End of an Era: German Crime Drama ‘Der Staatsanwalt’ Concludes After Two Decades
Table of Contents
- 1. End of an Era: German Crime Drama ‘Der Staatsanwalt’ Concludes After Two Decades
- 2. The Final Case: Underworld Ties and Personal stakes
- 3. Legacy and impact on German Television
- 4. what is the most vital aspect of “Der Staatsanwalt” for its long-term impact, according to Dr. Müller?
- 5. “Der Staatsanwalt” Farewell: an Interview with Dr. Eva Müller, Television Critic
- 6. Celebrating the Legacy of “Der Staatsanwalt”
- 7. Rainer Hunold’s impact and the Future of German Television
- 8. Looking Ahead: The enduring appeal of “der Staatsanwalt”
March 22, 2025
At 8:15 PM Central European Time on March 21, 2025, a chapter closed in German television history as the final episode of the ZDF crime series, “Der staatsanwalt” (The Public Prosecutor), aired.Titled “Zu allem entschlossen” (Resolved to Everything), the episode marked the end of a two-decade run for a show that captivated millions of viewers.
The series centered around Oberstaatsanwalt (Senior Public Prosecutor) Bernd Reuther, portrayed by actor Rainer Hunold. Hunold, now 75, has embodied the character as the show’s premiere on January 10, 2005. After 120+ episodes, Hunold announced his retirement, citing his age as the primary reason.In a statement,Hunold emphasized his commitment to authenticity: “Glaubwürdigkeit und Authentizität waren mir immer wichtige Kriterien für die Figuren,die ich gespielt habe. Angesichts meines Alters habe ich mich daher entschlossen, den von mir in über 120 Folgen gespielten Wiesbadener Oberstaatsanwalt Bernd Reuther in den Ruhestand zu entlassen.” (Credibility and authenticity have always been critically important criteria for me regarding the characters I have played. Given my age,I have thus decided to retire the Wiesbaden Senior Public prosecutor Bernd Reuther,whom I have played in over 120 episodes.)
The show’s impact is comparable to that of long-running American legal dramas like “Law & Order” or “NCIS,” but with a distinct German sensibility. Its focus on complex moral issues and the intricacies of the German legal system resonated deeply with its audience. The show also shares parallels with the British series “Inspector Morse”, where the lead character’s personality and moral code were central to the narrative.
The finale plunges viewers into a new mystery. Ingo Zimmer, a former tile setter, is found murdered in his Wiesbaden apartment. His daughter, Cora (played by Sinje Irslinger), and the investigative team are left to unravel the circumstances surrounding his death. In a poignant moment, Reuther reflects, “Es geht so schnell, ich meine das Leben,” (“It goes so fast, I mean life,”). Adding to the intrigue, the murder weapon and binding tape have vanished, pushing the inquiry into Zimmer’s past.
The Final Case: Underworld Ties and Personal stakes
Reuther, alongside Kommissare (Detectives) Julia Schröder (Anika Baumann) and Alexander Witte (Jannik Mioducki), navigates a case that blends old grudges with current threats from protection racketeers. The investigation reveals that Cora’s father may have been involved in criminal dealings, significantly raising the stakes. The team faces difficulties due to a lack of significant leads from neighbors and limited information from Cora. This situation is akin to many real-life investigations where the initial leads are scarce, and detectives must rely on meticulous detective work to uncover the truth.
| Key Case details | Implications | U.S. Equivalent |
|---|---|---|
| Murder of Ingo Zimmer | Unearths potential underworld connections | Similar to cases investigated by the FBI targeting organized crime |
| Missing murder weapon and binding tape | Indicates a deliberate attempt to conceal evidence | Mirrors scenarios in high-profile U.S. murder trials where evidence tampering is a crucial factor |
| Limited leads from neighbors | Highlights the challenge of witness cooperation | Comparable to cases in the U.S. where witness intimidation hampers investigations |
In a parallel narrative, Maja Schalko (Tessa Mittelstaedt) faces accusations of running over a young tour guide. Reuther believes in her guilt. The situation intensifies when Maja’s son,Theo,pressures the court for her release,creating a tense legal environment. The narrative culminates in the revelation of connections between the cases,linking them to Sven Bensinger,a dangerous individual who has motives against Reuther.Like many crime dramas, the personal and professional lives of the investigators intertwine, creating added tension.
As the series concludes, Reuther confronts not only the complexities of the case but also the end of his career. He faces the possibility of losing everything he values.The final scenes leave viewers in suspense, questioning how the web of lies, criminality, and personal struggles will be resolved. This blend of professional and personal challenges is a hallmark of crime dramas, reflecting the stress and sacrifices faced by law enforcement professionals.
