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Turning Point USA Announces All-American Halftime Show to Counter Bad Bunny’s Super Bowl Performance

by James Carter Senior News Editor
written by James Carter Senior News Editor

Choice Super Bowl Halftime Show Announced Amidst Political Divide

Table of Contents

A competing Halftime Show, dubbed the “All-American Halftime Show,” is set to take place on february 8th, coinciding with the National Football League’s championship game. This event, organized by Turning Point USA, a conservative institution, aims to present a distinctly different entertainment experience than the official Super Bowl performance featuring Bad Bunny.

A Patriotic Counter-Programming Effort

The “All-American Halftime Show” was conceived as a direct response to the selection of Bad Bunny, a Puerto rican artist, for the Super Bowl Halftime Show. The organization, founded by Charlie Kirk – who was tragically assassinated in September 2025 – intends the show to be a festivity of American values with a lineup featuring prominent country artists and Kid Rock.

Kid Rock, a vocal supporter of former President Donald Trump, is headlining the event, which also includes performances by Brantley Gilbert, Lee Brice, and Gabby Barrett. The concert intends to emphasize themes of “faith, family, and freedom”.

Clash of Cultures: Kid Rock Challenges Mainstream Entertainment

During the announcement,Kid Rock openly criticized Bad Bunny’s impending performance,questioning the artist’s style and language choices. He stated, “Bad Bunny claims he’s going to have a dance party, wear a dress and sing in Spanish? cool. We’re going to play great songs for people who really love America.”

This statement highlights a growing cultural and political divide, reflecting increasing polarization in American entertainment preferences.This stems from concerns about depiction and the influence of political statements within mainstream media. According to a recent Pew Research Center study , over 60% of Americans report encountering politically charged content online daily.

Comparing the Halftime Performances

The contrasting approaches to the Super Bowl Halftime Show reflect broader trends in American culture and politics. Here’s a speedy comparison:

Feature All-American Halftime show super Bowl Halftime Show (Bad bunny)
Organizer Turning Point USA National Football League
Headliner Kid Rock Bad Bunny
genre Focus Country, Patriotic Latin Trap, Reggaeton
Primary Audience Conservative-leaning Broad, Global
Transmission YouTube, X, Conservative Channels National Television

The All-American Halftime Show will be broadcast live on Turning Point USA’s YouTube channel and X (formerly Twitter) account, as well as through partner networks like Real America’s Voice and One america News Network (OAN).

The Rise of Alternative Events and Political Commentary in Entertainment

The emergence of this alternative halftime show is part of a larger trend of politically motivated counter-programming within the entertainment industry. Similar instances have been observed in recent years, such as the conservative-backed film releases challenging mainstream Hollywood productions.

Some analysts suggest this strategy is designed to energize specific voter bases and bypass traditional media outlets. This is of particular note given the upcoming 2026 midterm elections.

Do you think the All-American Halftime Show will be able to garner significant viewership against the scale of the Super Bowl Halftime Show?

How do you think the rise of politically-driven entertainment choices impacts the broader cultural landscape?

Share your thoughts in the comments below and join the conversation!

What is TPUSA‘s All-American Halftime Show and how will it counter Bad Bunny’s Super Bowl performance?

Turning Point USA Announces All-American Halftime Show to Counter Bad Bunny’s Super Bowl Performance

Turning Point USA (TPUSA), a prominent conservative youth institution, has announced plans for an alternative “All-American Halftime Show” to coincide with the Super Bowl LXI halftime performance featuring Bad Bunny. the move, framed by TPUSA as a festivity of American values and musical heritage, has ignited a debate about cultural representation, political statements at major events, and the evolving landscape of entertainment.

The Rationale Behind TPUSA’s Counter-Programming

TPUSA’s decision stems from criticism leveled against the NFL’s choice of Bad Bunny,a Puerto Rican artist who frequently incorporates themes of social justice and cultural identity into his work. Critics within conservative circles have expressed concerns that Bad Bunny’s performance doesn’t align with the traditionally patriotic and broadly appealing nature expected of a Super Bowl halftime show.

