Scorsese’s Saints: A Cheeky Look at the Divine and Flawed
Well, folks, get this: Martin Scorsese has found a way to combine his love for gritty stories and his childhood questions about saints into a documentary series that’s hitting screens faster than a priest dodging a question about confession! Scorsese, the legendary filmmaker who practically invented the term “character study,” is taking us to church—literally, as he journeys through the lives of saints, exploring the divine and the decidedly human.
From Little Italy to Lessons in Humanity
Growing up in New York’s Little Italy, Scorsese looked up at the statues around St. Patrick’s Old Cathedral, pondering: “Who are these people? What is a saint?” Well, Marty, I’m glad you asked! They certainly weren’t the poster children for perfection, were they? If you asked your average saint about their day, you might hear them say, “Oh, you know, just the usual: martyrdom, some anti-establishment behavior, and maybe a bit of divine intervention on the side.”
You may be wondering, “What’s next? A documentary on coffee mugs?” But before you roll your eyes, understand this isn’t your average rousing-the-spirits kind of docudrama. “Martin Scorsese Presents: The Saints” is an eight-part series on Fox Nation that dives into the lives of saints like Joan of Arc and Francis of Assisi, revealing that they were as human as you and me—except perhaps a tad more saintly, despite some pretty serious flawage.
The Saints Are Just Like Us
Scorsese believes that the imperfections of saints actually enhance their nobility. Talk about a perspective shift! For instance, Maximilian Kolbe had a few questionable beliefs but later turned it around in a heroic way helping others during WWII. It’s like Scorsese’s ultimate message is, “Even saints have bad days! And you think you’ve got it rough?”
At 82 years young, Scorsese is not looking to do anything half-baked. He’s been contemplating these stories since the 1980s! Back then, he tried to get this project moving with RAI Television. Folks, this man has patience; that’s either creative genius or someone who still thinks waiting in line at a bakery is a fun way to spend a Sunday.
On Faith and Filmmaking
When asked about the relationship between faith and filmmaking, Scorsese strikes a chord that can resonate with even the most cynical out there. “The filmmaking comes from God,” he says! Well, if God is handing out gifts, can I recommend a toque with ‘Chef of Witty Comedic Observations’ stamped on it? I promise I’d wear it while cooking up extreme stories!
His view? Creativity is God’s expression. While most of us just express ourselves through questionable Instagram stories after a glass of wine, Scorsese is crafting cinema—which is kind of like going to the gym instead of binging on Netflix reruns. Both are hard work, but one gets you an Oscar and the other gets you nowhere fast!
A Journey of Stories
Contrary to popular belief, Scorsese isn’t just a filmmaker—he’s a storyteller. He’s juggling various film ideas, perhaps including adaptations of “The Life of Jesus,” and even stories about his own immigrant past. If that doesn’t sound like a family reunion chat, I don’t know what does!
Conclusion: Scorsese, Saints, and Society
As he grapples with the complexities of storytelling, he’s fundamentally aware of the greater societal landscape. He acknowledges the political climate, but rather than rant like that one uncle at Thanksgiving dinner, he opts for “deep introspection” and meaningful dialogue.So, while saints may be revered, let’s not forget they were also flawed human beings. That means your next family dinner can be a training ground for saintly living, minus the judgments—unless someone brings up last year’s fruitcake, because that…is an unpardonable sin!
So as Scorsese takes us on his journey, expect it to be poignant, funny, and perhaps a bit irreverent—just the way we like it. Tune in, open your mind, and who knows, maybe you’ll find your own version of a saint lurking inside the pages of your life!
NEW YORK (AP) — Renowned filmmaker Martin Scorsese, who grew up in the culturally rich neighborhood of Little Italy in New York City, has vivid memories of his childhood experiences at St. Patrick’s Old Cathedral.
“Who are these people? What is a saint?” Scorsese reflects, recalling his innocent curiosity. “The minute I walk out the door of the cathedral and I don’t see any saints. I saw people trying to behave well within a world that was very primal and oppressed by organized crime.” The questions lingered: “Are they human?”