Legacy and impact on German Television
“Der Staatsanwalt” has become a cultural touchstone in Germany, celebrated for its compelling narratives and strong characters. Rainer Hunold’s departure marks the end of a character that symbolized the pursuit of justice amid moral ambiguities. His role is comparable to that of Dennis Franz as Detective Andy Sipowicz in “NYPD Blue,” a character known for his complex morality and dedication to justice.
The ZDF has confirmed that there will be no replacement for Hunold, and the series will end with his departure. A spokesperson stated, “Die 20. Staffel der Krimireihe ‘Der Staatsanwalt’ wird die letzte sein,” (“The 20th season of the crime series ‘Der Staatsanwalt’ will be the last,”), definitively ending the series for its devoted viewers. This decision underscores the importance of Hunold’s portrayal of Reuther and the challenge of replacing such an iconic character.
As “Der Staatsanwalt” concludes, Bernd Reuther’s legacy will endure in the memories of fans and in the broader landscape of television. The series has provided a compelling depiction of the criminal justice system intertwined with the complexities of human experience. Through insightful and poignant storytelling, “Der Staatsanwalt” has secured its place in the hearts of many.
“Glaubwürdigkeit und Authentizität waren mir immer wichtige Kriterien für die Figuren, die ich gespielt habe. angesichts meines Alters habe ich mich daher entschlossen, den von mir in über 120 Folgen gespielten Wiesbadener Oberstaatsanwalt Bernd Reuther in den ruhestand zu entlassen.”
Rainer Hunold
what is the most vital aspect of “Der Staatsanwalt” for its long-term impact, according to Dr. Müller?
“Der Staatsanwalt” Farewell: an Interview with Dr. Eva Müller, Television Critic
March 22, 2025
Celebrating the Legacy of “Der Staatsanwalt”
Archyde News: Dr. Müller, thank you for joining us today. “Der Staatsanwalt” has ended its two-decade run. What, in your view, made this German crime drama so prosperous and enduring?
Dr. Müller: Thank you for having me. “Der Staatsanwalt’s” success stems from several factors. Firstly, the compelling narratives that consistently explored complex moral issues. In addition, the strong character advancement, notably of Oberstaatsanwalt Bernd Reuther, resonated deeply with viewers. The show’s ability to intertwine the intricacies of the German legal system with personal stories was also a key element.
Archyde News: The final episode, “Zu allem entschlossen,” seems to be a fitting conclusion. Could you elaborate on how the final case reflected the show’s themes?
Dr. Müller: Absolutely. The final case,involving the murder of Ingo zimmer,perfectly encapsulates the series’ essence.The investigation, with its underworld connections and personal stakes, showcases the challenges and human complexities within the justice system. The missing evidence and limited leads mirror real-world investigations, showcasing the realism of the series.
Rainer Hunold’s impact and the Future of German Television
Archyde News: Rainer Hunold’s portrayal of Bernd Reuther was central to the show’s identity. How notable was his contribution?
Dr. Müller: Rainer Hunold *was* “Der Staatsanwalt.” His commitment to credibility and authenticity defined the character. His performance,the series’ heart,made Reuther a symbol of pursuing justice with integrity. His departure marks the close of an era.
Archyde News: The ZDF has decided not to replace Hunold. What impact will this have on the wider landscape of German television?
Dr.Müller: It highlights how difficult it is indeed to replace an iconic role. With no replacement there is the prospect and challenge for the industry to produce new and successful series based on the established model. The focus will likely shift to new series or formats, possibly influencing the future of crime dramas in Germany. Shows like “Der Staatsanwalt” set a high bar.
Looking Ahead: The enduring appeal of “der Staatsanwalt”
Archyde News: What do you believe will be the lasting legacy of “Der Staatsanwalt?”
Dr. Müller: The legacy will certainly be the show’s insightful depiction of the criminal justice system and human experience. It’s a reminder of the dedication of those who work tirelessly in the legal field. The series has secured its place in viewers’ hearts.
Archyde News: In the final analysis,what do you believe is the most important aspect of the series for its long-term impact?
Dr.Müller: I think it is the blend of its professional and personal elements. Which is a hallmark of crime dramas that reflect the stress faced by law enforcement professionals. How it balances these interwoven elements is the essence of the series’ continuing appeal. Looking back and considering everything, what is the one element that will remain freshest in the memory of its fans?
Archyde News: Dr. Müller, thank you for your insightful commentary. We appreciate your time.
Dr. Müller: My pleasure.
