2024-11-24 09:00:00
“Hello friends, my name is Willy Quiroga and I am honored to record this version of Jeremías Pies de Plomo with Ssimón Dice. A big hug to all the people of Neuquen and I hope we can go there soon Visit them.
Sometimes the planets align in strange ways, but they don’t always work in our favor. Willie’s hoped-for visit to Neuquén soon would not happen. This is usually what happens when death comes.
The last song recorded by Argentinian rock legend Willy Quiroga was most likely with a band from Neuquen: the very powerful version of “Jeremías” with the powerful instrumental trio Ssimón Dice Pies de Lead”.
Last Thursday morning, it was announced that Willy Quiroga, the original bassist of Vox Dei and the creator of “The Bible”, perhaps the most ambitious and impressive work in Argentinian pop music, passed away at the age of 84.
A few months ago in August, the musician, who always played in a band he formed in Quilmes in the late 1960s, announced his final retirement due to health reasons.
Before retiring, he added his voice to the instrumental “Jeremías pies de Lead” from Neuquen. As soon as he heard her, he said yes, he would do that. He walked into a studio in Quilmes—among other places—and one shot was enough.
These Vox Dei. Ricardo Soulé, Willy Quiroga and drummer Rubén Basoalto during a presentation at the Salón Blanco in Casa Rosada on March 16, 2007.
With the voice of Willy Quiroga, Ssimón Dice guitarist and producer Luciano Ibañez mixed the parts of the already powerful “Jeremías pies de Lead”, which was released on October 2nd last year.
Probably the latter. It’s just that I didn’t know it at the time. I have no idea. Nor did it know that, despite his energy and voice, he would retire in August.
To make matters worse, one morning in November 2024, death came, as Andrés Calamaro once wrote, “that jilted lover, playing dirty, not knowing how to lose” , will take him to sleep with her forever, as he Joaquín Sabina once wrote. Because it’s her, and because that’s the weird way the planets sometimes line up.
Those Vox Dei. Willy Quiroga, Ruben Bassoalto and Ricardo Sule.
The story of the classic version of Vox Dei’s third album, released in April 1972, is a story of admiration and the musical exchange based on that admiration. “I’ve always loved this song by Vox Dei,” said Luciano Ibañez, referring to “Jeremías Pies de Lead.”
“I recorded a version with a seven-string guitar, which is why the song sounded deeper, and I showed it to Juan Lopez, the band’s bassist and long-time friend. We loved recording it with the band. idea. We are an instrumental band and we don’t have a singer, but we decided to send it to Willy Quiroga so that he could listen and put his voice on it if he liked it and wanted to,” Luciano told Rio Negro Newspapers.
They bounced from contact to contact, eventually reaching the legendary bassist’s manager. They gave him a recording of Neuquen’s band, he listened to it, he liked it, and he said yes, he’s going to record the vocals. A thousand and ten kilometers south of Quilmes, three musicians from Neuquen couldn’t believe it.
“We sent the version with the intention of having him record it, because in principle I recorded it in order to find a singer from here to record it, but Juan insisted that we give it to Willy himself, so we sent him no Recordings of sounds, that is, instrumental tracks for guitar, bass and drums,” Luciano said.
“I was looking more or less for Willie’s vocal range today, because obviously, the version of “Jeremías…” is from 40, 50 years ago, so I looked for a closer demo, I looked for his vocal range. More updates, We sent the recording. He provided us with a studio to record his vocals, and this is the studio seen in the film, “emphasizes the guitarist from Neuquén.
The musicians Willy Quiroga and Ssimón Dice have never met, everything is very remote. Only by phone and e-mail: he was in Quilmes, the band’s musician in the city of Neuquén. That’s why they knew Willy Quiroga loved everything, including the instrumental tracks in his hands and the final version of his voice, which was an impressive performance for an 84-year-old man.
“This song represents a lot to us. To have their musical approval and perspective is like coming full circle, a sense of fulfillment.
Luciano Ibañez, Ssimón Dice guitarist
“A little wild,” Willy Quiroga said of Vox Dei’s classic version, even though the original 1972 version was pretty wild. “This version sounds heavier,” Luciano agrees. “Let’s put it this way, probably not much difference. It has a few arrangements. First, the tuning: it was recorded on a seven-string guitar. The guitar solo, modulated to other keys in the solo. The structure is very similar, but there are some that we found interesting Changes. We respected the rhythm and all that heavy stuff, but then we added a few more cuts and he liked it and he told us ‘They’re savages’. How powerful they are!
