Prose Custom”, edited by him (revealed by Nefeli). It was a couple of days earlier than his voice was altered as a result of stroke he suffered.
“I don’t settle for lyrical prose. She seems to be very candy to me […] had mentioned concerning the prose-poetry relationship. “When the years move, the person begins to wrinkle inside himself […] He desires to specific himself differently, extra particular, extra grounded. After which he’ll both be silent or flip to different types of artwork” his rationalization for his option to be poetically silent. “I reject the time period “navy artwork”” he had declared, in addition to “for me, fascist is just one factor: humiliating the opposite”. And he believed {that a} cultured man “is not at all superior to a layman, who has a pure innate cultivation”.
The above are just a few phrases of Anagnostakis from that day deep dialog, the expertise of which he described Ok. Logaras in “P: “It’s a “reward” to speak to Manolis Anagnostakis, a poet of such stature. The deep, significant dialog with him takes you nearer to the core of his poetic universe.”
Manolis Anagnostakis was born in Thessaloniki the place he studied drugs. His sister was the playwright Loula Anagnostaki.
In 1986 he was awarded the First Poetry Prize for his work “The Poems 1941-1971” and in 2002 the Grand Prize for Literature from the State Literary Awards, whereas in 1997 he was declared an honorary doctorate of the College of Thessaloniki.
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