When David Muñoz may, he all the time selected the evening shift on the manufacturing unit. He most popular silence. The monotonous work, the routine that allowed him to consider letters whereas he assembled items. Once they wanted it, David and José requested for the day without work to go bowling. In the future they requested for the day to go to Madrid. They have been going to signal a contract. Martínez, the manufacturing unit boss, gave them the day, however he requested them to see the cardboard later to show that they’d deposited cash. Thus, within the least glamorous and most street-oriented method, one of the essential bands of latest many years was born.
The emergence of Estopa within the final months of the century was one of many nice surprises of these years. The band had been making noise for a while with a demo that, earlier than social networks, had gone viral. A rumor that circulated from automobile to automobile in a secret that acquired out of hand.
The discharge of the album a couple of months later marked the start of a phenomenon that crossed all obstacles of age, class, gender or musical fashion. In a Spain nearly as fractured because the one now, there appeared to be a quorum in a single factor: everybody appreciated Estopa.
This week we’re going to bear in mind the debut of the Muñoz brothers’ band and we do it with the assistance of Jordi Bianciotto, writer of the latest biography of Estopa, and with the stories of Lucía Taboada.
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The Estopa warmth earthquake
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