Architecture Takes Center Stage at the Sag Harbor Cinema
This weekend, the Sag Harbor Cinema presents “The Shape of Homes to Come,” a unique event exploring the powerful connection between architecture and cinematic storytelling. More than just a backdrop, architecture can shape worlds both on and off the screen, as the event will demonstrate.
The program merges film and architecture in a thought-provoking way. It begins with a discussion between architect Raffaella Bortoluzzi, founder of Raffaella Bortoluzzi Architecture, and journalist Filippo Brunamonti. Together, they will delve into Bortoluzzi’s groundbreaking project using 3D printing to build affordable housing, a project that aligns perfectly with the themes explored in the event’s film centerpiece.
Following the discussion, attendees will have the opportunity to watch the timeless 1936 adaptation of “Things to Come” based on H.G. Wells’ 1933 novel. This pivotal film, directed by William Cameron Menzies, envisions a future where architects hold immense power to shape societies, both utopian and dystopian.
“Two of my favorite films this year, ‘Megalopolis’ and ‘The Brutalist,’ tell the story of intrepid architects whose art — through the use of space, materials, light and the landscape — envisions a better world,” Giulia D’Agnolo Vallan, the cinema’s artistic director, reflects. “I was struck by how utopia is such a fitting cinematic subject. Film has dreamed the future so many times. It’s a powerful way to explore the possibilities of what architecture can achieve.”
This event marks a significant milestone for Sag Harbor Cinema as the cinema’s first foray into the “Science on Screen” series.
“The cinema is meant to enjoy film,” Vallan explains. “But by weaving in these relevant discussions, we can spark conversations about wider themes that resonate with our audience.”
“Things to Come,” despite its age, remains a powerful exploration of the intersection between architecture and vision, asking profound questions about the role architects play in shaping our future.
Set in 1940s England, the film depicts a world determined by war and rebuilding. Thomas Menzies’ meticulous approach to design results in a film where architecture is used not just as set but actively portrays societal dreams and nightmares.
The Sag Harbor Cinema itself is also a testament to the power of architecture. Its iconic design by renowned architect John Eberson, unveiled in the 1930s, has captivated audiences for generations.
The Saga Harbor Cinema is at 90 Main Street in Sag Harbor.
Could architectural documentation, such as plans and drawings, serve as complementary materials to film in delving into the societal ramifications of architectural design?[[1](https://www.allacronyms.com/PAA/architectural)]
Do you think film is the best medium for exploring the complexities of architecture’s influence on society, or are there other art forms that might be more effective?
