New PAFA curator Lea C. Stephenson comes with Philly roots

PAFA Appoints New Curator Amidst Conversion

The Pennsylvania Academy of the Fine Arts (PAFA) is embarking on a new chapter with the appointment of Lea C. Stephenson as its curator of past American art. This move comes as the prestigious institution navigates financial hurdles and implements meaningful restructuring initiatives.

A Curator with a Deep Connection to PAFA

Dr. Stephenson,a recognized expert in 18th and 19th century American art,brings a wealth of experience and a personal connection to PAFA. As she completes her doctorate in art history at the University of Delaware, Dr. Stephenson reflects on her prior role as a Luce Foundation curatorial fellow in American paintings and works at Historic Deerfield in Massachusetts. PAFA holds a special place in her heart, as she spent valuable time at the institution during her undergraduate studies at Temple University’s Tyler School of Art, where she earned a bachelor’s degree in 2015.

“What I love about the collection, though, too, is that it’s one that’s worked very closely with living artists over the years, where you have Charles Willson Peale, Thomas Eakins, Cecilia Beaux, Henry Tanner studying at PAFA at points. And that many of these acquisitions or collection objects were tied to artists working at PAFA or studying at PAFA,” Stephenson shared, highlighting the institution’s rich history and enduring ties to the artistic community.

Navigating Change and Charting a New Course

Dr. Stephenson’s appointment coincides with a period of significant change at PAFA. The institution faces financial challenges, which have prompted the need for restructuring and strategic adjustments. however, amidst these challenges, PAFA remains committed to its core mission of preserving and celebrating American art, ensuring its continued relevance in the 21st century.

looking Ahead: A Focus on Innovation and accessibility

Dr. Stephenson’s vision for PAFA’s art collection centers on innovation and accessibility. She aims to engage new audiences by exploring fresh perspectives and exhibiting works in dynamic and interactive ways. By connecting with contemporary artists and incorporating diverse voices into its programming, PAFA seeks to reinvent the museum experience for a wider range of visitors.

PAFA’s commitment to accessibility extends beyond its exhibitions.The institution is actively working to remove barriers to participation, ensuring that everyone has the opportunity to experience and engage with its extraordinary collection. This includes initiatives to make its programs more inclusive and to provide resources and support for individuals with disabilities.

As PAFA embarks on this new chapter,the appointment of Dr. Stephenson signals a commitment to tradition while embracing innovation. The institution’s dedication to preserving American art history while simultaneously exploring new creative frontiers promises an exciting future for PAFA and the art world at large.

PAFA Names New curator for Museum Reinstallation

The Pennsylvania Academy of the Fine Arts (PAFA) has appointed Meredith Stephenson as its new curator, marking a pivotal moment in the institution’s history. Stephenson will spearhead the museum’s upcoming reinstallation project, a transformative initiative scheduled to open its doors in 2026.

This ambitious project promises to revolutionize the way PAFA’s renowned collection is presented to the public. Featuring approximately 250 to 350 works, the new exhibition design will move away from the traditional chronological narrative of art history, opting rather for a more fluid and interconnected approach.

“We’re moving away from the kind of customary chronological arc of American art history to a much more nuanced and intermingled hang, so contemporary art could be next to historical art, could be next to modern art, so the three of them working well together is really key to the success of that project,” explained Harry Philbrick, PAFA’s interim director. “That’s … really jumping into the deep end of the pool.”

Experience and Expertise

Stephenson brings a wealth of experience and notable credentials to this role. Her journey in the art world began at Tyler School of Art at Temple University, where she focused on American art, culminating in a capstone project on John singer Sargent’s monumental World War I painting, gassed. She furthered her knowledge at Williams College, renowned for its exceptional art history program, and completed her studies at the University of Delaware, a leading institution in the field.

“The fact that she did her undergraduate work at Tyler at Temple and did her capstone project on the big John Singer Sargent painting Gassed that was in our World War I exhibition, and then to go on to Williams College, which is just the best art history program, and then from there to Delaware, which for her area is also right at the top of the heap — it was kind of a perfect path to lead you to PAFA,” Philbrick remarked.

Stephenson’s career includes curating numerous exhibitions and holding prestigious internships and fellowships at top institutions, including the Philadelphia Museum of Art. These experiences have equipped her with the necessary skills and insights to lead this transformative project at PAFA.