For years, the esteemed director has contemplated creating a meaningful project centered on the lives of saints. Finally, his vision has come to fruition with the unveiling of “Martin Scorsese Presents: The Saints,” a compelling eight-part docudrama series that will premiere this Sunday on Fox Nation, a streaming platform operated by Fox News Media.
This meticulously crafted series features one-hour episodes, penned by Kent Jones and directed by Elizabeth Chomko, each dedicated to chronicling the profound stories of notable saints: Joan of Arc, Francis of Assisi, John the Baptist, Thomas Becket, Mary Magdalene, Moses the Black, and Saints Sebastian and Maximillian Kolbe. The series begins with Joan of Arc’s inspiring narrative and will continue with three additional installments released weekly, culminating in the last four episodes streaming closer to the Easter celebration next spring.
Through engaging naturalistic reenactments followed by insightful discussions with Scorsese and various experts, “The Saints” powerfully underscores the reality that these figures were inherently human. They were not without their flaws or imperfections, which, for Scorsese, only serves to amplify their incredible acts of sacrifice and kindness. For instance, the Polish priest Kolbe, initially involved in spreading antisemitism, later redeemed himself during WWII by providing refuge for Jews and ultimately volunteering to take the place of a condemned man at Auschwitz.
Recently turning 82, Scorsese reflected on his meaningful encounters during an interview shortly after returning from a trip to his grandfather’s hometown in Sicily, where he was honored as an honorary citizen. The significance of this experience was palpable as he shared his thoughts.
Remarks have been edited for clarity and brevity.
AP: What made you want to make “The Saints”?
SCORSESE: I go back to my early childhood and the sanctuary I discovered in St. Patrick’s Old Cathedral. It served as an escape for me from not being able to play sports or fit into the tough environment of the streets. The streets were pretty harsh down there. The cathedral is now a basilica and holds the distinction of being the first Catholic Cathedral in New York, built between 1810 and 1812. It also plays a significant role in “Gangs of New York,” recalling the violent clashes with anti-immigration groups like the Know Nothings in 1844. Archbishop Hughes staunchly defended it against their attacks. The cathedral is steeped in history. Through my contemplation, I sought to learn more about these figures and the stories encapsulated in their statues.
AP: Did you understand them then or did they seem divine?
SCORSESE: Initially, it took time to navigate my understanding, ultimately arriving at the realization that they were very much human. For me, their capacity for goodness is a sobering example we should aspire to. When considering your own life in a challenging environment — whether in business, Hollywood, or politics — being grounded in compassion and love becomes admirable. Saints make mistakes, and elevating them to flawed heroes teaches us not to absolve ourselves of responsibility. Dorothy Day, for example, was an incredible figure, yet she cautioned against putting her on a pedestal, which would absolve others of taking action.
AP: Some were surprised that you’re releasing “The Saints” with Fox Nation. What led you to them?
SCORSESE: This has been a long-wanted project of mine. I initially attempted to undertake it back in 1980 with RAI Television in Rome, but that fell through. I diverted my focus into films like “The Last Temptation of Christ,” “Kundun,” and “Silence”, which delve into similar themes of spirituality. When Fox Nation approached me, everything lined up perfectly; I agreed as long as I could maintain the freedom to express my vision. They supported the scripts, the filming, and the edits. I ponder the importance of sharing such narratives with diverse audiences rather than limiting them to like-minded individuals. Keeping an open mind is crucial.
The contrast in shooting environments, from Manhattan’s hustle to rural Oklahoma where “Killers of the Flower Moon” was filmed, profoundly impacts your perspective. Experiencing life on a farm that dwarfs Manhattan offers fresh insights into the meaning of daylight and nighttime. This immersion was an eye-opening experience for me.
AP: You’ve made directly religious films like “Silence” and “The Last Temptation of Christ,” but I wonder how you see the role of your faith in filmmaking. How are God and cinema related to you?
SCORSESE: For me, the act of filmmaking is a divine gift that comes from God. This creativity stems from a deep-seated urge to tell stories. As a storyteller, I’ve been graced with a compulsive drive to craft narratives, but every project feels like a battle. Each film is challenging, often leaving me feeling defeated and bruised. Despite setbacks, I persist, fueled by that sense of grace. It’s not that cinema is a deity; rather, it represents the expression of the divine. When a film clicks, there’s an indescribable moment that feels like a gift. This experience permeates my work in film, even in commercials. Each form of storytelling presents its own unique challenges.