“We believe the Super Bowl halftime show should represent the values that made America great,” stated a TPUSA spokesperson in a press release. “This isn’t about disliking any particular artist; it’s about ensuring that a platform with such massive reach showcases the best of American culture and patriotism.”

The organization argues that their “All-American Halftime Show” will offer an alternative for viewers seeking entertainment that reflects a more conventional American perspective. This perspective, according to TPUSA, emphasizes themes of faith, family, and national pride.

Details of the All-American Halftime Show

While the NFL’s super Bowl LXI halftime show is slated to be a large-scale production at the Allegiant Stadium in Las Vegas, TPUSA’s event will be a livestreamed performance broadcast simultaneously online. Details released so far indicate the show will feature:

* Country Music Artists: A lineup of established and rising stars in the country music genre, known for their patriotic anthems and relatable storytelling. Confirmed performers include Jameson Rodgers and LOCASH.

* Classic Rock Performances: Segments dedicated to iconic American rock bands and songs that have shaped generations.

* Military Gratitude: A dedicated segment honoring active-duty military personnel and veterans,featuring performances by military bands and tributes to fallen heroes.

* emphasis on American History: Visual elements and narration interwoven throughout the show to highlight key moments and figures in American history.

TPUSA is actively promoting the event through social media channels, encouraging viewers to tune in as a “patriotic alternative” to the Super bowl halftime show. They are utilizing hashtags like #AllAmericanHalftime and #SuperBowlAlternative to generate online buzz.

The Broader Context: politics and the super Bowl

the super Bowl halftime show has increasingly become a platform for artists to make political and social statements. Past performances by artists like Lady Gaga, The Weeknd, and Jennifer Lopez have sparked both praise and controversy for addressing issues such as LGBTQ+ rights, racial justice, and immigration.

This trend has fueled a growing debate about the appropriate role of politics in entertainment,notably at events with a massive national audience. Some argue that the Super Bowl should remain apolitical, while others believe that artists have a right to use their platform to advocate for causes they believe in.

The TPUSA initiative is a direct response to this evolving dynamic,representing a concerted effort by conservative groups to reclaim a perceived cultural space and offer an alternative narrative. It’s a clear indication that the Super Bowl, once primarily viewed as a sporting event, is now firmly entrenched in the culture wars.

Impact and Potential Outcomes

The success of TPUSA’s “All-American Halftime Show” remains to be seen. Several factors will likely influence its reach and impact:

  1. Viewership Numbers: the number of viewers who choose to watch TPUSA’s livestream rather of, or in addition to, the Super Bowl halftime show will be a key indicator of its success.
  2. Social Media Engagement: The level of engagement on social media, including shares, comments, and hashtag usage, will provide insights into the event’s resonance with audiences.
  3. Media Coverage: The amount of media coverage the event receives will play a crucial role in shaping public perception.
  4. Long-Term Implications: This event could set a precedent for future counter-programming efforts by political organizations seeking to influence cultural narratives.

Case Study: Previous Attempts at Alternative programming

While this is a high-profile attempt, it’s not the first time groups have tried to offer alternatives to major televised events. During the 2020 presidential election, several conservative media outlets launched alternative coverage of the debates, aiming to provide a different perspective than mainstream media. These efforts saw limited viewership but demonstrated a growing appetite for alternative sources of information and entertainment among certain segments of the population. The key difference here is the direct counter-programming during a major cultural event like the Super Bowl.

Practical Tips for Viewers

For those interested in exploring both the NFL’s halftime show and TPUSA’s alternative, here are a few tips:

* plan Ahead: Determine which performances you want to see and schedule your viewing accordingly.

* Utilize Streaming Services: Many streaming services offer live TV options, allowing you to switch between channels easily.

