“No one enters his house. Two people”: Raquel Argandoña talks about Tonka Tomicic

In a recent chapter of the entertainment program Star Zone of the Zona Latina channel, the panelists talked regarding the television presenter Tonka Tomicic and her relationship with Parived, who was accused of committing irregularities in the transaction of jewelry and luxury watches.

During the conversation, the journalist Cecilia Gutiérrez declared: “you who worked with Tonka, is it true that Parived tells you, or recommends you, with whom you have to hang out and with whom not?”

Faced with his question, Raquel Argandoña was blunt and said “no, I have never heard that.”

“Who enters your dressing room and who doesn’t enter your dressing room?”, expressed Mario Velasco, questioning to which she replied that “there are people who have bad energy. Do you not perceive? “Women are envious,” she added.

According to statements gathered by Glamorama, upon hearing his comments, Manu González stated that “especially the last week (of the Welcome morning, in November 2021, chapters in which the journalist actively participated), I went into the dressing room, I was with Tonka and the rest of the team. There were five or six people.”

He even stated that he was “sitting quietly” in Tomicic’s dressing room and that he even left his “pilchas” there.

For his part, Velasco said that “in the teams there are dressing room people who have to come into your dressing room to leave you something, makeup, a producer, a journalist. That is, people enter the dressing rooms for different reasons that have to do strictly with the paste.

In that sense, he highlighted that “he had heard that Parived says, to give you an example, ‘let your clothes be left out. You enter it’”.

Faced with that comment, both Argandoña, González and Hugo Valencia responded with a resounding “no”, to the point where the latter added that “that is a lie”.

Even so, the first stated that “no one enters her house. Two people”.

Faced with this, González said “Pancho Saavedra said that he had just seen his living room and his painting on the wall”, statements to which Argandoña emphasized “but through the screen”, referring to the format of remote video calls.

Despite that, Valencia stressed that “the issue of Tonka’s dressing room and that no one can enter is a myth, an absolute falsehood. All the people who arrived and knocked on the door of that dressing room might enter, freely. ‘Yes, just come in, come in’”.

Although he affirmed that with certainty, Argandoña expressed that “I don’t know if that much.”

“Do not. But if a producer came to knock on the door, ‘yes, come in, wait for me,’” said Valencia, so that González later explained that it would be “El Pato Valdivia or the other kid who worked with Tonka”.

“Cataña”, said Argandoña, a statement before which the latter sentenced “there was also always one of the production girls who was always with her. She welcomed you.”

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