Watching a play tonight. “The Last Gift”, written by Zhuang Meiyan, directed by Chen Zhuowei, starring Huang Zihua and Pan Canliang.
The plot is regarding the death of the father, leaving a legacy. The two brothers who haven’t seen each other for more than ten years reunite, but instead of seeing each other happily, it causes a tragedy in life. That legacy is an introduction, drawing out many dark things in human nature, and in the face of these shadows, the brilliance of human nature becomes very weak. The two brothers have natural personalities, the older brother is sloppy and achieves nothing; the younger brother is excellent and has a successful career. Under such a contrast, the attitudes and expectations of the parents are also very different. Since childhood, they have brought different life pressures to their two sons, good and bad. , The resentment is deeply tied, and there is no way to solve it, and finally it is out of control.
In “The Screenwriter’s Words”, Zhuang Meiyan said that since she was a child, she disapproved of the story of “The Prodigal Son” in the Bible. She did not think that unconditional love is right. Instead, a lot of wisdom was born following experiencing the dark side of human nature. This is reminiscent of Mark Twain’s famous short story “A Tale” (Edward Mills and George Benton: A Tale). , penetrating the helpless worldly sophistication, the good in the evil, the good in the evil, the boundary between good and evil is blurred, only the comments of the world make noise.
The dramatic force of this play, under the arrangement of such themes, gradually heats up, gradually increases, from shallow to deep, without twists and turns, directly poking people’s hearts.
Of course, a good play is inseparable from the actors. The actors in this play have rich stage experience. Regardless of the importance of the role, they all perform appropriately, and they perform their duties without slack. The two male protagonists are even more sparks. Pan Canliang’s skill and precision in performance are the skills accumulated on the stage for more than 20 years. Correspondingly, Huang Zihua’s “Pine” is a sense of rhythm that is not purely a stage performance.
Lee Chun Eun
