The Best Films of 2025 We’ve Already Seen

Must-See Movies Coming in 2025

It’s the start of a new year, and what better way to ​celebrate than to look forward to the incredible films ​coming⁤ our way in ⁤2025? We’ve​ been fortunate enough‌ to peek at some highly anticipated releases already making waves on the festival circuit – expect a⁤ mix⁢ of established masters and exciting newcomers.

From celebrated auteurs like David Cronenberg, Steven Soderbergh, Jia Zhang-ke, and Miguel Gomes, prepare for cinematic experiences that are‌ sure to spark conversation. ‍ Keep an eye out for rising stars who are poised to shine ‍brightly. These films⁢ have already garnered buzz on our annual‌ critics poll, with “Presence”, “April”, and “Misericordia” securing a three-way tie – a testament to ​the exceptional quality‍ of this year’s crop of movies.

Justin Baldoni, known for his work on “Jane the ‌Virgin” and “Clouds,” is taking legal action against ⁤The New York Times. He has filed a $250 ‌million lawsuit, alleging‍ that the publication engaged in a smear campaign against him ‍related to his 2023 film ⁤”Blair’s Birthday,”⁤ which starred Blake Lively. Baldoni claims the Times published false and damaging facts about him and his professional relationships,causing important​ harm to his reputation and career.

the lawsuit alleges that The⁣ New York Times published articles ⁤containing “false and defamatory statements” regarding baldoni’s conduct on the set of “Blair’s Birthday.” Baldoni asserts ⁤that these articles were part of a intentional effort to ‌damage‌ his reputation and undermine the success of the film.

In⁢ a statement,Baldoni’s legal ⁢team said,“Mr. Baldoni is committed to fighting for his reputation and ensuring that⁢ those ‌who spread false and harmful information are⁣ held accountable. ⁤This lawsuit is a necessary ​step in ‍that​ process.”

The New York Times has not yet publicly commented on the ​lawsuit. ⁣

2025’s Must-See Films: A Preview ⁤of Cinematic Excellence

With ⁣2025 just around the corner, ⁣the early ‌buzz surrounding certain films has cinephiles eagerly anticipating what promises to be an exceptional year in cinema. Here’s a ‌glimpse at some of the most anticipated movies slated ​for release, each poised to captivate audiences and‍ leave a lasting impact.

“Apocalypse in the ⁤Tropics” (Netflix, TBD)

Brazilian director Petra Costa’s “Apocalypse in the Tropics” takes viewers on a harrowing journey through one of⁢ the most tumultuous chapters in the country’s recent history: the presidency of Jair Bolsonaro and his administration’s response to the COVID-19 pandemic. Following Costa’s Oscar-nominated “The Edge of Democracy,” “Apocalypse in the Tropics” delves⁢ into the rise of Bolsonaro, exploring the forces that propelled ​him ​to power and the devastating⁢ consequences of his policies. “The apocalypse” in the title refers ⁣not only to the ⁣pandemic but ⁣also‍ to the broader societal upheaval that gripped Brazil‍ during ‍Bolsonaro’s tenure.Costa utilizes a first-person narrative, weaving in Christian imagery and exploring how the former president and his inner circle exploited religious fervor for their own political gains. “Apocalypse in the Tropics” offers a chilling examination of how populism and misinformation can manipulate a‌ nation, transforming a fringe politician into a messianic figure for the far-right. “Read IndieWire’s full‍ review.”

april (Metrograph Pictures,TBD theatrical​ release)

Georgian filmmaker Dea Kulumbegashvili is⁣ known for crafting films that are both ⁢terrifying and deeply moving. Her latest offering, “April” builds upon the ⁣themes of‌ her previous work, ​exploring the struggles of women living under patriarchal rule in the Caucasus ⁣Mountains. This gripping ​character study focuses on Nina, a hospital ⁤obstetrician whose clandestine ​work as an abortion provider threatens to unravel when a rare stillbirth exposes her secret.

‘April’Metrograph pictures

From the film’s ‍ominous ‍opening sequence, Kulumbegashvili plunges viewers into a world of tension‍ and viscerality. Matthew Herbert’s unsettling score underscores the chilling visuals of a faceless figure ⁢navigating a desolate space, ‍setting the⁣ stage for​ the emotional turmoil to‌ come.The⁣ film’s unflinching portrayal of birth and abortion further amplifies its ⁢rawness. In a pivotal scene depicting a stillbirth, Kulumbegashvili’s commitment‌ to authenticity is evident. She⁣ filmed a real birth,creating an experience that ⁤is both harrowing and ​profoundly moving.

