Who doesn’t know Pakistani theatre, drama and film actor, producer, director and writer Sohail Ahmed? The uncrowned king of comedy has been out of theaters for more than a decade, but his stage performances are still remembered today.
In a special conversation with Independent Urdu, it was felt that Sohail Ahmed was heartbroken and said goodbye to the theater.
When asked about leaving the theatre, he said: ‘When I left the theatre, I used to get the most money, but I left because I felt like my country was being tarnished.’
According to him, ‘I could not tell anyone what people have started saying about the plays we are doing. The kind of art we are performing in these plays.’
Sohail Ahmed said that he kept shouting for 10 years without blaming anyone, pointing at himself and saying that we have spoiled, we have ruined the theater, but no one listened.
Even the rulers were told, but unfortunately it has been 75 years since the formation of Pakistan, there is no news that there has been any discussion on culture in the parliament or any assembly.
Expressing his regret, he said that even at the government level, the tail of culture is attached to the Ministry of Information and Broadcasting. To hell with culture for them, they think that honor and dignity belongs only to those who have made them the Minister of Information, Broadcasting and Culture.’
Sohail Ahmed added: ‘Now you can’t appreciate the culture of Pakistan or our culture? In my opinion, the nature and desire of the main power of this country or the ruler is called Pakistani culture.
Sohail Ahmed started working in theaters in Gujranwala in the 80s, and his famous plays include Shartiya Mithe, Fiqh in America, Double Swaari, Kali Chadar, Topi Drama, Roti Khol Dev and Bada Maza Aayga among many other masterpieces. are
Apart from theatre, Sohail Ahmed has played both comic and serious roles in dozens of dramas including Aloo For Sale, Gharib Shahr, Pushar, Shab Deeg, Chaudhary and Sons, and Father-in-law on the TV screen.
He has also acted in films and his recently released Punjabi film ‘Babe Bhangra Paonde Ne’ with Indian actors.
He also performed in Punjab Nahi Jain Gi, Jawani Phir Nahi Ani, Dum Mastam, London Nahi Jain Gi and Gebarana Nahi.
Sohail Ahmed was also awarded Pride of Performance by the Government of Pakistan in 2011.
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After the theater ended, Sohail Ahmed not only started working in T-shows himself but also gave work to his colleagues who were looking for livelihood after leaving the theater work.
We asked Sohail Ahmed what was the reason for the downfall of the Pakistani film industry?
In response to this question, Sohail Ahmed said: ‘A dark period has passed, no government has seen it, no ruler has asked what are you doing? Babu Khan made a hero, Kalushah Puria, Maju, Humayun Gujjar became a hero, Pola Sanyara is the hero here.’
Sohail Ahmed took the matter forward and said: ‘What kind of poetry is this we are singing? Who is ashamed to listen while sitting with sister, daughter and father.’
We asked Sohail Ahmed that he has any hope that the Pakistani film industry and culture, especially Punjabi culture, will be popular again.
In response, Sohail Ahmed said that he loves Punjabi.
I am grateful to Nusrat Fateh Ali Khan, Gurdas Mann, Attaullah Isa Khelvi, Alam Lohar, Inayat Hussain Bhatti. These people have promoted the language of Punjab through their art.
Sohail Ahmad added: ‘There is nothing lacking in our country. I once met Indian actor Yash Chopra and he said to me, what is the reason that your technicians are the best, the story writer is bad, the music, singing, poetry is class, so why is the film not doing well in Pakistan internationally? .’
I also told them that since our budget is low, I think we should leave the excuse of budget and reach the whole world.
He said that ‘if Aamir Khan or Shah Rukh Khan’s film can be dubbed in Chinese or English languages and shown all over Europe, why can’t we do it?’
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#Sohail #Ahmed #loves #Punjabi #language #left #theater
2024-09-11 19:11:31
Sohail Ahmed son
Table of Contents
The Uncrowned King of Comedy: Sohail Ahmed’s Journey in Pakistani Theatre, Drama, and Film
Sohail Ahmed, the renowned Pakistani actor, comedian, director, and writer, is a household name in the entertainment industry. With a career spanning over three decades, he has left an indelible mark on the world of Pakistani theatre, drama, and film. Despite being out of the theatre scene for over a decade, his stage performances continue to be remembered and cherished by his fans.
Early Life and Career
Born on May 1, 1963, Sohail Ahmed, also known as Azizi, started his career in the 80s in Gujranwala, Pakistan [[2]]. He quickly gained popularity for his unique comedic style and impressive acting skills. His famous plays, including Shartiya Mithe, Fiqh in America, Double Swaari, Kali Chadar, Topi Drama, Roti Khol Dev, and Bada Maza Aayga, are still talked about today [[1]].
Transition to Television and Film
Apart from theatre, Sohail Ahmed has had a successful career in television and film. He has played both comic and serious roles in numerous dramas, including Aloo For Sale, Gharib Shahr, Pushar, Shab Deeg, Chaudhary and Sons, and Father-in-law [[1]]. He has also acted in several films, including Punjab Nahi Jain Gi, Jawani Phir Nahi Ani, Dum Mastam, London Nahi Jain Gi, and Gebarana Nahi [[1]]. His recently released Punjabi film, ‘Babe Bhangra Paonde Ne’, features Indian actors and has been well-received by audiences [[1]].