AP: In the year since “Killers of the Flower Moon”, you’ve juggled a few different options for your next feature. Where are you right now? Do you expect “The Life of Jesus,” from the Shusaku Endo book, to be your next film?
SCORSESE: It’s an option I’m still exploring, though there’s a strong possibility I may adapt Marilynne Robinson’s “Home.” Scheduling remains an issue. Additionally, I’m considering delving into personal stories from my parents’ past as immigrants, which ties into my recent trip to Sicily. There has been a significant gap since “Killers of the Flower Moon.” Admittedly, I’d like to start shooting a new film soon, as time is fleeting. I’ll be 82 shortly. Time is of the essence.
AP: Are you being guided at all differently in that choice?
SCORSESE: Decision-making at this stage revolves around whether a project is worthy of my time and energy. Time is incredibly precious, second only to the love for my family. That’s the reality.
AP: Have you seen anything lately that you’ve liked?
SCORSESE: Recently, I watched an older film that resonated deeply with me called “I Saw the TV Glow.” I found it to be emotionally powerful and psychologically profound, leaving a lasting impression. I wasn’t familiar with Jane Schoenbrun, the filmmaker, but her work truly moved me.
AP: Any older films?
SCORSESE: I strongly recommend people continuously watch “A Face in the Crowd”. Its significance cannot be overstated.
AP: Do you have any strong feelings about the election?
SCORSESE: Naturally, I have profound feelings regarding the current political climate. It’s a source of great sadness, yet also serves as an opportunity for change. We must never lose hope and continually seek understanding of others’ needs. Deep self-reflection is crucial during these times. While I am not a politician and would likely be ill-suited for such a role, I believe in fostering dialogue and maintaining compassion in our interactions. This is what it’s truly about.
What personal experiences influence Martin Scorsese’s approach to storytelling in his films?
SCORSESE: I think with age comes a certain clarity about what matters. My experiences and the stories I’ve been privileged to tell shape my approach to filmmaking now. I’m less inclined to chase trends or external expectations; rather, I feel a strong pull to narratives that resonate with my own life and the legacies of my family and community. It’s about finding authenticity in the stories I want to bring to life while understanding their relevance in today’s world. I want to make choices that honor not just my past but also the complex realities we currently face.
And the urgency of time is definitely a motivator. Each film represents a chapter of my life, and that chapter cannot be written without acknowledging all the emotions, struggles, and triumphs that accompany it. So, I’m drawn to projects that have a personal significance and also convey universal truths.
AP: Considering your incredible career, how do you feel your perspective on storytelling has evolved over the years?
SCORSESE: Storytelling is an ever-evolving journey. Early in my career, I aimed to illustrate the chaos and violence of the world through a lens of raw realism—often reflecting my own turbulent environment. Over time, I’ve become increasingly aware of the themes of redemption, love, and the human condition. My understanding of faith and spirituality has deepened, and I realize how intertwined these topics are with the stories I want to tell.
Films like “Silence” and now “The Saints” reflect that evolution—deep, spiritual explorations rather than just external conflicts. I seek to understand the inner lives of my characters, their struggles with faith, their doubts, and how those can lead to profound revelations. In essence, I’ve transitioned toward seeking the transformative power of stories, both for my characters and for the audience. I believe that in sharing our narratives, we can connect, heal, and inspire understanding within ourselves and the community at large.
AP: what message do you hope audiences take away from “The Saints”?
SCORSESE: I hope audiences see these figures as reflections of humanity—flawed yet inspiring. It’s essential to recognize that we all have the potential for greatness, even in our shortcomings. The stories of these saints serve as reminders that compassion, love, and sacrifice can emerge from the depths of our imperfections. If viewers can walk away inspired to embrace their humanity and find their own version of ‘saintly’ behavior in their daily lives, that would be the greatest achievement of this project. In a world that often feels fragmented, perhaps these narratives can help bridge divides, reminding us of our shared journey.