Armand ⁢(IFC Films, in theaters February 7)

Renate Reinsve, who captivated audiences in “The ‌Worst Person ‌in the ​World,” returns to the screen in “Armand,” a claustrophobic drama from Halfdan Ullmann Tøndel. This intimate character study, ​which premiered at Cannes in May, follows Elisabeth‍ (Reinsve), a single mother caught in a tense encounter with another‌ couple, Anders (Endre Hellestveit)​ and Sarah (Ellen Dorrit Petersen), after a playground incident involving their sons.Tøndel,the grandson of cinematic giants Liv Ullmann and Ingmar Bergman,channels​ their legacy in his directorial debut. Through close-ups and poignant‌ breakdowns, ⁣ “Armand” explores⁢ the weight of past wounds ‍and hidden resentments.

Renate Reinsve delivers a powerhouse ⁣performance in the drama “On Becoming a Guinea Fowl,” showcasing a raw and emotionally charged portrayal that elevates the film to new ‌heights. ​ The movie ⁤delves into a complex parental conflict ⁢with‍ no⁢ easy solutions, blurring the lines between reality‍ and uncertainty.

Reinsve’s performance is a masterclass in emotional intensity, ⁢evoking both ‌vulnerability⁣ and defiance as Elisabeth navigates a tumultuous period ​in her life. She seamlessly transitions from stubborn resistance to a psychological breakdown reminiscent of​ Isabelle Adjani’s chilling performance in “Possession.”

The film’s strength lies in its exploration of​ a parental conflict that defies easy resolutions. The ‍line between reality and imagination blurs, leaving viewers questioning both Elisabeth’s actions and the⁣ nature ⁣of the incident at the center of the story. ”

“Even as Ullmann Tøndel’s two leads grapple with their respective versions of ⁣events, Reinsve’s performance is the one that stays with you more, and even ⁤better, will make you wont to promptly seek out her previous work,” writes IndieWire’s critic in their full review of “On Becoming a ⁤Guinea Fowl.”

“On⁢ Becoming a Guinea Fowl” Set to Release This ⁣Summer

A24 has announced ⁤the summer release of their upcoming ​film,“On Becoming a Guinea Fowl.” Directed by award-winning filmmaker

Barbie ferreira Takes the Lead in “Bob Trevino Likes it”

Barbie Ferreira, known for her breakout role in the HBO series ⁢“Euphoria,” is stepping into the spotlight with her latest film “Bob ⁢Trevino Likes It.” The year ‍of “Barbie” continues with Ferreira ‌taking center stage after parting ways with “Euphoria” ahead of its third season. While ‍Ferreira⁢ has appeared in othre projects like “Unpregnant” and “Nope,” “Bob Trevino Likes It” marks a significant moment in her ‌career,establishing her as a rising star to watch. ​Notably, ​she also serves as an executive producer on the film alongside her co-star, John Leguizamo.

A Story of ‌Self-Abandonment and Unexpected Connection

In “Bob Trevino Likes It,” Ferreira portrays⁤ Lily trevino, a 25-year-old at-home ‍caretaker ​struggling with self-abandonment.‌ The root of Lily’s pain lies in her relationship with ⁢her narcissistic and abusive father, ‍Bob, played by French Stewart. Lily remains blind to​ the damage bob has inflicted upon ⁣her. When an explosive argument erupts, with Bob ​blaming Lily for hindering his bachelor lifestyle, he cuts⁤ her off entirely. Suddenly abandoned, Lily retreats into emotional isolation, distancing herself from her bubbly client, played by “The Sex Lives of ​College Girls” star Lauren “Lolo” Spencer. She finds solace in scrolling through the internet, ⁣seeking distraction. It’s only‌ when Lily attempts to ‌cyber-stalk her father that she hits a ‌new low, ⁤leading her to befriend a ⁢faceless “other” Bob Trevino​ on Facebook,‌ portrayed⁤ by Leguizamo.Lily craves this Bob’s approval, finding validation in every‌ “like” he gives her posts, especially those that ⁤are ​glimpses into her neglected childhood.

