Andrzej Mularczyk, an excellent scriptwriter of memorable Polish movies and TV sequence, author, reporter, and creator of radio performs, has died – introduced the Polish Filmmakers Affiliation, of which Mularczyk was a member since 1964.
Mularczyk died on June 21, 2024. He was 94 years previous.
“Andrzej Mularczyk, an excellent screenwriter of memorable Polish movies and sequence. Author, reporter, creator of radio performs. He created Kargul and Pawlak and was the screenwriter of Sylwester Chęciński’s cult trilogy. Andrzej Mularczyk, along with Jerzy Janicki, authored the script for most likely the very best sequence within the historical past of Polish tv – +Home+” – it’s written on the web site of the Polish Filmmakers Affiliation.
Andrzej Mularczyk was born on June 13, 1930 in Warsaw. He made his debut on the age of 13, throughout the occupation, within the underground journal “Dźwigary”. After the battle, he graduated from the College of Journalism on the College of Warsaw and began working at Polish Radio. In 1958, he made his debut as a screenwriter of the movie “Miasteczko” (1958). The censorship rejected the script of “The Nice Solar” a couple of younger man imprisoned throughout Stalinist occasions for taking part within the conspiracy. On Might 29, 1960, Polish Radio broadcast the primary episode of the cyclical radio play “W Jeziorany”. By March 2024, 3,256 episodes had been created. About two million individuals take heed to it often.
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Mularczyk was the creator of dozens of screenplays for movies and sequence, together with the trilogy “Sami swoi” (1967), “Nie ma mocnych” (1974), “Kochaj albo rzuć” (Love or Depart) (1977), in addition to the tv sequence “Dom” (the primary episode premiered in January 1980, the final in December 2000).
In an interview given to PAP in March this 12 months. In an interview, Mularczyk recalled engaged on the sequence “House”. “For Jurek Janicki and me, the sequence was a abstract of thirty years of reporting and journalistic work, our skilled path and our numerous private experiences. That is why we had unbelievable sentiment for this sequence – we gave all of it the very best tales from our lives and the lives of the heroes of our reportages,” he stated.
He recalled that originally the sequence was speculated to include solely 4 episodes. “The plot started within the spring of 1945 and coated just a few post-war years. We didn’t even dream of continuous the plot via the next many years of the Polish Folks’s Republic till 1980. We believed that at most two years would move from the script to the premiere. As an alternative of 4, the primary sequence produced seven episodes, the following ones in 1981-82 with a break on account of martial regulation. One – in 1986-87. After the autumn of communism, two extra sequence had been made – in 1995-96 and the final, fourth one – in 1999-2000 the truth that the final episodes had been proven for the primary time within the new century. Greater than 20 years had handed from the taking pictures of the primary episode in March 1979 to the work on the final twenty fifth episode “It was created in 4 sequence. The script was changing into an increasing number of swollen with subsequent threads, nevertheless it was not written in sequence, it was extra like a ‘hiccup’, which contributed to the drama,” Mularczyk recalled.
Mularczyk’s situations additionally served as the idea for, amongst others, such movies as “Whoever Is aware of…” by Kazimierz Kutz (1966), “An Unusually Calm Man” (1975) by Stanisław Bareja, “Gorilla, or the Final Process” (1989) by Janusz Zaorski and Andrzej Wajda’s final movie “Afterimage” (2016). The screenplay “Katynia” (2007) was primarily based on his novel “Submit mortem”.
Within the years 1970-77, Mularczyk was the literary director of the Iluzjon Movie Group. He was a member of the Polish Movie Academy and winner of the Polish Filmmakers Affiliation Award for excellent inventive achievements and contribution to the event of Polish cinematography (2018). (PAP)
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