Published
The famous Belgian artist-choreographer Jan Fabre has been appearing before the Antwerp criminal court since Friday to answer charges of “sexual harassment” and “indecent assault”.
The artist Jan Fabre, here in 2016, was caught up in turn by the #MeToo wave.
AFP
Insulted, humiliated and for some abused: former dancers from Jan Fabre’s company painted a damning portrait of the famous artist-choreographer on Friday during his trial in a Belgian court where 3 years in prison were required once morest him.
“He had created a culture of anxiety and abused his power within the company” Troubleyn, lambasted the representative of the prosecution at the Antwerp Criminal Court (north) by asking for three years in prison once morest the 63-year-old Flemish plastic surgeon, who was absent.
The magistrate judged the testimonies of the victims “particularly credible and convincing”. She lamented that Jan Fabre “continues to minimize the facts” and shows “no understanding”, “there is nothing worse than that”.
Testimonials read by lawyers
This great name in contemporary art, exhibited throughout Europe, is on trial for “violence, harassment or sexual harassment at work” once morest 12 former collaborators of Troubleyn, as well as for “indecent assault once morest one of them. The facts relate to the period 2002-2018. He faces up to 5 years in prison.
Eleven of these presumed victims filed civil suits and eight of them were present at the hearing. But wishing that their identity be preserved, they preferred to remain silent and their testimonies were read by their two lawyers.
In many cases, the stories are similar. At 24, 25 or 28 years old, with no experience, these young dancers get an audition in the troupe of Jan Fabre, a recognized professional, who arouses admiration in the dance world. “Working with him was a dream,” said one.
Portrayed as “brutal” and tyrannical
But from the first contact, the choreographer seems “brutal”, systematically comments crudely on the physique of young women – “too wide hips”, “horse teeth”. “At the first rehearsal, he tells me that I am fat and stupid”, says a dancer who has just arrived from Canada. Despite everything, she decides to hold on.
“Do you know I can really be a jerk, do you want to work with me?” he says to another beginner. The scathing phrase cannot be forgotten. “He created a toxic work environment, with constant humiliations, insults and sexist remarks,” testified this woman during the investigation.
On the bench of the civil parties, another bursts into tears when her case is mentioned. The scene takes place twenty years ago. A few months following her first audition, when she still has no contract, she receives a text message from Jan Fabre who invites her to join him in a hotel room in Brussels.
For her, the fact of having ignored this advance is directly at the origin of the bullying and brutality suffered followingwards. Example: a scene during which she gets her butt “bitten”, to the point of screaming in pain.
Erotic photo shoots
“In addition to unwanted sexual approaches, he was asked to go beyond his physical limits,” comments An-Sofie Raes, one of the lawyers. Several civil parties recounted photo sessions of an erotic nature directed by Jan Fabre, under the “false pretext” of publication in a prestigious artistic magazine. Some sessions ended with sexual intercourse.
The affair broke out in September 2018 with the publication in a specialized media of an open letter signed by twenty former collaborators or interns of Troubleyn – mostly dancers. In this text, to which is attached a right of reply where Jan Fabre refutes the accusations, all denounce the psychological pressures, humiliations and blackmail of a sexual nature suffered in their work.
With him, it was “no sex, no solo”, summarizes one of the accusers. A few days later, the Antwerp Labor Inspectorate, a specialized section of the public prosecutor’s office, opened an investigation, which culminated in June 2021 in a referral to criminal justice.
Known for his provocations
Born in Antwerp in December 1958, Jan Fabre has had a reputation since the 1980s as one of the most protean and avant-garde artists of his time. Famous for his beetle wing cases (he covered the entire ceiling of the hall of mirrors in the Royal Palace in Brussels), he is also known for his provocations. In 2012, he had to apologize following a performance showing ‘throwing cats’ in Antwerp, which resulted in him being physically assaulted.
On Friday, his lawyer, Eline Tritsmans, did not explain his absence. The trial is due to continue on April 1 with the floor for the defense.
(AFP)