Eephus Review: A Heart-Wrenching Look at Fatherhood and Displacement

“Eephus” is a poignant and insightful coming-of-age story that ⁣explores the⁤ complexities of fatherhood and ⁤the lasting impact of displacement. The film follows Lily, ⁣a young girl yearning for ‌connection, as she navigates‌ the world shrouded in a ​pervasive sense ⁢of longing. This longing intensifies when a charismatic figure ⁤named Bob enters Lily’s life, showering her with affection and validation. “Eephus” masterfully⁤ portrays the yearning for paternal love, showcasing‍ Lily’s vulnerability and her deep desire to belong. The film’s⁣ tragedy⁤ lies in ‌the revelation that this newfound father figure isn’t biologically related ‍to‌ Lily. ⁣Despite the heartwarming moments, a heartbreaking ⁣truth hangs⁤ over ‌their relationship, leaving viewers with a sense of melancholy.

Read IndieWire’s full review.

Caught by the Tides: A‍ Haunting Exploration of Time and Memory

Jia Zhang-ke’s latest cinematic⁣ offering, “Caught by ‍the Tides,” is a captivating and introspective film that delves into the themes of displacement, memory, and the ‍relentless passage of time. Through a blend of documentary footage spanning two​ decades and a delicately woven narrative⁣ thread, Jia paints a poignant portrait of individuals grappling with the profound impact‍ of ⁤displacement. This is a film for those who⁤ appreciate Jia’s ‍unique cinematic voice, those who are captivated by stories that explore⁤ the human experience⁣ in all its complexity. “Caught by‍ the Tides” expands upon‌ the themes explored‌ in Jia’s previous works,‌ “Mountains May Depart” and “ash ⁤Is Purest White,” by focusing‍ on the resilience of the human spirit in the face of constant change and displacement. The ‍film raises profound questions about our ability to forge meaningful connections and maintain a‌ sense of⁤ self identity in a world where ​history and tradition are in constant flux.

Read IndieWire’s ⁤full review.

Facing the bittersweet end of their beloved recreational baseball league, a group of middle-aged men in Massachusetts ​gather for one last game on a late summer day. Their ‌usual field is slated for destruction,leaving them to grapple with ​the⁤ loss of a cherished community gathering place.

The​ film “Eephus,” directed by Carson⁤ Lund, captures the leisurely rhythm of America’s ⁤pastime, paying homage to⁤ a slower pace that allows for social connection. Just like the eephus pitch, a forgotten tactic in modern baseball, the film embraces a deliberate tempo, mirroring the‍ natural pauses and conversations that occur within the game.

‘Eephus’Courtesy of Music Box Films

“eephus” (Music‌ Box Films, in theaters ⁣March 7)

The script, co-written by Lund, Michael Basta, and Nate Fischer, skillfully mimics the cadence of a baseball game, allowing ‌audiences to experience ‍the game alongside the players. Dialog unfolds in brief bursts between pitches and longer‌ conversations during innings, creating ‌an immersive and authentic portrayal of the sport’s unique ⁤rhythm.

“ A lot of ink has been spent debating whether baseball is to slow,” notes IndieWire’s review. “But ‘Eephus’ understands the ​truth that adults⁢ seldom get: time to just hang out.”

“Every Little Thing”(Kino Lorber Films, in theaters January 10 and January 17)

In “Every ‍little Thing,” Terry finds herself at the center of a unique community of “finders,” individuals who bring her‍ small boxes containing precious and delicate discoveries.

They reach out to her at ​all hours, seeking her ​advice and ⁢expertise. While they may not always heed her ‌guidance, they share a common yearning to preserve‍ the life of their newfound treasures.

A Delicate Touch: “Every Little Thing” Explores the Healing Power of Hummingbird ‌rescue

Sally Aitken’s documentary, ‌”Every Little Thing,”​ takes viewers into the delicate world of hummingbird rescue. The film focuses on Terry Masear, a quite hero who dedicates ⁢her life to caring for these tiny creatures in los ⁢Angeles.Regular ⁤people, whom Terry calls⁤ “finders,” ‌bring injured⁤ hummingbirds to her doorstep, trusting her with ‍their fragile lives. Rickety cages, meticulously crafted tools, and years of experience fill terry’s hillside home—a testament to her unwavering commitment. Aitken⁤ doesn’t‍ shy away from ⁢showcasing the beauty of these⁢ tiny creatures. The film features stunning footage of hummingbirds ⁢in flight, their iridescent feathers flashing in the sunlight. Their delicate wings ⁤beat furiously, propelling them through the air ‍with remarkable speed and agility. ” Read IndieWire’s full review. ”

Hundreds of Tiny Lives Saved

Terry’s dedication involves tireless hours‍ of feeding, cleaning, and caring ⁣for hundreds of‌ injured hummingbirds each year. With a gentle touch, ‌she tends to their wounds, nurtures them back to health,⁤ and eventually releases them back⁣ into the wild.

