2024-06-21 18:00:06
“I nonetheless have a tough time watching the tip of the movie as a result of it is so violent! » Koharu Yamamoto, a 20-year-old dancer from the Paris Opera Nationwide, expressed her internal confidence. However what’s she speaking about? of bluebeardA horror masterpiece created by a German choreographer in 1977 Pina Bausch (1940-2009), entered the repertoire of Parisian establishments. Then again, throughout rehearsals on Wednesday, June 12, the younger girl charted an interesting path on this painful story of affection and curiosity. “Observing my colleagues helps me so much”, Did she slip?. She screamed and lunged ahead, a blood-curdling scream.
Koharu Yamamoto by no means imagined performing this work, a centerpiece of the modern stage. She thought fortunately Swan Lake. Until alternative dictates in any other case. A 12 months in the past, she handed via the corridors of the Palais Garnier Jose MartinezThe dance director instructed that she attend an audition organized by the Pina Bausch Basis. “I went there peacefully, and I had loads of enjoyable with my pals, doing the bizarre issues we had been requested to do, like laughing, crying…”she continued. Not solely was she chosen from a pool of forty-five actors, however she was additionally solid within the position of Judith alongside the star Leonor Borak and Charlotte Ranson. bid farewell lakewelcome to the fort, whose seven doorways and keys are stained with indelible blood!
The phobia generated by Perrault’s story is amplified right here by the music of Bela Bartok’s (1881-1945) opera from 1911 and the relentless gaze of Pina Bausch . As quickly as we arrived on the studio, German sounds had been blended with howls, hysterical meows and gasps. Beatrice Libonati from the Pina Bausch firm dances calmly and alertly bluebeard Collectively along with her husband, the unforgettable Jan Minarik (1945-2022) supervised the transmission. Along with viewing the recording, it additionally signifies the intent of the motion. His recommendation is: “We will not play, we have now to dwell with what everybody goes via in life. »
The overcoat-clad dancer Takeru Coste (Bluebeard) hangs from a tape recorder and turns into hypnotic, beginning music, stopping immediately, rewinding violently, and beginning once more. Girls gathered round him, rubbing and caressing his face. As if we had been reeling with sinister lust, he activates his voice and reaches out to Leonore Borac (Judith), who right here shows a surprisingly tragic facet.
There are 64.22% left to learn on this article. The rest is reserved for subscribers.
1718997910
#Pina #Bausch #Bluebeards #deadly #vertigo #Paris #Opera