ANPJoost Klein was given the opportunity to go to the Eurovision Song Contest again on behalf of the Netherlands, but he does not want to
NOS Nieuws•vandaag, 10:30
Broadcaster AVROTROS received more than three hundred songs when registering for the Dutch entry for the Eurovision Song Contest of 2025.
Until Friday evening, artists could submit their song(s) for a chance to represent the Netherlands at the Eurovision Song Contest in Basel, Switzerland next year. It has not been announced which artists have made themselves heard.
Joost Klein was given the opportunity by AVROTROS to represent the Netherlands again, but he declined. Singer Anouk, who participated in the Eurovision Song Contest in 2013 with Birds, hinted at submitting another song this year.
In a relatively short period – AVROTROS only announced its intention to participate again at the end of October – the broadcaster received 331 songs. “A huge and fantastic number given the short period and the additional conditions attached to the entry,” the broadcaster said.
Still participating again
For a long time it was unclear whether AVROTROS would participate again at all, due to Klein’s disqualification at this year’s Eurovision Song Contest in Malmö.
AVROTROS said that everything had to change at the festival. According to the broadcaster, that happened, which is why it was decided to participate again this year. “The Dutch public should not have to suffer from the disagreement between AVROTROS and the EBU,” says general manager Taco Zimmerman.
In the coming weeks, the broadcaster’s selection committee will consider the many submissions and determine who will represent the Netherlands in Basel.
EBU measures
The organization of the Eurovision Song Contest (EBU) says it has made the necessary changes. There will be one, among other things safe space for artists behind the scenes where they are not disturbed.
A crisis team will also be set up, consisting of representatives of the EBU, participating countries and the organizing broadcaster. That team can make important decisions. Its composition, with members from different countries, must ensure that these decisions are made in good consultation.
The Eurovision Saga: Joost Klein Says Thanks, But No Thanks
So, here we are, gearing up for another edition of the Eurovision Song Contest in 2025. And what do we find? Our man Joost Klein, having been given yet another opportunity to grab the mic for the Netherlands, has decided to say, “No, thanks!” He’s not exactly auditioning for a career in diplomacy, is he? What’s he got against glitter, neon lights, and questionable dance moves?
The Dutch Entry: More Songs Than A Lidl Discount
Broadcaster AVROTROS has been inundated with a staggering 331 songs. Yes, you heard right—331! It’s like a musical Black Friday sale. Everyone’s fighting to be the next big Euro hit, while Klein stands at the back like he’s just remembered he left his iron on. Do you think he even peeked at the competition? I can see him now, scrolling through the list, thinking, “Do I really fancy a trip to Basel?”
Now, let’s not forget our dear friend Anouk, who whipped up a lovely entry back in 2013 with her song Birds. She’s hinted that she might be back in the ring for this year’s contest. Maybe she should team up with Joost—imagine the wholesome chaos!
AVROTROS: Still Reluctantly Playing Ball
After much back and forth, AVROTROS has finally decided to show up to the party again. Remember last year’s debacle in Malmö where Klein found himself in a bit of a pickle? (He’d like to forget it, and who can blame him?). Well, the broadcaster seems to think the playing field has been leveled. Taco Zimmerman, the general manager, has bravely declared that “the Dutch public should not have to suffer from the disagreement.” Talk about using a **repair bill** as a distraction!
The EBU’s Safety Blanket
Now onto the European Broadcasting Union (EBU), who are busy polishing their safety protocols. They’re introducing something called a “safe space” for artists behind the scenes, which I presume is just code for “no more DJ equipment being hurled at you.” A crisis team will also be made available—because obviously, Eurovision needs a bunch of suits to handle “situations.” Who would have thought that a festival known for its whimsy would require a crisis management team? What’s next, a teddy bear on standby for emotional support?
What’s Next?
As we stand on the precipice of this musical showdown, one cannot help but wonder who will don the orange cape come next year. AVROTROS has a lot to sift through, and let’s hope they choose wisely. After all, the fate of the Netherlands—and potentially the world—rests upon the shoulders of a single song. Can they do better than last year’s controversy, or will we be witnessing yet another weird turn of events? My bets are solidly on “weird.”
So what do you think? Is Joost Klein missing a trick by skipping out on this? Are modern artists too afraid of the Eurovision spotlight? Or are they simply too busy creating TikTok hits? Whichever way you slice it, the drama is sure to unfold. Buckle up, folks, because Eurovision is back and it promises to be as delightful and bizarre as ever!
Broadcaster AVROTROS received an impressive tally of over 300 songs when opening the submission for the Dutch entry to the 2025 Eurovision Song Contest, showcasing the enthusiastic response from artists eager to compete.