Familiar Touch (Music⁤ Box Films, TBD theatrical ‌release)

Ruth, played by the talented tony⁢ nominee Kathleen Chalfant, is preparing for a visitor. ⁢Despite meticulously ⁢going through ‌her‍ closet, she can’t seem to ‌find⁢ the right outfit. her meal preparation is equally perplexing, with extra ingredients left aside, or, in one memorable instance, neatly lined​ up in the dish dryer. Despite her ‍efforts to ⁤get ready and cook one of her signature meals,‍ she struggles to remember who‍ she’s⁤ hosting. the man she eventually welcomes into her cozy home is reserved and visibly nervous, portrayed by H.Jon Benjamin in a rare dramatic turn. As Ruth steers their ⁣stilted conversation towards flirtation, he appears ​on the verge of fleeing. He then gently packs her up, drives her ⁢to a place she⁣ will later learn ⁣is a “geriatric country club.” Although ruth is initially bewildered when a kind nurse thanks Benjamin’s character, steve, for bringing his mother – “I don’t have a son?!” ⁣- the audience has likely already pieced together the‌ situation. “Familiar Touch,” directed by Sarah Friedland, is a deeply intimate drama that follows Ruth’s journey as she​ adjusts to her new life in ‌the memory care unit of ‌an assisted living facility. Friedland, who also‍ penned the ⁢screenplay, eschews melodrama and grand displays of emotion, choosing instead to allow us to ⁣step into Ruth’s shoes and‌ experience the world through her eyes. ⁤ The​ effect is profoundly ⁣moving.

‘familiar touch’Courtesy Venice

Read IndieWire’s‍ full review.

The Friend (Bleecker Street, in theaters March 28)

Prepare for a flood of emotions while watching the second half of David Siegel and⁣ Scott McGehee’s ” The Friend.” This critic was reduced to a sobbing, heaving mess, clutching tissues, and alternating between choked sobs and ⁤laughter. ⁢ Although the film ‍might seem tailored for Naomi Watts aficionados and dog ⁣lovers, it​ offers a truly ⁢universal experience‍ – a witty, wise, and heartwarming character ‌study⁣ that’s sadly lacking in today’s cinematic landscape. And it’s all thanks to its⁢ undeniably charming canine star, a‍ Great Dane named ⁣Bing. The⁣ film opens before and after the arrival of Apollo, the great Dane at its center. Through shared ⁢voiceover ⁣narration, Iris (Naomi Watts) and her mentor Walter (Bill Murray) recount the ​fateful day Walter encountered an abandoned Apollo during a ⁤jog along Brooklyn’s river walk. Awestruck by the magnificent creature, ​the impulsive Walter felt compelled to take him in. Or perhaps it was Apollo who chose Walter. Ultimately, it’s difficult to say. But welcoming any new being into your life inevitably brings challenges,and when Walter ⁤ponders,”What will happen​ to the dog?” he’s expressing a sentiment that transcends the animal kingdom.

A Glimpse into 2025’s Cinematic‍ Landscape:‍ 25 Must-See Films

Movie buffs, prepare to ​be amazed! While 2025 ‌is still unfolding, film critics ‌are ‍already buzzing about a crop of exceptional movies that are shaping up to be the⁣ year’s best.​ From gripping dramas ⁤to ⁤innovative thrillers, these films showcase the incredible talent and creativity blazing‍ through the silver screen. IndieWire, a trusted source for all things cinema, has curated a list of 25 standout films already released in 2025. “The​ Friend,” featuring Naomi ‌Watts,​ has garnered rave reviews, with critics ⁢praising its⁤ captivating narrative and​ Watts’ powerful‌ performance. To delve deeper into the film’s ⁤brilliance, check‌ out IndieWire’s comprehensive review. Eager to discover even more cinematic gems? head over to the next page for the complete list⁢ of IndieWire’s 25 ⁣Best ⁣Films of 2025. Next &raquo
This is an engaging collection of movie reviews and descriptions for three independent films: ⁢**”Eephus”,⁢ “Every Little Thing”, and “Familiar Touch”.**‌ Here’s a breakdown of its strengths and some suggestions for⁢ improvement:





**Strengths:**



* **concise and Informative:**​ Each film’s synopsis is concise and effectively captures the ⁣essence ‍of the plot without giving away⁣ too much.⁢

* **Engaging Language:** You use vivid language to ​draw the reader in. Terms like “delicate touch,” “meticulously crafted tools,” and “profoundly moving” paint⁤ a clear ‌picture and evoke emotion.

