From the Big Smoke to the Great White North: The Legacy of Steve Ballantine
If you’ve ever wondered what it’s like to swap the hustle and bustle of the Greater Toronto Area for the charming landscapes of Sault Ste. Marie, just ask Steve Ballantine. This man took a road less traveled, moving north in 1988 to enrich an arts community that desperately needed a sprinkle of stardust from a bona fide theatre guru. Spoiler alert: he didn’t just bring the glitter—he brought a whole production crew!
The Journey Begins
Born in 1952 near Toronto, our protagonist didn’t just pop out of the womb reciting Shakespeare; he spent years honing his craft. With a degree from the University of Windsor and a shiny scholarship to the Banff School of Fine Arts—talk about impressive credentials! But it wasn’t just Canada he conquered; Liverpool, Paris, and the scenic routes of the U.S. were on his acting and directing itinerary. Seriously, if that resume had a theme song, it’d be “I Will Survive” but with a much more cultured twist.
Ballantine’s initial visit to Sault Ste. Marie back in 1986 was as a guest director for a rather cheeky production of No Sex Please, We’re British (clearly a hint of a British humor there). After directing shows like Guys and Dolls and being charmed by Algoma’s stunning surroundings, he decided to plant roots in the frozen tundra. Hey, what’s not to love about a place where your breath frosts up your nose?
The Impact He Made
Once settled, Ballantine didn’t waste time and quickly became the general manager and artistic director of Sault Summer Youth Theatre. And believe me, this wasn’t just some “sit around and doodle in a rehearsal space” gig. No, he was all about breeding the next generation of thespians! Under his wing, young talent blossomed like wildflowers in July, with productions touring the northern communities. Someone hand this man a cape because he was clearly a superhero for the arts! 🦸♂️
His collaboration with the illustrious Arno Ambel of the Sault Opera Society bore productions such as Billy Bishop Goes to War and Little Shop of Horrors. What’s next? A musical featuring local squirrels? If anyone could pull it off, it was Ballantine!
Community Engagement Like No Other
But don’t let the fancy titles fool you; Steve wasn’t just a big fish in a small pond. He dived into the community with gusto, taking roles on boards for the Arts Council, the Cultural Advisory Board—you name it, he was there! He even founded Soothfest, a high school theatre competition. Can you imagine? It’s like a spelling bee for actors but with more dramatic flair. “I can do it! No, I can!” It’s the ultimate teen face-off!
A Legacy to Remember
Sadly, the show had to go on without him, as Ballantine passed away in 2007 at the young age of 55. Yet his belief that great theatre can spring from anywhere—not just Toronto or New York—echoes loudly through the tree-lined streets of Sault Ste. Marie. It’s a legacy that reminds us all that passion knows no geographical boundaries; it can thrive on any stage, big or small.
As we reflect on Steve Ballantine’s substantial impact, one thing becomes abundantly clear: he was more than just an artist; he was a catalyst for creativity in the north. So next time you find yourself wandering the artistic avenues of the Sault, remember the man who believed in its magic and moved mountains—or in this case, theatre companies—up north.
Dig into more fascinating local history with the Sault Ste. Marie Public Library. Treat yourself to more “Remember This?” gems and support the arts, because in the immortal words of Steve, “Great theatre can come from anywhere!”
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In a remarkable twist on the traditional narrative of artistic migration, Steve Ballantine made the bold decision to leave the bustling Greater Toronto Area and relocate to Sault Ste. Marie in 1988, thereby significantly enriching the region’s cultural landscape.
Having been born in 1952 near Toronto, Ballantine possessed an impressive breadth of experience, having acted and directed in various prestigious venues across Canada, Europe, and the United States long before his northern adventure.
His academic pedigree included a degree from the University of Windsor, along with notable scholarship achievements at the Banff School of Fine Arts and the Royal Academy of Dramatic Arts in London. Additionally, his pursuit of theatrical mastery took him to Tukak Theatre in Denmark, and in 2000, he earned a Master’s in Applied Theatre from the University of Manchester, solidifying his expertise in the field.
Ballantine first set foot in Sault Ste. Marie in 1986, serving as a guest director for notable productions, including Stage North’s comedic venture “No Sex Please We’re British Soldiers” and the Sault Opera Society’s rendition of the classic “Guys and Dolls.” Captivated by the breathtaking landscapes of the Sault and Algoma regions, he decided to call it home.
