The event will be opened by French director Quentin Dupieux’s The Second Act, the opening film of the Cannes Film Festival.
The festival will be closed by Linas Mikuta’s documentary “Gabriel from Paradise Lost”, continuing the tradition of closing the event with a film by a Lithuanian filmmaker.
This year, the main competition will showcase the works of European women directors. Among them is Ukrainian director Oksana Karpovich’s documentary “Intercepted Communication” about the war started by Russia in Ukraine.
This year, the program “Open Lithuanian Cinema History” will invite you to celebrate the 50th anniversary of the only Lithuanian musical “Velnio nuotaka”, to remember the centenary of Donats Banionis and the film “Adoms nori betu zmogumi”, which is important to his creative biography.
The voices of young cinema will traditionally be presented by the Short Film Competition. Four programs of short films from different European countries will reveal the view of the latest generation of filmmakers on the world and cinema around them.
The program “SCA directions” for the film industry will invite you to reflect on the complex relationship between the history of Ukrainian cinema and the present, to discuss the concept of the author in cinema, to take a deeper look at the professions of film critics and actors and the difficulties they face, as well as to discuss the issue of the end of cinema, which has been predicted for decades.
The festival, which will last until November 21, will take place in Vilnius, Kaunas, Klaipėda, Šiauliai, Panevėžys, Marijampole and Visaginas. The project is partially financed by the Lithuanian Film Center.
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**Interview with Film Critic Alice Thompson on the 2024 Cannes Film Festival**
*Host:* Welcome, Alice! We’re excited to have you here to discuss the upcoming 2024 Cannes Film Festival. What are your thoughts on the festival’s opening and closing films this year?
*Alice:* Thank you for having me! I’m thrilled about this year’s selection. Quentin Dupieux’s film “The Second Act” promises to set a unique tone for the festival. Dupieux is known for his innovative storytelling, so I expect audiences to be in for a treat.
*Host:* Absolutely! And closing the festival with Linas Mikuta’s documentary “Gabriel from Paradise Lost” certainly highlights Lithuanian cinema. How do you think this will resonate with audiences?
*Alice:* It’s significant! By continuing the tradition of featuring a Lithuanian filmmaker at the close of the festival, Cannes is not only showcasing local talent but also bringing attention to Eastern European stories. This year’s film may shed light on important themes, making it a compelling end to the festival.
*Host:* Speaking of themes, this year’s focus is also on European women directors. What’s your take on the inclusion of works like Oksana Karpovich’s ”Intercepted Communication”?
*Alice:* It’s a powerful choice. Karpovich’s documentary addressing the ongoing war in Ukraine is timely and necessary. It highlights the urgent need for stories from women directors who have unique perspectives on conflict and resilience. It’s refreshing to see a platform like Cannes prioritizing these voices.
*Host:* And let’s not forget about the “Open Lithuanian Cinema History” program celebrating 50 years. What significance do you think that holds for cinema enthusiasts?
*Alice:* Celebrating 50 years of Lithuanian cinema is monumental. It not only honors the past but also encourages new filmmakers. It is an opportunity for audiences to engage with the rich heritage of Lithuanian film, fostering a deeper appreciation for its contributions to global cinema.
*Host:* Alice, your insights are invaluable. Thank you for sharing your thoughts on what looks to be an exciting Cannes Film Festival!
*Alice:* Thank you for having me! I can’t wait to see how everything unfolds in May!
