2024-11-02 11:02:00
Great audience interest on the holiday: Up to 728,000 and an average of 663,000 viewers (provisional weighting) were there yesterday, Friday, November 1st, 2024, at 8:15 p.m., when Adrian Goiginger’s ORF co-financed drama ” “The Fox” celebrated its ORF 2 premiere. The true story of an unusual friendship with, among others, Simon Morzé and Karl Markovics achieved a market share of 27 percent (12+). The feature film was also popular with young audiences at 18 percent (12-49) and 20 percent (12-29). The following documentary “Accepting Children – The Children Who Were Too Much” (10:20 p.m.) about the hard and difficult lives of children who – like Adrian Goiginger’s great-grandfather – were given away by their biological parents was also successful: The production from the Salzburg State Studio followed up to 421,000 and an average of 402,000 viewers (preliminary weighting) with a market share of 23 percent (12+) or 13 percent among 12 to 49 year olds and 15 percent among 12 to 29 year olds. The film and documentary are still available on ORF ON.
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**Interview with Adrian Goiginger, Director of “The Fox”**
**Interviewer**: Adrian, congratulations on the impressive viewership numbers for “The Fox.” With such a strong audience reception, what do you think resonates most with viewers about this story of friendship?
**Adrian Goiginger**: Thank you! I believe the core of the story—the profound relationship between characters that transcends their struggles—strikes a chord with many. It’s relatable, showcasing that genuine connections can flourish in the most unexpected circumstances.
**Interviewer**: The documentary “Accepting Children – The Children Who Were Too Much” also received considerable viewership. How do you think these two pieces, while distinct in their narrative forms, complement each other in exploring social issues?
**Adrian Goiginger**: Both productions delve into the realities of human relationships and the societal challenges faced by individuals. While “The Fox” presents a fictionalized account of friendship, the documentary shines a light on real issues affecting children. Together, they encourage viewers to reflect on both individual stories and broader societal issues.
**Interviewer**: Given the positive feedback, do you think there’s a growing appetite for deeper, socially relevant storytelling in media today?
**Adrian Goiginger**: Absolutely! Audiences are increasingly seeking content that provokes thought and discussion on significant themes. With platforms evolving and diversifying viewership, there’s a unique opportunity for creators to engage with pressing topics that mirror our contemporary society.
**Interviewer**: As a director, how do you strike a balance between artistic expression and the expectations of a wide audience?
**Adrian Goiginger**: It’s about authenticity. While I aim to deliver a compelling narrative, I also prioritize the message and emotional truth of the story. I find that when you stay true to your vision, the audience appreciates that sincerity, which ultimately leads to success.
**Interviewer**: what do you envision for the future of ORF’s productions in addressing social themes and reaching diverse demographics?
**Adrian Goiginger**: I see a bright future. ORF is committed to delivering content that not only entertains but also enlightens. By continuing to embrace and explore diverse narratives, we can engage different demographics and inspire valuable conversations about the issues we face today.
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**Question for Readers**: In a media landscape crowded with entertainment options, do you believe that deeper, socially relevant storytelling holds the same appeal for diverse audiences, and should it take precedence over purely entertaining content? Share your thoughts!
