Lost Masterpiece by Caravaggio, Missed for 60 Years, Resurfaces in Rome
A portrait believed to be by the renowned Baroque artist Caravaggio has reappeared in Rome, venturing out of obscurity for the first time in six decades after languishing in private hands.
The painting portrays Maffeo Barberini, years before his elevation to the papal throne, the image frozen in time. Though becoming the illustriously known Pope Urban VIII, as a younger man, he appears bright-eyed and ambitious.
Dated to 1598, the canvas captures Barberini at age 30, a promising age, clad in the traditional garb of a clergyman: a formal black biretta, and the distinctive green sleeveless cassock. In his hand, he clutches a letter, symbolizing his burgeoning career in the Church and his strategic ascent. Barberini had already held a prestigious doctorate in law from the University of Pisa and navigated theatrics with foresight and connections.
Barberini, destined for greatness, is documented to have nurtured a lifelong passion for the arts.
“He was introduced to Carabaggio, a then-unknown artist. In 1598, via a mutual friend, Francesco Maria del Monte, who acted as host, likely, because of shared artistic interests.
The portrait eventually found its way to via connections to the Barberini family.
For 300 years, the iconic portrait passed down through the generations of the Barberini family.
After a private sale in the 1930s, knowledge of the piece faded from public knowledge. Its rediscovery in 2023 after years
A Legacy Reunited
A revival, bringing the artwork to light.
The artwork now is displayed in Palazzo Barberini, Rome, home to the National Gallery of Ancient Art. It returned home.
Caravaggio’s work is a reflection. Hit the heart
“The painting’s essence lies within the hands – the left clutching a letter, right emerging from the frame, a metaphor. Pausina. The depiction search of the Pontiff’s very nature.
The curator’s understanding significantly affects
What insights does the portrait offer into Maffeo Barberini’s life before he became Pope Urban VIII?
## Rediscovering Caravaggio: An Interview
**Host:** Joining us today is art historian Dr. Emily Carter to discuss the exciting rediscovery of a possible Caravaggio masterpiece in Rome. Dr. Carter, welcome to the show.
**Dr. Carter:** It’s a pleasure to be here.
**Host:** Let’s dive right in. This portrait of Maffeo Barberini, later Pope Urban VIII, has been hidden from public view for 60 years. Can you tell us about its journey back into the light?
**Dr. Carter:** Absolutely! The painting seems to have been in private hands for decades. Its reappearance is a testament to the constant uncovering of art historical treasures.
**Host:** The portrait is generating a lot of buzz. What makes experts believe it’s a genuine Caravaggio?
**Dr. Carter:** Several factors point towards Caravaggio’s hand. The painting’s style, particularly the use of dramatic lighting and realistic depiction, are hallmarks of Caravaggio’s work. [[1](https://www.museumsrome.com/en/our-blog-on-rome/caravaggio-s-works-in-rome)]highlights his mastery of capturing this visceral intensity in his portraits. Additionally, art historians are examining the pigments and canvas to verify its authenticity.
**Host:** And what about the subject? Does the portrait offer any new insights into Maffeo Barberini before he became Pope?
**Dr. Carter:** Absolutely! We see a young Barberini, full of ambition and intelligence, a stark contrast to the mature, papal image we’re familiar with. This portrait offers a glimpse into a pivotal moment in his life, before he ascended to the papal throne and became a major patron of the arts.
**Host:** Certainly a fascinating discovery. Dr. Carter, thank you for sharing your insights. This rediscovered Caravaggio is sure to captivate art lovers worldwide.
**Dr. Carter:** My pleasure. It’s an exciting time for art history.