* Engage in Civil Discourse: If you choose to discuss the performances online, remember to engage in respectful and constructive dialog.

* Support Artists You Enjoy: Consider purchasing music or merchandise from artists whose work you appreciate.

This event underscores the increasing politicization of entertainment and the growing polarization of American culture. Whether it will resonate with a broad audience or remain a niche event remains to be seen, but it’s undoubtedly a meaningful moment in the ongoing culture wars.

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Entertainment

Montreal Symphony Presents Family Concert The Feather and the Turtle Celebrating Canadian Music and Indigenous Storytelling

by Marina Collins - Entertainment Editor
written by Marina Collins - Entertainment Editor

Montréal Orchestra Announces Family Concert: ‘Teh Feather and the Turtle’

Table of Contents

Montréal, Canada – The Orchester Métropolitain de Montréal is set to present a unique musical experience for families with the premiere of The Feather and the Turtle on Sunday, Febuary 22, 2026 at 3:30 p.m. The performance will take place at the prestigious Maison symphonique de Montréal.

A Festivity of Canadian Composers

The upcoming concert will be led by conductor thomas Le Duc-Moreau and will showcase original compositions by a remarkable roster of Canadian talent. Featured composers include Barbara Assiginaak, Pierre Mercure, Tobin Stokes, Kevin Lau, Alejandra odgers, Karen Sunabacka, and T. Patrick Carrabré. The performance will be presented by Télé-Québec,highlighting the commitment to arts accessibility.

Indigenous Artists Bring the Story to Life

Adding to the richness of the performance, indigenous artists René Rousseau and Emma Rankin will be integral in bringing the musical tale to life. Dave Jenniss is the director of this special event. according to organizers, the concert is designed to foster a thoughtful connection between music, storytelling, and the importance of place.

The Tale Unveiled: A Legacy of Storytelling

The Feather and the Turtle narrates a poetic story centered around a turtle who acquires a magical eagle feather. This feather imbues the turtle with the duty and power to share stories. The narrative explores how this brave act sparked the creation of tales, myths, and legends – ensuring the continuity of ancestral wisdom and cultural traditions. According to a 2023 study by the National Endowment for the Arts,participation in arts and cultural activities correlates with increased civic engagement and empathy.

Expanding Access Through school Performances

Recognizing the importance of cultural education, the Orchester Métropolitain de Montréal will host dedicated school performances on Monday, February 23, 2026. These performances are specifically intended to cultivate an thankfulness for culture and traditions among younger audiences. Such initiatives align with a growing trend in arts education programs designed to promote inclusivity and cross-cultural understanding.

Concert Details at a Glance

Event Details
Event Name The Feather and the Turtle
Date February 22,2026 (Family Concert) & February 23,2026 (School Performances)
Time 3:30 PM (Family concert)
location Maison symphonique de Montréal
Conductor Thomas Le Duc-Moreau

The power of storytelling is a fundamental aspect of human civilization.Do you think musical performances like this can effectively transmit cultural values to future generations? And how important is it for orchestras to actively commission works from diverse Canadian composers?

Share your thoughts in the comments below and share this article with your friends and family!

What is the program and schedule for the montreal Symphony orchestra’s “The Feather and the Turtle” concert?

Montreal Symphony’s “the Feather and the Turtle”: A Celebration of Canadian Culture

The Montreal symphony Orchestra (MSO) is set to enchant audiences of all ages with “The Feather and the Turtle,” a unique family concert experience on January 28th, 2026. This performance isn’t just a musical event; it’s a vibrant tapestry woven with Canadian music, Indigenous storytelling, and a commitment to cultural understanding.

What to Expect: A Multi-Sensory Experience

“The Feather and the Turtle” promises a captivating journey for families. The concert blends orchestral music with narration, visuals, and perhaps interactive elements, creating an immersive experience.Expect a program designed to introduce children to the beauty of orchestral instruments and the power of storytelling.

