A sculpture with an estimated value of $3 millionwhich was used for years as door stop at an industrial site in Scotlandis expected to be sold, subject to court approval. The sculpture, the “Bouchardon Bust“, was created in the early 18th century by the French sculptor Edmé Bouchardon and depicts John Gordon, an important figure and founder of the town of Invergordon.
Originally, in 1930, it was purchased by Invergordon Town Council for its local exhibition, but was ultimately never displayed and was found in 1998 to be used to hold a door open. In 2016, the bust was loaned to the Louvre Museum and in 2017 to the Getty Museum in Los Angeles, causing great interest in collectors’ circles.
In the latest development, a private collector has offered over £2.5 million to purchase the work, with a commitment to fund the creation of an exact replica for the local community. The City Council has launched a public consultation, and after the court’s approval, it is expected to decide whether the work will be designated a “national treasure” – a fact that could limit its export abroad, according to the Waverley criteria.
The discovery of this sculpture and the current process of selling it shed light on the history and significance of the work for local and national heritage.
Source: CNN
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What are the potential arguments for and against the sale of the Bouchardon Bust, considering its historical and cultural significance?
**Host:** Joining us today is art historian Dr. Emily Carter to discuss the remarkable story of the Bouchardon Bust, a sculpture worth millions that was found propping open a door in Scotland. Dr. Carter, what are your initial thoughts on this discovery and the subsequent debate surrounding its sale?
**Dr. Carter:** This is truly an astonishing find. It highlights how cultural treasures can sometimes be overlooked or undervalued. The Bouchardon Bust is not just a beautiful piece of art; it’s a tangible link to Scotland’s history and the legacy of John Gordon. The question now is whether its value is best served in a private collection or remaining accessible to the public.
**Host:** There’s been talk of designating it a “national treasure”. Do you think this is warranted?
**Dr. Carter:** That’s a crucial question. While the potential sale could bring much-needed funds, the loss of this significant artwork from public view would be a blow. The decision should weigh the financial benefits against the cultural and historical value for the community and the nation.
