“>’The name of your beauty’
Whenever a drama is made on the city of Lahore, the inner culture of Lahore is taken into consideration. If the film is made, it is made inside Lahore.
Barun Lahore has its own culture and romance which has been seen in this play, although the play is romantic but the density is not fictional. Many such characters are found in the tradition of Mall Road colleges.
This drama is based on Hakeem Nir Wasti’s novel ‘Akhtar Aur Salma’ which was published in 1930.
The story is woven within the National College of Arts, spanning two generations. One generation is from the 90s and the other is called the fifth generation or hybrid generation of the 21st century.
A race is traditional. A generation is anti-tradition, but the foundation of the anti-tradition generation is laid by the generation that is crushed in the tradition, which later is forced to break the traditions of this generation on the same arguments, on which they raised this fifth generation. is mounted
The beauty of life is that you should carry your own philosophy.
In the heart of National College of Arts, there is a long story of such unconventional romance, this story is the story of Baron Lahore, which is a different world, a different civilization outside the twelve gates.
Salma and Sikandar were class fellows in college. Friendship turned into a love of poetry, punting, and a dream of marriage. In such dreams, if the hero is poor, then the girl is always marked as unfaithful. A rival comes and out of love, life travels on the path of brutality, but dreams are dreams.
Man never forgets them. The light of his interpretation keeps flickering inside him, remains bright and the light is considered a story of hope.
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Salma gets married to her friend Manza’s rich hero Atif and Sikandar marries her friend Manza. He becomes a successful architect. Britain becomes resident. A son, Omar, is born in his house, whose psychology, like any son’s, matches his mother’s, until he himself goes through the masculine experience of being abandoned by a girl, and he cannot forget her. Stayed.
When a father can’t forget a girl, he realizes that her mother has been raped. When Sara leaves him, he realizes that it might as well be natural.
His mother Manza dies of cancer.
In Karachi, he starts living separately from his father and also settles down.
Later, Salma started teaching in the same college where she had studied. A daughter Sara is born in her house who stands on her own feet. His parents are divorced.
Like her mother, she has psychological problems from her father, but she has been able to think life far above them because her mother’s training and independence made her early in the flow of life.
Omar and Sara decide to get married.
On the other hand, Salma and Sikandar also meet once more at National College and plan to start a new life.
But as soon as they come to know that their children want to marry each other, they once once more sacrifice their feelings and life for the sake of their children.
All stories end happily on this tradition. This drama is born from this tradition. Such a long story has been made for the last moments of this tradition breaking.
At the time of the wedding, Sara somehow comes to know that she has come between Salma and Sikandar. She ends the marriage and goes back to Karachi and taking the matter with understanding takes the mother to the destination of loneliness where she once once more takes a step towards life and accepts Sikandar as a companion and her daughter. Also tells.
Marriage of parents and then love and marriage of children. Society has not been able to think at this level yet, but has broken the tradition with great skill and elegance through drama.
The practice of breaking tradition is common in dramas and life is also taking steps in this direction.
But one thing to think regarding is why the negation of the life of characters like ‘Boa’ does not become a question somewhere in this whole breaking of tradition?
While Saba Qamar and Maha Hassan have played their roles well, they have also paid attention to the clothes, jewelry, make-up, hair style of an artist woman. Saba Qamar has reached the limit of beauty.
Very beautiful clothes and jewelry have been chosen. A very classical style is seen.
A sophisticated culture of a college town fades into the city’s glare, but despite the two generations of labor in the play, its beauty remains like the beauty of life.
An artist man or woman can only digest an artist man or woman, they don’t understand worldliness, so this drama is basically a representative of art and artistic civilization.
The novel has been adapted into a script by Sara Qayyum and Umira Ahmed. The director is Saqib Khan.
The music is great. Poetry is very wonderful. Poetry by Saad Sultan and Sohail Shehzad.
The drama is being aired by Green Entertainment, which has brought a novel to life. This novel has given birth to a culture of Lahore.
#Sacrifice #generation #generation #beauty
2024-07-05 11:38:11