* Musical Selections: The concert features compositions by Canadian composers,showcasing the diversity of musical talent within the country. Specific pieces often highlight themes of nature, community, and respect for the land – core tenets of many Indigenous cultures.

* Indigenous Storytelling: Central to the concert is the sharing of an Indigenous story, frequently enough a conventional tale passed down through generations. This narrative is brought to life through spoken word, potentially accompanied by visual projections or dance.

* Family-Friendly Format: The MSO understands the needs of young audiences. Concerts are typically shorter in duration than standard orchestral performances, and the atmosphere is relaxed and welcoming.

The Significance of the Story: Connecting to Canadian Heritage

the story of “The Feather and the Turtle” itself is deeply symbolic. While the specific narrative may vary, the core themes often revolve around:

* The Turtle: Representing Mother Earth, resilience, and longevity in many Indigenous cultures. The turtle’s shell symbolizes the world and its connection to all living things.

* The Feather: Frequently enough associated with spirituality, freedom, and connection to the Creator. Feathers can represent prayers, honor, and the ability to transcend earthly limitations.

* Interconnectedness: The pairing of the feather and the turtle emphasizes the delicate balance between the spiritual and physical worlds, and the importance of respecting all aspects of creation.

Why This Concert Matters: promoting Reconciliation Through the Arts

“The Feather and the Turtle” is more than just entertainment; it’s a powerful tool for cultural education and reconciliation. By presenting Indigenous stories and music alongside Canadian orchestral works, the MSO fosters:

* Increased Awareness: The concert introduces audiences to the rich cultural heritage of Indigenous peoples in Canada.

* respect and Understanding: Sharing these stories helps to break down stereotypes and promote empathy.

* Support for Indigenous Artists: Collaborations with Indigenous storytellers and musicians provide a platform for their voices and talents.

* A Step towards Reconciliation: Acknowledging and celebrating Indigenous cultures is a crucial step in the ongoing process of reconciliation.

Practical Facts for Attendees

Planning a visit to the Montreal Symphony Hall for “The Feather and the Turtle” is straightforward.

  1. Ticket Purchase: Tickets can be purchased online through the MSO website (https://www.osm.ca/en/) or at the Place des Arts box office. Early booking is recommended, as family concerts tend to sell out quickly.
  2. Location & Parking: The Montreal Symphony Hall is located at Place des Arts, 175 Sainte-Catherine Street West, Montreal, Quebec H2X 1K1. Several parking options are available nearby, including underground parking at Place des Arts. Public transportation is also readily accessible.
  3. What to Wear: The dress code is generally casual. Comfort is key, especially for children.
  4. Pre-Concert Activities: The MSO often offers pre-concert activities for families, such as instrument demonstrations or storytelling sessions. Check the MSO website for details.
  5. Accessibility: The Montreal Symphony Hall is fully accessible to individuals with disabilities.

Beyond the Concert Hall: Exploring Canadian and Indigenous Arts

The experience doesn’t have to end when the concert does. Here are some ways to continue exploring Canadian music and Indigenous arts:

* Indigenous music Resources: Explore online platforms dedicated to Indigenous music, such as the Aboriginal Peoples Television Network (APTN) music section.

* Canadian Composer Databases: Discover the works of Canadian composers through resources like the Canadian Music Center.

* Local Museums & cultural Centers: Visit museums and cultural centers in Montreal that showcase Indigenous art and history.

* Educational Programs: Look for educational programs and workshops that focus on Indigenous culture and storytelling.