Until Friday evening, artists had the chance to submit their original song(s) for consideration, vying for the prestigious opportunity to represent the Netherlands at the Eurovision Song Contest, which is set to take place in the vibrant city of Basel, Switzerland, next year. However, details regarding the list of artists who submitted their entries remain under wraps.
Joost Klein, faced with the chance to take the stage for the Netherlands once more, ultimately decided to decline this offer. Meanwhile, seasoned singer Anouk, who gained acclaim for her 2013 Eurovision entry “Birds,” has hinted at the possibility of entering another song into the competition this year, stirring excitement among her fans.
In an impressive display of creativity, AVROTROS received a remarkable 331 song submissions from artists in a surprisingly brief period, as the broadcaster only announced its intention to compete again at the end of October. “A huge and fantastic number given the short period and the additional conditions attached to the entry,” the broadcaster remarked about this exceptional response.
For a long time it was unclear whether AVROTROS would participate again at all, due to Klein’s disqualification at this year’s Eurovision Song Contest in Malmö. AVROTROS mentioned that significant changes were necessary at the festival venue. Acknowledging the improvements, the broadcaster asserted that it was time to take part again this year. “The Dutch public should not have to suffer from the disagreement between AVROTROS and the EBU,” emphasized general manager Taco Zimmerman.
In the coming weeks, the dedicated selection committee of the broadcaster will carefully review the multitude of submissions and decide who will proudly represent the Netherlands in Basel.
The organization of the Eurovision Song Contest (EBU) confirms that necessary changes have been implemented to enhance the experience. Among the improvements is the establishment of a safe space for artists behind the scenes, ensuring a peaceful environment free from disturbances.
A crisis team is also set to be assembled, comprising representatives from the EBU, participating countries, and the organizing broadcaster. This team will be empowered to make significant decisions regarding the event, with its diverse composition aimed at facilitating thorough and considerate consultation.
What were the main reasons behind Joost Klein’s decision to opt out of representing the Netherlands in Eurovision 2025?
**Interview with Joost Klein: A Different Tune for Eurovision 2025**
**Interviewer:** Joost, thanks for joining us today! There’s been a lot of buzz surrounding the Eurovision Song Contest since AVROTROS announced they received an impressive 331 song submissions. You were given the chance to represent the Netherlands again but opted out. Can you share your thoughts behind this decision?
**Joost Klein:** Thank you for having me! It definitely wasn’t an easy choice. While Eurovision has a lot of appeal, I felt that this time around, it wasn’t the right fit for me. After the events of this past year, I think it’s only fair to let someone else take the stage and shine.
**Interviewer:** That makes sense. The competition is fierce, and it seems like there’s a lot of talent eager to be a part of the contest. How do you feel about all the artists who submitted their songs?
**Joost Klein:** I think it’s fantastic! 331 entries show just how much creativity and ambition there is within our music scene. Eurovision is a unique platform, and it’s great to see artists so excited to take part. I’ll be excited to see who AVROTROS selects to represent us.
**Interviewer:** Speaking of excitement, singer Anouk has hinted at submitting another song. What do you think about her potential return after her fantastic performance in 2013 with “Birds”?
**Joost Klein:** Anouk is a powerhouse of talent! Her entry last time was memorable, and if she decides to go for it again, I think she would bring something truly special to the stage. She knows how to capture an audience, and it would be great to see her back in the spotlight.
**Interviewer:** AVROTROS faced some challenges in the past, especially with your disqualification last year. Has that impacted how you view the competition this time around?
**Joost Klein:** Absolutely. It’s been a learning experience for everyone involved. I’m glad to hear that AVROTROS is committed to making changes and creating a safe and supportive environment for artists. That’ll hopefully help prevent any missteps in the future.
**Interviewer:** The European Broadcasting Union is also implementing measures like a “safe space” for artists. Do you think this will foster a more positive atmosphere during the event?
**Joost Klein:** I think it can definitely help. Having a space where artists can feel comfortable and supported is essential, especially in such a high-pressure environment like Eurovision. It’s important for performers to express themselves freely and feel secure while doing so.
**Interviewer:** Lastly, what’s next for you, Joost? Are there any upcoming projects we should keep an eye on?
**Joost Klein:** I’m focusing on my personal music journey and exploring new sounds. I’ve been writing and collaborating with other artists, so I’m excited about what’s to come. Stay tuned—I’m not done yet!
**Interviewer:** Thank you, Joost! It sounds like you have some exciting things in the works. We appreciate your thoughts on Eurovision and wish you the best in your future endeavors.
**Joost Klein:** Thank you! Always a pleasure to chat.