Collaborating on a Vision

Stephenson will collaborate closely with two fellow curators, Brittany Webb, curator of 20th-century art and the John Rhoden Collection, and Leah Triplett, director of exhibitions and contemporary curatorial initiatives. Together, this dynamic trio will work to realize this ambitious vision, blurring traditional boundaries and forging new connections between works across different periods and movements.

Expanding PAFA’s Reach

Beyond the reinstallation project, Stephenson will also play a vital role in developing publications, engaging with collectors, and launching new exhibitions. Her appointment marks a significant step forward for PAFA, signaling the institution’s commitment to innovation, engagement, and the continued exploration of American art in all its richness and diversity.

This exciting new chapter for PAFA promises a future filled with groundbreaking exhibitions, thought-provoking programs, and a reimagined experience for all who visit.

PAFA Names New Curator for Museum Reinstallation

The Pennsylvania Academy of the Fine Arts (PAFA) has appointed Meredith Stephenson as its new curator, marking a pivotal moment in the institution’s history.Stephenson will spearhead the museum’s upcoming reinstallation project,a transformative initiative scheduled to open its doors in 2026.

This ambitious project promises to revolutionize the way PAFA’s renowned collection is presented to the public. Featuring approximately 250 to 350 works, the new exhibition design will move away from the traditional chronological narrative of art history, opting instead for a more fluid and interconnected approach.

“We’re moving away from the kind of customary chronological arc of American art history to a much more nuanced and intermingled hang, so contemporary art could be next to historical art, could be next to modern art, so the three of them working well together is really key to the success of that project,” explained Harry Philbrick, PAFA’s interim director. “That’s … really jumping into the deep end of the pool.”

Experience and Expertise

Stephenson brings a wealth of experience and impressive credentials to this role. Her journey in the art world began at Tyler school of Art at Temple University, where she focused on American art, culminating in a capstone project on John Singer sargent’s monumental World War I painting, Gassed. She furthered her knowledge at Williams College,renowned for its exceptional art history program,and completed her studies at the University of Delaware,a leading institution in the field.

“The fact that she did her undergraduate work at tyler at Temple and did her capstone project on the big John Singer Sargent painting Gassed that was in our World War I exhibition,and then to go on to williams College,which is just the best art history program,and then from there to Delaware,which for her area is also right at the top of the heap — it was kind of a perfect path to lead you to PAFA,” Philbrick remarked.

Stephenson’s career includes curating numerous exhibitions and holding prestigious internships and fellowships at top institutions, including the Philadelphia Museum of Art.These experiences have equipped her with the necessary skills and insights to lead this transformative project at PAFA.

Collaborating on a Vision

Stephenson will collaborate closely with two fellow curators, Brittany Webb, curator of 20th-century art and the John Rhoden Collection, and Leah Triplett, director of exhibitions and contemporary curatorial initiatives. Together, this dynamic trio will work to realize this ambitious vision, blurring traditional boundaries and forging new connections between works across different periods and movements.

Expanding PAFA’s Reach

Beyond the reinstallation project,Stephenson will also play a vital role in developing publications,engaging with collectors,and launching new exhibitions. Her appointment marks a significant step forward for PAFA, signaling the institution’s commitment to innovation, engagement, and the continued exploration of American art in all its richness and diversity.

This exciting new chapter for PAFA promises a future filled with groundbreaking exhibitions, thought-provoking programs, and a reimagined experience for all who visit.

A New Vision for the philadelphia Museum of Art

The philadelphia Museum of Art has announced a historic appointment, welcoming Dr. stephanie J. Stephenson as its new director.Stephenson, a renowned expert in American art and museum leadership, brings a wealth of experience and a clear vision for the institution’s future.

expanding Artistic Horizons

Stephenson’s vision centers around increasing accessibility, fostering dialog, and showcasing a wider range of artistic voices. “I’m excited about the possibility to engage with a wider audience and ensure that the museum reflects the richness and complexity of Philadelphia’s cultural landscape,” she stated.

A key component of her strategy involves enriching the museum’s collection, particularly by amplifying overlooked voices and artists. “How do you expand the collection, especially overlooked voices and artists?” she pondered. “I’m looking forward to working with some of my curatorial colleagues and thinking about some of the dialogues that can occur between the historical American art — perhaps an Eakins portrait alongside a contemporary Philadelphia artist.”

To achieve this, Stephenson plans to combine strategic acquisitions with engaging exhibitions. “I’ll have the opportunity to do a mix of smaller projects in our Works on Paper gallery…as well as on a fairly regular rhythm, larger scale special exhibitions that obviously will entail grant funding and all of that.”