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world

Serpent venimeux et rock’n’roll, la religion du “West Virginia Snake Handler Revival”

by Omar El Sayed - World Editor
written by Omar El Sayed - World Editor

Urgent: Inside the World of West Virginia Snake Handlers – A Sonic Revelation & Dangerous Faith

Squire, West Virginia – A new release is sending ripples through both the music world and the study of American religious practices. Sound hunter Ian Brennan’s “West Virginia Snake Handler Revival,” recorded deep within the Appalachian mountains, offers a chillingly intimate portrait of a little-known evangelist cult where faith is tested with venom and amplified by blistering rock and roll. This isn’t just a musical recording; it’s a documented ceremony, a glimpse into a world where believers willingly risk life and limb in the pursuit of spiritual transcendence. This is breaking news for those interested in cultural anthropology, religious studies, and the fringes of American musical expression, and is optimized for Google News SEO.

A Ceremony of Fire, Snakes, and Strychnine

The “House of the Lord Jesus,” a modest wooden structure nestled in the winding roads near Squire, War, Bishop, and Cucumber, West Virginia, appears unassuming from the outside. But within its walls, Pastor Chris leads a congregation through a service unlike any other. Brennan’s recordings reveal a scene of intense devotion, punctuated by the raw energy of a live band – including a grandmother on drums – and the shocking practice of handling venomous rattlesnakes. Perhaps most disturbingly, the ceremony includes the consumption of diluted strychnine, a potent poison, as a test of faith. “You read that right,” Brennan notes, emphasizing the inherent danger. The music isn’t background noise; it’s integral to the trance-like state the congregation seeks.

The History of Snake Handling: A Tradition Rooted in Hardship

Snake handling isn’t a new phenomenon. It emerged in the early 20th century, primarily in the Appalachian region, as a literal interpretation of biblical passages like Mark 16:17-18 (“And these signs shall follow them that believe…they shall take up serpents”). While once numbering nearly 500 congregations, the practice is now largely outlawed in the United States. However, in isolated communities like those in West Virginia, it persists, often filling a void where economic hardship and limited opportunities leave little else for social connection and spiritual fulfillment. Director Emmanuelle Antille, whose documentary “The Wonder Way” (released in 2024) provides visual context to this world, observed Pastor Chris’s visibly swollen arm – a testament to the risks involved. His father and brother both succumbed to snakebite, one refusing medical treatment, highlighting the unwavering belief system at play.

Ian Brennan: Capturing the Unheard

Ian Brennan has built a career on documenting the sounds of the marginalized and the extraordinary. His work often takes him to remote corners of the globe, and his ear for authentic expression is unparalleled. “West Virginia Snake Handler Revival” presented unique challenges. The sheer volume of the music, coupled with the proximity of venomous snakes, demanded a delicate balance of technical skill and caution. “Capturing the atmosphere…required skill and careful adjustment of the microphones,” Brennan explains. The result is a visceral recording that doesn’t just document a ceremony; it immerses the listener in it.

Beyond the Spectacle: A Community Facing Extinction

Antille’s film and Brennan’s recording offer more than just sensationalism. They reveal a community grappling with poverty, pollution, and a bleak future. As Antille points out, “We die very young” in these valleys. The church, for many, is the only source of recreation, social interaction, and hope. The act of embracing danger, of confronting mortality, can be seen as a desperate attempt to assert control in a life often defined by powerlessness. The music, then, isn’t just a soundtrack to a religious ritual; it’s a defiant cry against a system that has left these communities behind. The congregation isn’t simply snatching rock ‘n’ roll from the clutches of Satan; they’re creating a vibrant, albeit dangerous, culture in the face of despair.

“West Virginia Snake Handler Revival” is available now on vinyl and digital platforms (Sublime Frequencies Records). “The Wonder Way” is available on DVD and streaming platforms. An exhibition, “The Wonder Way Project,” opens March 7, 2026, at CACY, Yverdon-les-Bains, offering a deeper exploration of the trance rituals depicted in the film. This story serves as a potent reminder of the diverse and often challenging realities that exist within the American landscape, and the power of sound and film to bring these hidden worlds to light. Stay tuned to archyde.com for continued coverage of unique cultural phenomena and breaking news from around the globe.

