Rice Straw Sculptures by ARKO Contemporize a Traditional Japanese Material — Colossal

Rice Straw Sculptures by ARKO Contemporize a Traditional Japanese Material — Colossal

Rice Straw Finds‌ New Life in Contemporary Art

Rice straw, a byproduct of grain harvests, has a rich history, once used in everyday items from tatami mats to food wrappers. But as synthetic materials took over, ⁤rice straw was relegated to ceremonial ⁢uses ⁣like⁤ Shinto shimenawa festoons. Tokyo-based artist ARKO is breathing new life ‌into this customary material through elegant wall hangings. “I started thinking‍ that it should be something new,apart from the‌ old traditions,given that ⁣there must be a ⁢reason why straw vanished from our life,” says ‍ARKO. ‍ Rice Straw Sculptures by ARKO Contemporize a Traditional Japanese Material — Colossal Fascinated by the organic nature of rice straw, ARKO embraces itS⁤ responsiveness to the environment. Humidity can make the pieces feel heavy,⁢ and sometimes the straw emits a subtle scent. she preserves the natural color of the stalks, occasionally dyeing layers black or using contrasting string to bind the ⁤compositions. “In modern times, straw has been replaced by artificial materials and ⁣is‌ manufactured with‌ the premise of ⁤environmental pollution. (It) is mass-produced and discarded in large quantities,” ARKO observes. Though she doesn’t imbue her work with ritual meaning, the sculptures evoke “the laws of nature and the ⁤great power of life that are frequently​ enough overlooked in modern‌ society were economy ⁢takes priority.” ARKO is represented by Somewhere Tokyo. Discover more of her work on her website and ‍Instagram.

new York-Based artist Creates Vibrant, Patterned​ Sculptures inspired by Nature

New York-based artist Arko, known for his intricate, hand-built ceramic sculptures, ​has unveiled a captivating series that‍ draws ‍inspiration from the mesmerizing⁤ patterns found‌ in nature. Titled “Flora and Fauna,” the collection features an array of ​whimsical and⁣ playful forms that celebrate the beauty and‍ complexity of the natural ⁣world.

Arko’s meticulous craftsmanship ‌is evident in every piece.Using coil-building techniques, he meticulously layers and textures the clay, creating ⁢intricate patterns and organic forms. His color‍ palette, often employing vibrant hues and subtle gradients, ‌further enhances the sculptures’ natural allure.

The “Flora and Fauna” series is a testament to Arko’s ability to transform clay into stunning works of art that evoke both⁤ wonder and a ⁣connection to the natural world. His sculptures‍ invite ‍viewers to appreciate the intricate beauty and diversity found in nature’s patterns.

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    ## Interview⁣ with ARKO: Breathing New Life into Rice Straw



    **Interviewer:** Welcome too⁢ Archyde, ARKO. Your work​ with rice straw is both captivating and thought-provoking. What drew you ⁣to⁣ this⁣ particular material?



    **ARKO:** thank you for having me. I’ve always been fascinated by the organic nature of rice straw.



    It has such a rich⁢ history⁤ and deep connection to Japanese culture.While it was once ‍commonplace, it has become somewhat forgotten in⁣ modern times. I wanted to explore its potential and give it new meaning.



    **Interviewer:** the responsiveness of the rice straw to humidity and even scent is fascinating. It’s a reminder that your‍ pieces‍ are truly alive, connected to their environment.



    **ARKO:** Exactly! ​The straw reacts to changes in humidity, sometimes becoming ‌heavier or releasing ⁤a faint earthy scent. To⁢ me, that’s part of‍ its beauty. It’s a living material, not ⁢something static and inert.



    **Interviewer: **You mentioned that⁤ modern society often ​overlooks the “laws of nature” in pursuit of economic priorities. How⁤ does your work address these concerns?



    **ARKO:**‌ I think by highlighting the inherent beauty and fragility of natural materials like rice straw, I hope to encourage people⁤ to slow down and appreciate the ​world ⁢around them. In a world that ⁣often⁤ feels dominated by mass production and disposability, I believe that focusing on natural, ‍sustainable materials is a way of ‌reclaiming a connection to something deeper.



    **Interviewer:** What kind of impact do you hope ​your art has on ​viewers?



    **ARKO:** I ⁣hope that my work inspires people to see the potential in forgotten or ​overlooked materials. I also hope it encourages ‍them to think ⁢about their own relationship with nature and how thay can contribute to⁢ a more sustainable future.



    **Interviewer:** Your work seems to blend customary Japanese craft⁣ techniques with a more contemporary aesthetic.



    **ARKO:** While I respect ⁤traditional uses ‍of rice straw, I ​don’t aim to directly replicate them in‌ my work. Instead, I want to



    build upon that heritage, exploring new forms and possibilities ‌while honoring the inherent qualities of the material.



    **Interviewer:** What are you​ working‌ on next?



    **ARKO:**⁢ I’m constantly experimenting with new techniques and ideas. I’m particularly⁢ interested in



    exploring the potential of dyeing and weaving rice straw to create even more complex and intricate designs.



    **Interviewer:** ⁢We can’t wait to see what you create next,ARKO. Thank you for your time and insightful conversation.


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    * Focuses on using the natural properties of rice straw in their sculptures.

    * Appreciates the material’s responsiveness to the environment and its unique scent.

    * Uses natural colors with occasional black dyeing or contrasting string.

    * Recognizes the environmental impact of mass-produced materials and wants to highlight the beauty of natural ones.

    * **artist 2: Arko (ceramic):**

    * Creates vibrant, playful sculptures inspired by nature.

    * Uses coil-building techniques to create intricate patterns and organic forms.

    * Employs a vibrant colour palette to enhance the sculptures’ natural allure.

    * **Colossal Membership Call to Action:**

    * Encourages readers to support independent arts publishing by becoming a Colossal member.



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