The theater group “together”, of A ELME Achaia and Polyedros, invite you to the event that will take place on Wednesday, March 20, 2024 at 20:00, for the presentation of this year’s production of the group with the play: “the comedy of a … perfect handwriting!” adapted by Fotis Lazaris, based on the text of Nikolai Ertman “o Autochir!”.
The speakers will be: Maria Dalamitrou, English language teacher/ Doctor of Literature Essex University and member of the theater group, with the theme “Life, A Study of Death: Literature and Autonomy” and Fotis Lazaris, teacher, director of the show with the theme ” “What is society, a factory that produces slogans?”
The presentation of the play will be accompanied by music and songs performed by the musician Konstantina Nikolakopoulou in combination with excerpts from the play, which will be played among the spectators by the entire troupe. Poems by K.G. Karyotakis will be performed by Mary Sidira, Eleni Sigalou and Fotis Lazaris.
Actors of the show:
Arrangement, music editing, direction: Fotis Lazaris
Costumes: DIPETHE Patras.
Costume designer: Lamprini Anagnostou
For the “dining room song”, musical composition-arrangement: Giorgos Triantafillou. Performed by Konstantina Nikolakopoulou.
Set construction: Christos Siachos, Giorgos Daflos, Angeliki Vassiliou, Petros Hormovas, Eno Shkodrani.
Tutor: Angeliki Vassiliou, Maria Giannopoulou, Maria Fotiou.
Lighting: George Dionysopoulos, Thodoros Panagiotopoulos, Vassilis Vantarakis
Sound: Vassilis Lappas
Hairstyle – make-up Angelina Vgenopoulou
Photo: Vassilis Lagios
Distribution (in the order they appear): Angelos Bouboulis, Maria Dalamitrou, Nora Mavroidi, Fotis Lazaris, Olga Kanistra, Stefanos Stathis, Eleni Dai, George Dionysopoulos, Christos Siachos, Pavlos Tsekouras, Maria Giannopoulou, Nasia Kalogeropoulou, Nikos Panagopoulos.
As the play develops, the viewer feels that he is dealing with a pure comedy, which, however, several times turns into a black existential drama with a comedic cover. A constant acrobatics on the edge of comedy and sadness. Between the theater of the absurd and the comic farce.
Relentlessly modern and unrelentingly intelligent, Ertman’s frenetic comedy speaks of social hypocrisy and the sweeping mechanisms of power over the individual, of what it means to live in a society where only the dead can speak freely, but also of the unadulterated non-negotiable, invincible man’s desire for life. A sweeping tragicomedy regarding the little man’s lonely struggle to survive when signs and monsters happen around him.
It is an inventive, incredibly daring work, intensely physical that moves its action between tragedy and comedy, the macabre and the bright, the sublime and the humble, the dramatic and the farcical, the normal and the grotesque. A timeless bittersweet tragic farce for the anti-heroes of every era. One of the most important innovative comedies in world drama.
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