2023-08-06 19:31:22
A father of the Salzburg Festival, Max Reinhardt, believed that theater was immortal. But what would the theater in its operatic form be without the mortality of the characters, without the singing of the deceased and the arioso lamentations of the bereaved? Nearly nothing. The contribution of the Whitsun Festival to Salzburg in summer supports this thesis; finally he tells the stories of Euridice’s short life and double death.
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