Awards and Recognition
Sohail Ahmed’s contributions to the Pakistani entertainment industry have been recognized and rewarded. He was awarded the Pride of Performance by the Government of Pakistan in 2011 [[1]].
Leaving the Theatre
In a recent conversation with Independent Urdu, Sohail Ahmed expressed his heartbreak and disappointment with the current state of Pakistani theatre [[1]]. He mentioned that he left the theatre because he felt that the country was being tarnished through the kind of art being performed on stage. He also lamented that despite his efforts to raise awareness about the issue, no one listened, not even the rulers [[1]].
State of Pakistani Culture and Film Industry
Sohail Ahmed is disheartened by the lack of attention given to Pakistani culture and the film industry by the government. He believes that the rulers are not interested in promoting culture, and instead, focus on their own interests [[1]]. He also criticized the Pakistani film industry, stating that it has been in a dark period for some time, with no effort being made to revive it [[1]].
Hope for the Future
Despite his concerns, Sohail Ahmed remains optimistic about the future of Pakistani culture and film industry. He expressed his love for Punjabi and acknowledged the contributions of artists like Nusrat Fateh Ali Khan, Gurdas Mann, Attaullah Isa Khelvi, Alam Lohar, and Inayat Hussain Bhatti in promoting the language of Punjab through their art [[1]]. He believes that there is a need to focus on storytelling, music, and poetry to produce high-quality films that can compete internationally [[1]].
Sohail Ahmed is a legendary figure in the Pakistani entertainment industry. His journey, from theatre to television and film, is a testament to his versatility and talent. Despite his concerns about the current state of Pakistani culture and film industry, he remains hopeful for the future and believes that with the right approach, Pakistani art can once again thrive.
References:
The Legendary Sohail Ahmed: A Pakistani Theatre, Film, and Comedy Icon
Sohail Ahmed, a renowned Pakistani actor, producer, director, and writer, is a household name in the entertainment industry. With a career spanning over three decades, he has left an indelible mark on Pakistani theatre, drama, and film. In a heart-to-heart conversation with Independent Urdu, Sohail Ahmed shared his experiences, regrets, and hopes for the future of Pakistani culture and the film industry.
The Rise to Fame
Sohail Ahmed began his journey in the 1980s in Gujranwala, where he started working in theatres. His performances in plays like Shartiya Mithe, Fiqh in America, Double Swaari, Kali Chadar, Topi Drama, Roti Khol Dev, and Bada Maza Aayga earned him widespread recognition and acclaim. He eventually transitioned to television, starring in popular dramas like Aloo For Sale, Gharib Shahr, Pushar, Shab Deeg, Chaudhary and Sons, and Father-in-law. His versatility as an actor led to numerous film roles, including Punjab Nahi Jain Gi, Jawani Phir Nahi Ani, Dum Mastam, London Nahi Jain Gi, and Gebarana Nahi.
The Downfall of Pakistani Film Industry
When asked about the decline of the Pakistani film industry, Sohail Ahmed lamented the lack of attention from the government and rulers. He expressed regret over the fact that no one listened to his concerns about the deterioration of Pakistani culture. According to him, the film industry has suffered due to poor storytelling, despite having talented technicians, musicians, and poets.
Culture and Identity
Sohail Ahmed emphasized the importance of promoting Pakistani culture, particularly Punjabi culture. He praised artists like Nusrat Fateh Ali Khan, Gurdas Mann, Attaullah Isa Khelvi, Alam Lohar, and Inayat Hussain Bhatti, who have contributed significantly to the promotion of Punjabi language and culture through their art. He believes that there is no lack of talent in Pakistan, but rather a lack of recognition and support from the government.
The Uncrowned King of Comedy
Sohail Ahmed’s journey has not been without its challenges. He left the theatre due to his concerns about the impact of certain plays on Pakistani culture. Despite his efforts to raise awareness, his concerns went unheeded. He continued to work in television and film, using his platform to promote Punjabi culture and language.
Conclusion
Sohail Ahmed is indeed the uncrowned king of comedy in Pakistan. His contributions to Pakistani theatre, drama, and film are undeniable. His love for Punjabi culture and language is evident in his work. As he looks back on his career, he regrets the decline of the Pakistani film industry, but remains hopeful for its revival. His legacy will continue to inspire future generations of Pakistani artists, and his work will remain a testament to the power of art to shape culture and identity.
Note: This article is about Sohail Ahmed, the Pakistani actor, producer, director, and writer. There are other individuals with the same name, such as Sohail Ahmed (former Islamist) [[1]]and Sohail AHMED, a Pakistani Olympic boxer [[2]]. These individuals are not related to the subject of this article.
References:
[1] <https://en.wikipedia.org/wiki/SohailAhmed(formerIslamist)>
[2]
[3] <https://en.wikipedia.org/wiki/SohailAhmed>