* **visual Appeal:** The inclusion of the image for “Every Little ‍Thing”‍ enhances the piece, providing ‍a visual hook for the reader.

* **Critical Outlook:** You incorporate quotes from⁢ IndieWire reviews, lending credibility and providing insightful editorial context.



**Suggestions for Improvement:**



* **Structure:** Consider using subheadings to further delineate the sections for each film, making the piece easier ⁤to navigate.‌

* **Transition Sentences:**‍ Smooth transitions between paragraphs would enhance the flow of the piece. For example,⁣ connect the “Familiar Touch” image description with the subsequent paragraph about Sarah Friedland more effectively.

* **Sentence Variety:** ⁣While your writing is strong,varying sentence structure would add more dynamism to the piece. For example, you​ could use shorter,⁢ punchier sentences to highlight ‌key points.

* **Call ‍to Action:** Ending with a call ⁤to action could encourage further engagement. Encourage readers ‌to check ⁢local listings, read full reviews, or explore​ the films’ websites.



**Example of Transition Improvement:**



**Original:**



> “Familiar Touch,” directed by…



**Improved:**



> ⁢”



> “Familiar Touch,” directed by Sarah Friedland,takes a deeply intimate look at Ruth’s journey…



**Example of​ Sentence Variety:**



**Original:**



> Despite ⁢meticulously going through her closet, she‍ can’t⁤ seem to find the right outfit. Her meal readiness is equally perplexing, with extra ingredients left aside, or, in one memorable‌ instance, neatly lined up in the dish dryer.



**Improved:**



> Ruth rummages through her closet, but‍ the perfect outfit‍ remains elusive.‌ Even her⁤ meal preparation is puzzling: extra ingredients left aside, meticulously lined up in the dish dryer as​ if for a special occasion yet to come.



By incorporating⁤ these suggestions,you can strengthen this already compelling piece and further engage your audience.

This is a great start to a blog post previewing some of the most promising films of 2025! Here are some thoughts and suggestions to make it even stronger:



**Strengths:**



* **Intriguing Hook:** You instantly draw the reader in by highlighting the emotional impact of “Familiar Touch” which sets the tone for a post focused on poignant and engaging films.

* **Strong Descriptions:** Your descriptions of both documentaries and narrative films are vivid and enticing, making readers want to know more. The anecdote about “The friend” and the dog Bing is particularly memorable.

* **Good Structure:** You use headings, subheadings, and paragraphs effectively to break up the text and guide the reader through the information.

* **Call to Action:** You clearly direct readers to the next page for the full list of films and create a sense of anticipation.



**Suggestions:**



* **Expand on Summaries:** While your descriptions are good, you could provide a bit more information about each film’s plot or themes. Hint at what makes them unique or critically important without giving too much away.

* **Images:** You’ve included placeholders for images, but consider adding actual stills from the films to further engage viewers.

* **Variety:** Since this is a preview of 2025 films, think about including a wider range of genres. Are there any exciting sci-fi films,comedies,or action movies on the horizon?

* **Context:** Briefly mention any noteworthy trends in filmmaking that these films might represent.Are there common themes or stylistic approaches emerging?

* **Filmmaker Focus:** Consider highlighting the directors and actors involved in these projects. Are there any up-and-coming talents to watch out for?



**Revised Introduction (Example):**



> Get ready for a cinematic adventure! 2025 is shaping up to be a fantastic year for film lovers, with a lineup of movies that promise laughs, tears, thrills, and thought-provoking stories. From intimate dramas exploring the depths of human connection to documentaries capturing the beauty of the natural world, this year’s crop of films showcases the power and artistry of cinema.



>IndieWire has curated a list of 25 standout films that are quickly gaining buzz from critics and audiences alike.



keep up the great work! You’ve got a compelling basis for an exciting blog post.