Stones’ album leads archivist to legendary photographer’s Wyoming cache

Stones’ album leads archivist to legendary photographer’s Wyoming cache

robert Frank’s Unseen Wyoming: ‍A Glimpse into American Life⁤

The ⁣renowned documentary photographer, Robert Frank, traversed the United States ‍in 1955 and 1956, leaving behind a photographic legacy of‌ over⁤ 28,000 black-and-white images. His iconic book, “The Americans,” curated a selection of 83 ⁢of ‍these photographs, offering a poignant reflection⁣ on American culture and society. These powerful⁣ images often juxtaposed the lives of the rich and the poor, highlighting ‌the complexities and ‍contradictions⁣ of the ‍American experience.

During ​his extensive journey, Frank⁣ journeyed through Wyoming, capturing the essence of life in towns like Casper, Lander, Dubois, Fort Washakie, and South Pass. Over 700 images were ⁢taken, yet none found their way into “The Americans.” These ​forgotten snapshots, however, have recently come to light, offering a unique and ‍intimate glimpse into Wyoming history.

“Of the 700 Wyoming images, only part of one saw the light⁢ of ‍day,” explained Robin Everett, an archivist at ⁤the Wyoming State‌ Archives. “The rest have never been printed, have never been published.”

Now, these previously unseen images are on ‌display at the⁢ Wyoming State Museum‍ in Cheyenne. The exhibit, curated by Everett, showcases 21 prints, including single ⁣images from Frank’s 35mm negatives and enlarged ⁢contact sheets displaying up to 36 images⁣ from ⁤a ‍single roll. The exhibition, running until March 29, promises to ⁣transport viewers back in time, revealing candid moments frozen in history.

The collection⁣ offers a diverse⁣ range of scenes,⁣ capturing everyday ​life in Wyoming. ⁤ Among the photographs are images of​ a ⁣horse​ running through a‍ field with its majestic mane flowing,‍ a solitary mailbox in the middle of ‍a dusty road, and bustling scenes filled with countless people. ‌Elisabeth DeGrenier,​ the director of exhibits at the museum, describes Frank’s ⁣work ​as​ a testament to⁢ the “life⁢ of an average American,” capturing the mundane and ​the remarkable with equal measure. “There’s a mother and her baby ⁣sitting‍ in a car, folks at a rodeo, a high school ⁢prom, some landscapes,” she ⁤said.

One especially striking image captures an armed forces ceremony ​in Casper.A line of saluting servicemen stands in stark contrast to the civilian onlookers lining the opposite side of the frame. A car parked in the foreground ⁤bears a Natrona County bucking bronco license plate and the‍ call letters of local radio station KSPR. The Townsend Hotel,now ⁣known as​ the Townsend Justice center,serves as a‌ backdrop,adding a layer of historical context to the scene.

“Public ‍ceremony” – this simple title accompanies the photograph,leaving‌ room ​for interpretation and reflection. for​ Everett, the resonating power of Frank’s work lies not just⁢ in the images themselves but also in their ability to connect viewers with their own ⁢personal memories.

“I ⁢want‌ people to ⁣look at the images and say ‘Wow! There’s Aunt Dodie!’” she said, echoing the enduring impact of these snapshots of the past.

A Black and white⁤ photograph of a public ceremony.
The National Gallery of Art posts some of the Robert Frank collection from Wyoming online, including this picture made in Casper in ⁢1956, a cropped version of which appeared as part of the art on the ‌Rolling⁣ Stones ⁢album “Exile ‌on Main Street.” (National Museum of Art/june Leaf and Robert​ Frank Foundation)

Born in Switzerland, Robert⁢ Frank brought with him a⁢ keen eye‌ and a⁤ mesmerizing Leica III rangefinder camera, documenting America’s landscape and people in‌ the 1950s. His work, ⁢including his iconic collection “The Americans,” ‌would ‍revolutionize photography, capturing a raw and honest ⁢portrayal of‌ everyday life. A fashion photographer for ‌Harper’s Bazaar, Frank had already mastered composition, lighting, and the intricacies of his ‌camera—knowing‌ precisely when‍ to click the shutter. ⁣He understood the subtle art of framing a moment, exploring different perspectives and carefully⁢ controlling shutter speed, point of ​view, and lens aperture.

His contact ⁢sheets, now a part of the national Gallery of Art’s holdings, offer a captivating ⁤glimpse into his process. They reveal his methodical approach, showcasing the number of shots taken for a ‌single scene, the variations ⁢in framing, and his ability to capture the perfect moment. “I don’t see a lot‍ of​ duplication,” observes ⁣curator Sara Everett, highlighting Frank’s‌ intentional and‍ deliberate style.

