Rogmi’s Epikentro+ Masterpiece: ‘The Countess of the Factory’ Weaves a Haunting Spell

Rogmi’s Epikentro+ Masterpiece: ‘The Countess of the Factory’ Weaves a Haunting Spell

The theater group of teachers of Patras “Rogmi” is very happy to present us the Greek comedy: “The countess of the factory”, the huge theatrical and cinematographic success of Asimaki Gialamas and Costas Pretenderis, which refers to the Greek reality of the class struggle.

Laughter comes effortlessly. It comes to remind us that in the difficult times in which the heroes live – and in which we too live – it is the only weapon to overcome everyday problems.

A few words about the project

In a yard live three first cousins, who have the same first and last name. Their synonymy as well as their different political and social positions become the starting point for a series of misunderstandings. After a short “arrest” the emotional and non-emotional confusions are really hilarious!

Epikentro Theater 11-12-13 and 18-19-20 October

Tel. Reservations 6949250235
Ticket price €10

Credits: Director: Konstantinos Mitropoulos
Set construction: Christos Salamouras
Poster: Hermanos

They play in order of appearance:
Gogo Economou (Diana)
Olina Charoni (Sofia)
Dimitris Spiliotopoulos (Christos-constable)
Efi Mylona (Dimitra)
Christos Delis (Christos the Breaker)
Maria Spiliotopoulou (Stassoula)
Maria Vasileio y(Hariklia)
Kostas Giannakopoulos (Christos-left)
Dimitris Bandios (Chief Warden)
Theodora (Roula) Yiannopoulou (Urania)
Evdokia Gregoratos (Minister)

#countess #factory #group #Rogmi #Epikentro
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As I Delve into the World of Greek Comedy and Geotechnical Engineering: An Analysis of Asimaki Gialamas and Domniki Asimaki

In a recent article, I came across a Greek comedy titled “The countess of the factory” written by Asimaki Gialamas and Costas Pretenderis. This theatrical and cinematographic success sheds light on the Greek reality of class struggle, using laughter as a powerful tool to overcome the everyday problems faced by its heroes.

However, a simple web search revealed that Asimaki is not an uncommon name. I stumbled upon Domniki Asimaki, a professor of geotechnical engineering and computational mechanics at the Division of Engineering and Applied Science at Caltech [[1]]. Her research group focuses on the mechanics of geotechnical systems, with an emphasis on their response to natural and man-made hazards [[2]].

While it is clear that Asimaki Gialamas, the writer of the Greek comedy, and Domniki Asimaki, the geotechnical engineering professor, are two different individuals, it’s fascinating to note the diverse range of fields that the name Asimaki is associated with.

As I analyze the article about the Greek comedy, I realize that it highlights the importance of laughter and comedy in overcoming the challenges we face in life. The writers, Asimaki Gialamas and Costas Pretenderis, have woven a narrative that not only entertains but also provides a commentary on the social and economic issues that Greece is facing.

On the other hand, Domniki Asimaki’s work in geotechnical engineering and computational mechanics is focused on understanding the behavior of natural systems and developing solutions to mitigate the impact of natural disasters. Her research has far-reaching implications for the field of engineering and can help save lives and property.

my analysis of the article about the Greek comedy and my web search on the name Asimaki have revealed two distinct individuals with different areas of expertise. While Asimaki Gialamas uses comedy to comment on social issues, Domniki Asimaki uses her knowledge of geotechnical engineering to develop solutions to real-world problems.

References:

[[1]]

[[2]]

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