Kirill Serebrennikov: “I don’t believe in the concept of hope”

Kirill Serebrennikov: “I don’t believe in the concept of hope”

Kirill Serebrennikov faced persecution in Russia and spent years in prison. However, his adversaries were never able to break his spirit. “Life is not about gathering fears, but rather about shedding them,” he expresses.

When you directed “Parsifal” at the Vienna State Opera in 2021, you were under house arrest. You participated in the rehearsals online from Russia. Now you are here rehearsing “Don Carlos.” What a difference.

Kirill Serebrennikov: There is a significant difference. The freedom to be here and to manage everything personally makes a huge impact. In the productions I worked on while under house arrest, it took much longer to reach the level of quality I desired. There were many misunderstandings. When I directed Parsifal in Vienna, I at least had the chance to use the Internet. However, when I directed Così fan tutte for the Zurich Opera House in 2018, I was still not allowed to do that. I recorded everything I needed to say on video and sent it to my lawyer, who then relayed it to the theater. The theater would then send me back USB sticks.

Was there no immediate reaction?

No, there was none. It was different in Vienna because of Zoom.

“I am a free man today,” would you describe yourself that way, or does that sound too sentimental?

Read more about these topics:

Kirill Serebrennikov: A Journey from Persecution to Artistic Freedom

Kirill Serebrennikov was persecuted in Russia and imprisoned for years. But his opponents were never able to break the director. “Life is not about collecting fears, but getting rid of them,” he says.

The Transformation of Artistic Expression

Kirill Serebrennikov is one of the most prominent figures in the modern theater and film landscape. His artistic journey is marked by a relentless pursuit of freedom and expression. In 2021, while under house arrest, he directed “Parsifal” at the Vienna State Opera, showcasing how technology can bridge the gap created by oppression. Despite the constraints, he utilized online tools like Zoom to connect with his cast and crew.

From Restrictions to Resilience

When you directed “Parsifal” at the Vienna State Opera in 2021, you were under house arrest. You were connected to the rehearsals online from Russia. Now you are here rehearsing “Don Carlos”. What a difference.

Kirill Serebrennikov: A big difference. The difference is the freedom to be here and do everything myself. In the productions I did while under house arrest, it took much longer to achieve the quality I wanted to achieve. There were a lot of misunderstandings… When I directed “Così fan tutte” for the Zurich Opera House in 2018, I was still forbidden to do so.

The Challenges of Artistic Creation Under Oppression

The obstacles Serebrennikov faced while under house arrest are monumental. With limited means of communication, he usually recorded his instructions on video, which were sent through legal channels to the theaters. This method diminished the immediacy and spontaneity that live direction typically involves, demonstrating the unique challenges artists may face under oppressive regimes.

Navigating a New Reality Post-Arrest

In a remarkably short time, Serebrennikov transitioned from a life restricted by state-imposed limitations to one characterized by newfound freedom. Now, he embarks on rehearsals for “Don Carlos,” embodying a creative energy that had been stifled for years.

“I am a free man today”

“I am a free man today,” would you say that about yourself, or is that too pathetic?

No, none. In Vienna it was different thanks to Zoom.

Understanding Fear and Creativity

Serebrennikov’s perspective on fear reflects a profound understanding of the human condition. For him, life is about shedding fears rather than accumulating them. This belief serves as a backbone for his artistic endeavors, encouraging both himself and his audiences to confront the emotional subsequences of repression and fear.

Connection Through Art: Bridging Distances

Art has the power to transcend borders. Serebrennikov’s ability to direct productions, even when confined, speaks volumes about the resilience of artistic expression. From video conferencing to remote collaboration, technology plays a pivotal role in maintaining connections among artists.

Practical Tips for Artists Facing Adversity

  • Embrace Technology: Use tools like Zoom or Microsoft Teams for rehearsals, meetings, or workshops to maintain connectivity.
  • Document Your Process: Keep a recording of your thoughts and directions to share with collaborators, making the best out of limited communication.
  • Seek Community Support: Connect with other artists who may be undergoing similar challenges, forming a supportive network.

Case Studies of Overcoming Adversity in the Arts

Name Notable Work Challenges Faced
Kirill Serebrennikov Parsifal, Don Carlos House arrest, limited communication
Pablo Picasso Guernica Political oppression during war
Banksy Dismaland Controversial reception, anonymity

Conclusion: The Unyielding Spirit of Creativity

Kirill Serebrennikov’s journey illustrates the indomitable spirit of creativity. His artistic output serves as a beacon of hope and a reminder that no amount of oppression can extinguish the human desire to create and express. In his own words, “Life is not about collecting fears, but getting rid of them,” a mantra that resonates through his works and life’s mission. As he continues to create from his newfound freedom, his legacy will inspire countless others seeking to break free from the chains of fear and express themselves through art.

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