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Economy

The Bourse de Commerce celebrates minimal art through several shows

by Daniel Foster - Senior Editor, Economy
written by Daniel Foster - Senior Editor, Economy

Urgent: Final Week for Landmark ‘Minimal’ Exhibition at Paris’s Bourse de Commerce – A Month of Events to Follow

Paris, France – Art enthusiasts, take note! The groundbreaking exhibition “Minimal” at the Bourse de Commerce – Pinault Collection is entering its final stretch. Closing its doors on January 19th, the show has captivated audiences since its autumn debut, offering a deep dive into the world of minimalist art. But the experience doesn’t end there – a dynamic program of events is planned throughout January and into February, promising a fitting farewell and a continued exploration of the movement’s legacy. This is breaking news for art lovers and a crucial update for anyone planning a visit to the City of Lights.

A Journey Through Seven Chapters of Refinement

Since opening, “Minimal” has presented a carefully curated journey through seven distinct chapters, showcasing the works of approximately fifty international artists. Icons like François Morellet, Dan Flavin, Agnes Martin, On Kawara, and Lygia Pape are represented, demonstrating the breadth and depth of minimalist expression. The exhibition isn’t just a display of static artworks; it’s a conversation, a challenge to perception, and a testament to the power of ‘less is more.’

Lucinda Childs and the Reactivation of ‘Street Dance’

Before the exhibition concludes, the Bourse de Commerce is hosting a series of parallel events that amplify the core themes of minimalism. From January 8th to 12th, the legendary American choreographer Lucinda Childs will reactivate her seminal 1964 piece, “Street Dance.” This isn’t a traditional performance; audiences will observe two dancers, Clara Lou Munie and Adam Chado, performing a six-minute routine within the bustling streets of the Les Halles district, viewed from a designated gallery window. On January 8th, Childs herself will participate in a conference with art historian Lou Forster, offering insights into the work’s historical context and enduring relevance. Rare archival footage of original “Street Dance” performances, loaned by the National Dance Center (CND), will also be on display.

Minimalism Beyond the Visual: Film, Music, and Sound

The celebration of minimalism extends beyond dance and visual art. A rare screening of Walter De Maria’s 1969 film, “Hard Core,” is scheduled for January 9th. Agnes Martin’s only film, the unfinished “Gabriel” (1976), will be shown on January 16th. These screenings offer a glimpse into the experimental spirit that characterized the minimalist movement, pushing boundaries and challenging conventional artistic forms.

Music takes center stage later in the month. On January 20th and 21st, visitors can experience a recreation of a 1974 concert by Japanese artist Yoshi Wada, featuring his unique “Pipe Horns” – instruments crafted from everyday objects. Wada’s work embodies the minimalist ethos of finding beauty and musicality in the simplest of materials. The month culminates with performances of La Monte Young’s “Chronos Kristalla from The Magic Chord x 4” on January 24th and 25th, accompanied by a captivating light installation by Marian Zazeela and Jung Hee Choi.

The Enduring Legacy of Minimalism: A Historical Perspective

Minimalism emerged in the 1960s as a reaction against the perceived excesses of Abstract Expressionism. Artists sought to strip away ornamentation and emotional content, focusing instead on the essential qualities of form, color, and material. While often perceived as austere, minimalist art is profoundly engaging, demanding active participation from the viewer. It’s a movement that continues to influence contemporary art, design, and architecture, and its principles of simplicity and clarity remain remarkably relevant in today’s complex world. The Bourse de Commerce’s exhibition serves as a powerful reminder of minimalism’s enduring impact.

The Bourse de Commerce’s “Clair-obscur” exhibition will open on March 4th, promising a new chapter in the institution’s commitment to showcasing innovative and thought-provoking art. For now, however, the focus remains on celebrating the legacy of minimalism and providing audiences with a final opportunity to experience this remarkable exhibition. Don’t miss your chance to witness this pivotal moment in the Parisian art scene.

For more information and to book tickets, visit www.pinaultcollection.com or www.boursedecommerce.fr.

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