Upon his arrival, Ballantine took on the roles of general manager and artistic director of Sault Summer Youth Theatre, and under the mentorship of Arno Ambel from the Sault Opera Society, he collaborated on several memorable performances including “Billy Bishop Goes to War,” “Rock and Roll,” “18 Wheels,” and “Little Shop of Horrors.”
Under his leadership, the Sault Youth Theatre thrived, as Ballantine implemented innovative training programs for aspiring young artists during both the winter and summer months. These productions traveled to various communities throughout the north, spreading the seeds of creativity and collaboration. He also lent his expertise to Algoma University Theatre for their production of “Eurydice,” enriching the academic art scene.
Beyond his directorial pursuits, Ballantine played a pivotal role in the broader Sault arts community. He served on numerous boards, including the Arts Council of Sault Ste. Marie, the Rapids community planning process, the Cultural Advisory Board, and the Community Theatre Centre Management Board, demonstrating his commitment to local cultural development.
In 1992, he founded Soothfest, an initiative that showcased high school-level theatre competition, providing a platform for young talent to shine.
Dedicated to nurturing the arts in Sault Ste. Marie, Ballantine fervently believed that outstanding theatre could flourish outside the metropolitan hubs of Toronto or New York City, driven by passion and diligence. His legacy continued to resonate in the community following his passing in 2007 at the age of 55, as he left behind a rich tapestry of artistic achievements and inspiration.
Each week, the Sault Ste. Marie Public Library and its Archives provide SooToday readers with a glimpse of the city’s past.
Find out more of what the Public Library has to offer at www.ssmpl.ca and look for more “Remember This?” columns here.
**Interview with Richard Howard: Reflecting on the Legacy of Steve Ballantine**
*Interviewer*: Today, I’m delighted to introduce Richard Howard, a fellow actor and close collaborator of the late Steve Ballantine. Welcome, Richard!
*Richard Howard*: Thank you! It’s a pleasure to be here and to talk about Steve’s incredible impact on our community.
*Interviewer*: Let’s begin at the beginning. What made Steve’s decision to move from the Greater Toronto Area to Sault Ste. Marie so remarkable?
*Richard Howard*: Well, Steve was already an established force in the theatre world before he moved north, with experience spanning Canada, Europe, and the US. His choice to come to Sault Ste. Marie in 1988 showcased his commitment to nurture the local arts scene. It’s a significant leap to leave the urban hustle and take a chance on a smaller, less-recognized community.
*Interviewer*: He certainly brought his star power with him, didn’t he? How did he contribute to the Sault’s arts community?
*Richard Howard*: Absolutely! Steve didn’t just relocate; he transformed. As the general manager and artistic director of the Sault Summer Youth Theatre, he was instrumental in creating opportunities for young talent. He believed in mentorship and actively developed innovative programs that helped aspiring artists thrive.
*Interviewer*: Sounds like he truly was a catalyst for creativity. Can you share some of your favorite productions that Steve was involved in?
*Richard Howard*: One of my favorites has to be *Billy Bishop Goes to War*. Working alongside him was always an experience filled with laughter and learning. He had an uncanny ability to bring the best out of every performer, pushing their limits while making the process incredibly enjoyable.
*Interviewer*: He made quite a mark on local productions, that’s for sure. What aspects of his leadership do you think resonated the most with the community?
*Richard Howard*: I think it was his genuine love for storytelling and community building. He engaged not only with the artists but also with the broader community through initiatives like Soothfest, the high school theatre competition. Steve believed that great theatre could come from anywhere, which inspired people to rally behind the local arts scene.
*Interviewer*: It’s heartwarming to see how his legacy continues to influence the arts in Sault Ste. Marie. How do you remember him personally?
*Richard Howard*: I remember him as a mentor and a friend – someone incredibly passionate and endlessly supportive. He could energize a room with his enthusiasm for theatre and his belief in the potential of artists, no matter their background or experience. His spirit lives on in the performances we continue to share in this community.
*Interviewer*: Thank you, Richard, for sharing these insights about Steve Ballantine. His legacy certainly continues to inspire many in the arts community and beyond.
*Richard Howard*: Thank you for having me. It’s vital that we keep his memory alive, as he truly believed that creativity knows no geographical boundaries.