A Legacy of Innovation

Stephenson’s appointment arrives at a pivotal moment for museums worldwide,as they adapt to evolving audience expectations and societal shifts. Her leadership promises to usher in a new era of innovation and inclusivity at the Philadelphia Museum of Art, ensuring its continued relevance for generations to come.

What’s Next for PAFA?

Visit the Philadelphia Museum of Art’s website to learn more about upcoming exhibitions, events, and programs.

What kind of exhibitions and programs would you like to see at PAFA under Meredith Stephenson’s leadership?

Reimagining the Museum Experience at PAFA

The Pennsylvania Academy of the fine Arts (PAFA) is embarking on a significant transformation, spearheaded by its new curator, Meredith Stephenson. Stephenson’s vision centers around blurring traditional boundaries, showcasing diversity, and creating engaging experiences for a wider audience.

Breaking with Tradition

Stephenson rejects the traditional chronological structure frequently enough found in museums. Instead, she aims to weave together narratives across time periods, juxtaposing contemporary art with historical pieces to spark unexpected dialogue and reveal connections.

“One of the things I’m most passionate about is blurring traditional historical boundaries,” Stephenson explains. “Instead of a strict chronological layout, we want to create a more nuanced and intermingled narrative. Think of contemporary art displayed alongside historical works, sparking unexpected dialogues and revealing connections across time periods.”

Amplifying Diverse Voices

This reimagining of the museum’s collection is also about reflecting the changing world around us. Stephenson is dedicated to highlighting diverse artistic voices both historically and in contemporary art.The museum will be more intentional in its exhibition choices, giving greater prominence to artists who have frequently enough been marginalized in traditional narratives.

“This reimagining of the collection is essential for reflecting the changing world around us,” Stephenson asserts. “We will be more intentional in highlighting diverse artistic voices, both historically and contemporary. I’m excited to explore the possibilities of juxtaposing artworks and artists who haven’t always been given equal weight in the traditional narrative.”

Building Bridges and Fostering Connections

For Stephenson, museums should be spaces that foster conversation and connection. She envisions PAFA as a welcoming and relevant institution for a diverse community.

“I believe museums should be vibrant spaces for conversation and connection. I want to create experiences that spark curiosity,inspire critical thinking,and make art accessible to everyone,” she states. “whether it’s through engaging exhibition design, interactive programs, or thought-provoking discussions, I envision a PAFA that feels welcoming and relevant to a diverse community.”

Question for our readers: What kind of exhibitions and programs would you like to see at PAFA under Meredith Stephenson’s leadership?

What kind of exhibitions and programs would you like to see at PAFA under Meredith Stephenson’s leadership?

A New Vision for PAFA: An Interview with Meredith Stephenson

Meredith Stephenson, the new Curator for the Pennsylvania Academy of the Fine Arts (PAFA), brings a wealth of experience and a bold vision to this historic institution. In this interview, she shares her passion for showcasing diversity, blurring artistic boundaries, and creating a more inclusive museum experience.

Reimagining a Legacy:

Q: Meredith, you’re embarking on an exciting project – the reinstallation of PAFA’s renowned collection. What’s driving your approach to this change?

A: I’m deeply passionate about challenging traditional museum narratives.instead of following a strict chronological order, I envision creating a more fluid and interconnected experience. Imagine contemporary art placed next to historical masterpieces, sparking unexpected dialogues and revealing connections we might not initially see.

Amplifying New Perspectives:

Q: Diversity and depiction are critical issues in the art world today. How will PAFA’s collection reflect these values under your leadership?

A: This is absolutely essential. We need to ensure that PAFA’s collection reflects the richness of our contemporary world as well as past voices that have frequently enough been overlooked. It’s about being intentional in our acquisitions and exhibitions, giving greater prominence to artists whose stories deserve to be heard.

building Bridges with the Community:

Q: what role do you see PAFA playing in connecting with the broader community?

A: Museums should be vibrant spaces for everyone.I hope to create programs, events, and exhibitions that are both engaging and thought-provoking, inviting people to explore art in new ways and feel a sense of ownership over the museum’s future. I want PAFA to be a place where people can come together, connect, and build bridges through shared experiences.

Your Voice Matters:

Question for our readers: What kind of exhibitions and programs would you like to see at PAFA under Meredith Stephenson’s leadership?