Willy Quiroga chose the tracks that the band sent him, and ninety percent of them were what ended up being kept. “We made some minor changes, but he was listening. After the sound was over, we also sent you a version with some arrangements. But basically what you heard was Willy Quiroga when we sent him here. Arrived. It took very little time to shoot. About a month later we got in touch and they had sent us the photos, which were recorded in the middle of the year.
The “Jeremías, pies de Lead” video clip, released last October 2 and posted on YouTube, shows Willy Quiroga singing in the Quilmes studio on one side; On the other hand, Ssimon Dice records music at Casa Marx in Neuquén.
“To us, this song represents a lot. Even though we weren’t there, it was incredible to share a moment with a musician like Willy Quiroga. To have his musical approval and his perspective mean so much to us. Saying very important, it’s also like closing a circle, a feeling of achieving a goal, accomplishing something valuable, so to speak, it means something is done well, you’re doing something, you know. ? Because he could have said, look, I don’t like it, I don’t want to be involved, it’s not the level we’re used to, it’s frustrating. We took the risk, and it was worth it.
Simon said, yes, double that, he would be about ten years old. They are an instrumental trio, but that wasn’t always the case. Initially, there were more, including a departing singer who decided not to replace him because they were having trouble finding a singer who fit the music they were making. As stable as they were among the members, there was always one fuse that blew: the drummer. After several drummers (around six or seven), Luciano estimated that David Almendra seemed to be the final drummer. At least it’s been around for almost two years and is still around.
The guitarist believes that internal instability led to the band not recording music, despite the fact that it was nearly a decade old. “We started rehearsing a certain way, we started sounding a certain way, and sometimes you can’t foresee someone leaving the band, so you need to wait for the sound to mature, but we never did. That phase came back because we changed formation . We didn’t want to record with session musicians, but with whoever was in the band. Well, now I think we’ve settled down, so we’re recording our first album that we believe in. It will be released early next year.
There is only one song by Ssimon Dice on Spotify: “Aduladores”, and a video clip of the song is also available on the band’s YouTube channel. In addition to the band’s participation in public television’s Unisono cycle in 2021, there are also versions of “Never Again” and “Jeremías pies de Lead”.
Ssimón Dice is an instrumental trio that combines metal, funk, progressive and other rock styles. Or, as Luciano puts it, like the Red Hot Chili Peppers, but without the singer. They were also the last band with which Willy Quiroga made music in the studio.
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How did Ssimón Dice’s sound evolve through their collaboration with a legendary musician like Quiroga?
Seemed to be the right fit for the group’s sound and dynamics.
The journey of **Ssimón Dice** from a local Neuquén band to collaborating with a legendary musician like Willy Quiroga of Vox Dei speaks volumes about their passion for music and dedication to their craft. The instrumental trio, originally formed with varying lineups, found stability in their members and a unique sound that resonated within the rock genre.
### The Collaboration
The collaboration began with Luciano Ibañez’s deep admiration for **”Jeremías Pies de Lead.”** Inspired by the original, he created a version with a seven-string guitar, giving the song a distinctive depth. After discussing the idea with fellow band members, they decided to reach out to Quiroga, showcasing the tremendous respect they had for his work.
Sending the official instrumental tracks to Quiroga was a significant step, especially considering the geographical distance that separated them. The interaction was primarily digital, relying on emails and phone calls, reflecting a modern take on collaboration in the music world. Their efforts paid off when Quiroga not only agreed to participate but also provided a studio for recording vocals, signifying his enthusiasm for the project.
### Reflecting on the Process
The experience proved to be transformative for Ssimón Dice. They not only received feedback and support from an influential figure in Argentine rock but also gained validation for their artistic expression. Luciano described the revised arrangement of **”Jeremías”** as “heavier” and noted minor changes that added intriguing elements to the original while maintaining its essence.
The final recording process emphasized the synergy between the musicians despite the distance, demonstrating how technology can bridge gaps between creators. Quiroga’s enthusiastic feedback, referring to them as “savages” for their powerful rendition, reinforced the sense of accomplishment the band felt.
### The Impact
The release of the music video for **”Jeremías, pies de Lead”** was more than just a promotional tool; it encapsulated the collaborative journey, merging visuals of Quiroga recording in Quilmes with Ssimón Dice’s performance in Neuquén. This connection, although physically separated, offered a powerful narrative of shared creativity and mutual respect.
Luciano expressed that this project was a fulfilling milestone for the band, highlighting the emotional and artistic significance of working with such a revered figure. It represented a full-circle moment in their musical journey, a testament to their growth as a band and a celebration of rock music that can transcend generations.
In essence, Ssimón Dice’s collaboration with Willy Quiroga stands as a beacon of inspiration for upcoming musicians, illustrating that passion, perseverance, and respect for the craft can lead to remarkable opportunities and genuine connections in the music world.