It’s through these‍ contact sheets and a selection of 16 images ⁣from Frank’s Wyoming collection that⁢ a new exhibit aims to reconnect these powerful photographs with the​ state’s ‌people. Curators hope that by placing these‍ images back in their context, viewers will feel a deeper connection, perhaps recognizing ⁢themselves or loved ones​ in Frank’s candid⁢ shots. ‍”We’re asking folks if they ⁤recognize anybody ⁣in the photos,” ​says curator DeGrenier.⁢ “That would make the pictures more powerful,” echoes Everett, “I want people to look at the images and say ⁤’Wow!​ There’s Aunt Dodie! ​There’s my grandmother!'”

Frank’s brief time in Wyoming during his⁣ travels, made possible by ‌a Guggenheim‌ Fellowship, yielded a trove of⁣ 700 photographs, a hidden treasure trove now waiting to be‌ rediscovered. The exhibit, which includes Frank’s⁤ famous “Public Ceremony” image from Casper—featured⁢ on the sleeve of The ​Rolling⁣ Stones’ “Exile on Main Street” ‌album—offers a ⁢chance to revisit Frank’s legacy and experience the power of his vision firsthand.

The museum will host an ‍open house for the⁢ exhibit on⁣ February 11th at 5:30 ⁢p.m., inviting the public to explore these captivating images and perhaps uncover their own personal connections to the past.

what prompted the decision​ to showcase this collection of Robert Frank’s Wyoming photographs, particularly those unseen in “The Americans”?

Robert Frank’s Unseen wyoming: A Glimpse‌ into American Life

Archyde News sits‍ down with curator Sara Everett​ of the Wyoming State‍ Museum to delve deeper into the recently unveiled collection​ of Robert‌ Frank photographs captured⁣ in Wyoming during the⁤ 1950s.

Discovering Wyoming Through Frank’s Lens

Sara, what prompted the decision to ⁣showcase‍ this collection of Robert ⁢Frank’s Wyoming photographs, particularly‍ those unseen in “The Americans”?

Sara Everett: ⁤ We knew these photographs held ‌immense historical importance.They offered a ‌unique viewpoint on Wyoming life during that era, ‍a glimpse ‍beyond the iconic images‌ often associated with Frank’s work.Holding ⁤such a rich ‌collection, encompassing ⁢everyday moments, landscapes, and the lives ⁣of​ everyday people, was too valuable⁣ not to share.

Unveiling the ⁣Wyoming stories

⁣How does this exhibition differ from “The Americans,” Frank’s well-known portrayal of the American experience?

Sara Everett: ‌ While “The Americans” offers a broad and powerful panorama, these Wyoming⁣ images provide a more intimate look. They delve deeper into the nuances of Wyoming ‌culture, highlighting its unique characteristics​ and capturing everyday life in ‍ways Frank’s earlier work often doesn’t.

Capturing Authenticity: The Power of Frank’s ​Style⁤

What makes Robert Frank’s⁢ photographic style particularly⁣ captivating, especially in these Wyoming⁢ images?

Sara⁢ Everett: Frank’s⁣ talent lay in his ability ​to capture authenticity. ‌He wasn’t‍ afraid to juxtapose ordinary moments with‍ deeper emotions, ⁤highlighting the complexities of American ‌life, nonetheless of where​ he was. ‌His compositions,‍ lighting, and choice of subject matter all contribute to this powerful​ storytelling. ‌You truly feel you’re‍ experiencing ⁢Wyoming alongside Frank, witnessing life unfold.

Can you describe the impact the ⁤contact sheets, included in this exhibit, have on viewers’ understanding of Frank’s creative⁣ process?

Sara Everett: Seeing those contact sheets⁤ gives ⁣viewers a backstage pass​ into Frank’s thought process. ⁣⁢They showcase the meticulous way he approached each photograph, his dedication to ​finding the ‍perfect frame, and how he ‍experimented with composition. They reveal the journey behind each powerful image.

A Timeless Connection: Personal Reflections

What resonates ​most with⁤ you about these Wyoming‌ photographs, and what do you hope viewers take away from seeing them?

Sara ​Everett: It’s amazing to⁤ see these images transport viewers back to a ‍specific moment ​in Wyoming history. I‍ want people to feel a connection—perhaps recognizing familiar faces,‌ remembering shared experiences, or simply feeling transported to ⁣a different time. Frank’s ability​ to capture these fleeting ‍moments⁣ in time continues to resonate with viewers today.

Do you have any personal anecdotes about the Wyoming photographs or Robert Frank himself?

Sara Everett: During my⁤ research, I came across letters⁢ Frank wrote about his journey through Wyoming.⁤ He⁣ described being ⁤struck by the vastness of the landscape and the resilience of the people. He wrote, “There ‍is a strength and quiet dignity in the ⁤faces I see hear ‌that I find ⁤deeply moving.” Reading those ⁣words alongside ​his photographs created a profound‍ understanding of his perspective and what moved him as an artist.

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