On June 5, a retrospective portray exhibition by Kostas Spyropoulos entitled “The Perishable Eternity of a Drop” opens on the Greek Home in Paris.
It’s the second time Spyropoulos reveals within the metropolis of sunshine. In 2016, he took half in a world Artwork Truthful held on the Louvre Museum, with nice success.
On this exhibition, the artist presents his profession. A course that begins with sturdy influences from the painters of the thirties.
Within the first stage of his evolution, trying to find the great thing regarding innocence, within the panorama of his homeland, he’s influenced by Historic and Byzantine Iconography.
About this era, the professor on the EKPA artwork historian Stelios Lydakis writes: “… Kostas Spyropoulos, like Markos Venios and partly Michalis Georgas, prefers lyrical metamorphosis and the calmness of the colour vary.”
“… Artwork gained Spyropoulos with out science dropping him. Rendering “Caesar’s to Caesar” he pays to each the toll of his favor..”
… Within the panorama of the islands he was gained over by the brightness of the ambiance and objects.
… Avoiding dry realism he denatured actuality right into a poetic picture by means of a subjective shade vary and a stylized remedy of particulars.
The professor at EKPA Artwork Historian Athena Schina writes “…Kostas Spyropoulos directs and directs issues as individuals and the personifications of views of the Archipelago world, as acts of a lyrical drama.
The subsequent steps are characterised by a concord dominated by geometric shapes and the stability between kind and shade. About this era, the Professor of Artwork Historical past on the EKPA and Academician, Chrysanthos Christou, writes: “… For each pupil of Spyropoulos’ creative creation, what makes a particular impression is the extraordinary potentialities in exploiting the expressive potentialities of shade in addition to in the usage of design varieties .
The Artwork Historian Barbara Angiolini writes “… The nice and artistic creativeness of Kostas Spyropoulos, rejoices, enchants and with a captivating capacity to place “wings” on desires, pulsates free and light-weight, within the contemplations Describing the subsequent steps the Artwork Historian and director of the Pilsen Worldwide Design Biennale Gabriela Hajkova writes: “… Spyropoulos is a multi-faceted artist who’s accomplished by means of the wealthy shiny colours of portray.
Artwork Historian – Technocritic Dora Iliopoulos Rogan entitled Kostas Spyropoulos “Scientist and Versatile Artist” states “… Spyropoulos is imaginative and in his constructions proves in each case how skillful he’s.
With the title “¨When the artist’s creative model exceeds modernity”, the Professor and President of the College of Advantageous Arts of the College of Ioannina G. Pantis notes “… his creative model exceeds the manifesto of modernism.
Spyropoulos’ presence at many worldwide Biennales and Artwork Gala’s gave him the chance to converse with European and American artists by means of creative expression. The results of this interplay was to present delivery to the concept the standard of the development represents the standard of the producer. Thus begins the exploration of city house, promoting, style, mass media, inexperienced power.
The evolution of this search leads the painter to report a typical city mythology the place the idea of magnificence and the attractive are revised.
Throughout this era the painter feels alone in a world with out that means, apart from the that means he creates by means of his freedom as he’s continuously being shaped. Concerning the work of this era, Alekos Fasianos notes: “… By the works of Spyropoulos one can distinguish the motion and on the identical time the conception of a second in time and actuality.
Then once more, Artwork Historian – Technocritic Iris Kritikou notes: “… By the expressionism of shade and sweetness, by means of floating symbols, letters and phrases, Okay. Spyropoulos, painter of indicators, leads the viewer’s gaze to a extra common reinterpretation of the city setting.
It’s a indisputable fact that the portray of Spyropoulos, amongst others, perceives the work as an actual, inventive and delicate expectation. Cesar Campos, professor on the College of Advantageous Arts of the College of Lima, Peru, says: “… the artist refers to creators equivalent to Saint Beatus of Liebana within the tenth century following which with a leap of 10 centuries to Ganguin and Picasso to Matisse as these artists discover the connection of kind and background with out making an attempt to signify the “true” and visual actuality, which is with out content material.
And plenty of different essential folks of Artwork, Greeks and Foreigners, have handled the portray of Spyropoulos equivalent to Manos Stefanidis (Professor EKPA. Artwork Historian), Maximo Zorzato (Biennale Asolo 2010), Mario Gudezo (Biennale Asolo 2010), Giorgos Maniotis ( Creator), Professor Salvatore Autovino (Biennale di Palermo 2014), Paolo Levi (President of Biennale di Palermo 2014), Nikos Zias (Mr. Professor of Artwork Historical past, College of Athens), Giorgos Katsangelos (Professor of Advantageous Arts, College /mio Thessaloniki), Xenia Kaldara (Director and Vice-President of the Kakogianni Basis, 2014), Zoran Jakimovski (Professor of the College of Advantageous Arts, College of Skopje) and many others.
Many essential Artwork magazines such because the World of Artwork Up to date Journal Biennale di Venezia, 2022 in addition to the honorary quantity of the Academy of Advantageous Arts of Rome and many others. current Kostas Spyropoulos.
Kostas Spyropoulos is an honorary Physician of the College of Humanities (Division of Design and Advantageous Arts) of the College of Nicosia and a Common Member of the Academy of Rome within the class of Letters and Arts.
Myths are public desires and desires are non-public myths. The portray of Spyropoulos is neither a delusion nor a dream, it’s the perishable eternity of a drop of water with its luminous toys.
The exhibition will likely be open to the general public Monday, Tuesday, Thursday and Friday from 17.00 to twenty.00.
Saturday and Sunday by appointment from 15 to 18.30
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