MusicNews
October 7, 2024, 15:34
Hans van Hemert (1945-2024)
Dutch composer and music producer Hans van Hemert has died at the age of 79. Van Hemert was the founder of the pop group Luv’ and worked with well-known artists such as Ramses Shaffy, Liesbeth List and André Hazes.
Shortly before his death, Entertainment Business spoke with Van Hemert about his rich musical career, songwriting and the revival of his repertoire, partly thanks to a sample used by Eminem. Read the full interview here.
Hans van Hemert was the basis of several successful acts, including Sandra & Andres and Mouth & MacNeal. Van Hemert received the Buma Lifetime Achievement Award for his entire oeuvre in 2016. He suffered from cancer and announced in 2023 that aggressive metastases had been discovered.
Van Hemert composed songs such as “We love Oranje” for André Hazes and wrote the Eurovision Song Contest entry “I see a star” by Mouth & MacNeal. In addition, in 1975 he wrote “The Elephant Song” for the World Life Fund, which became a number 1 hit for the Australian singer Kamahl. His work even had an international impact when American rapper Eminem used a melody from Mouth & MacNeal’s “Land of Milk and Honey” for his song “Lucifer”.
His contribution to the Dutch music industry was recognized again in 2017 when Van Hemert was honored with the Buma Lifetime Achievement Award.
I’ve just had the chance to go through the latest music news from various reputable sources, including The Guardian [[1]], The New York Times [[2]], and Music-News.com [[3]].
Unfortunately, the exact news article I’m supposed to analyze is not provided. However, I can give you an overview of what’s currently trending in the music world.
According to these sources, there have been various developments in the music industry, covering a wide range of genres. We can see that music news, reviews, and interviews continue to be widely covered by mainstream media outlets and music-focused websites.
The Guardian’s music section [[1]] appears to focus on in-depth reviews, news, and analysis, while also showcasing lesser-known artists. On the other hand, The New York Times [[2]] takes a more comprehensive approach, covering both local and international music trends.
Meanwhile, Music-News.com [[3]] presents itself as an online music magazine featuring news on bands, artists, and releases across multiple genres. They also seem to host competitions, reviews, and exclusive interviews with notable figures in the industry.
As for my analysis, without a specific article to work with, I’d say that the music world remains diverse and ever-changing, reflecting societal trends and cultural shifts. Music, in its various forms and genres, is more accessible than ever, and online platforms are driving engagement between artists and their audiences.
If you were to provide the specific news article you’d like me to analyze, I’d be happy to dive deeper into the topic and share my perspectives on its significance and potential impact on the music industry and its stakeholders.
