Some may go to the authorized person twice, three or four, but if a person goes to the authorized person seven times and marries the same woman 7 times, she will not be believed even if she is in cinema and television dramas, but the artist Adel Imam did it and married the same woman 7 times in his artwork.
Although the first artistic work in which they get married is called “Some may go to the authorized twice,” but they forgot regarding it and got married 7 times. Comedy and humor brought together artist Adel Imam and artist Lebleba over the course of many works between them that ended in marriage at work.
The beginning was in the movie “Some May Go to the Authorized Twice” when the artist Adel Imam embodied the character of Masoud, who marries Mahasin, who played the role of the artist Lebleba. The work revolved around differences and jealousy between spouses, but in a comic way
The second work that brought together the marriage between Adel Imam and Lebleba was the movie “Keep in mind from your neighbors.” The work revolves in a social comic framework regarding a couple on their honeymoon who live in a furnished apartment, but not like any other apartment, where they are shocked by the eccentric neighbors who share that apartment illegally. Many ironic comedic ironies inside this building, especially their apartment.
The third work in which the marriage was an ally of the artist, Adel Imam and Lebla, was “The Hamada and Toto Gang”, and Adel in the work embodied the character of Hamada, while Lebleba embodied the character of “Tawhid” and the work revolves around Hamada, who succeeds in persuading his wife Toto to participate with him in the theft so that their financial conditions improve.
The fourth marriage was in the movie “Watch out for the line”, so he married Nabila at the end following he was arrested and sentenced to prison.
Adel Emam and Lebleba’s fifth marriage was in the movie “A Groom from a Security Agency”, then Khattab Al-Najari married an Inshirah following several comic situations that occurred between them following the rejection of Major Tariq’s marriage letter to his daughter Habiba.
Adel Imam’s sixth marriage to Lebleba was in the movie “Hassan and Morcos,” a huge work that Adel Imam brought together with the artist Omar Sharif, and he marries Morcos and Matilda in the film.
It may not be the last, but the last artwork that brought Adel Imam Belblaba together is the series “Saheb Al Saada”, where Bahjat marries “Aisha” and the series is broadcast exclusively on MBC.
And Lebleba spoke regarding the leader by saying: “I consider “Adel Imam” my artistic twin, and all my successful films were with him. He is a tender person, and I learned a lot from him in life, and he became extremely ecstatic when I sat with him, and he is very organized in all aspects of his life, and I do not remember that he formed or raised artistic feelings of jealousy towards anyone, no matter what. He always advised me what to do, and I hope to see him succeed with me or someone else.”
Lebleba revealed the story of a daring scene that Mervat Amin did not agree to, which was the reason for Lebleba to take the role instead. She said: “One day the people in charge of the work asked me to star in the movie “Keep in mind from your neighbors” with leader Adel Imam.
Then I read the script and acted in the movie that I love so far and it was a huge success, but then I found out that this role was offered to the star “Mervat Amin” and she did not agree to it because of a scene in which she had to wear pajamas, and that refusal because she had married at the time The great artist Hussein Fahmy.
Lebleba said in a television interview: “Adel Imam is a great star, and a great artist. I consider him like my husband who works abroad; She played his wife in all the films we did together. He is the artist I have kissed the most in movies.”
Lebleba was famous for her daring kisses in films with Adel Imam, and during Lebleba’s dialogue on the “I and the Honey” program with Nishan, “The artist said to Lebleba that the artist Adel Emam accepted her more than her husband, and she said,” Adel Imam uses me a lot. “.
She added, “My work with the star Adel Emam gave me great stardom, as well as with the rest of the art giants in Egypt, but my films with Imam had a special character in performance, especially the movie (A groom from a security side); Where we departed from the text, and a battle took place between us that transcended the written text.
And she stated: “I consider “Adel Imam” my artistic twin, and all my successful films were with him. He is a tender person, and I learned a lot from him in life. My Lord has artistic feelings of jealousy towards anyone, whoever he is. He always advised me what to do, I hope to see him succeed with me or someone else.”
After that, Lebleba continued talking regarding her relationship with the leader, explaining: “I starred with “Adel” in a black and white movie, and I dealt with him only in one scene, but everyone said that there is a special chemistry between us because of that scene.”
And she continued: “With Adel, I acted in many successful films, such as “Watch out for the line – take care of your neighbors”, until we stopped for a long time, then “Adel” began to change the format of his cinema in general, and once we met in a public place, then he leaned on me and said: Get your body full, go on a weight loss diet because I want you in my next movie (A groom from a security side).
It is reported that the artist, Lebleba, has a long career with art, as she presented to the cinema more than 80 films, in which she participated with all the big stars such as Ahmed Zaki, Nour El-Sherif and Mahmoud Hamida, and formed with leader Adel Imam a film and television duo, where she presented with him many works, including ” Hamada and Tutu gang, “Watch out for the line,” “A groom from a security side,” and “Some go to the authorized person twice.”
In the theater, she has a balance of 7 plays, and she also sang for children many songs that generations have brought up, such as “Mama Habibiti and Baba Habibi” and “Hassalati Liha Karsh.” .
