The drama ‘destiny’ is not a fictional destiny, but a pretended destiny which requires a certain homely mood to watch.
It would have been better if the name of the play had been Rishtewali Aunty or something like that. Not an episode goes by in which these three families are not caught by the same virus.
Three families have the same problem ‘relationship’. Believe me, every family is in dire need of a psychiatrist.
Rumi looks fit in her role like princesses, fairies. Which is unfortunate with so many characters working to prove it.
Every episode kept reminding me of an old phrase ‘Saas bhi kabi bahu hai.’
If parents and brothers do not teach them anything at home, keep them away from practical life, then they should be prepared that their daughter will learn by being pushed and cheated in life.
The sooner life is started, the sooner it is lived. On the contrary, firstly, you have stopped the other’s life in love, secondly, you are putting the blame on a third party or fate, then it is quite inappropriate and unreasonable justification.
One can comfort oneself by calling this deficiency as bad luck, but one cannot hide from the truth.
In the play, a strange mystery is being shown hiding from the truth that Rumi’s luck is not good.
While he is destined to learn life, it has come at the wrong time and place.
If someone has brought up a daughter like a princess, then marry her to a prince so that the logic of luck changes that it is not the girl who is afraid of her luck.
Luck happens, of course, but as long as we don’t play our part, try our part, or let others do it, we can’t complain about not getting a trophy. .
When the girl moves into the house below him, he has to do everything he has never done before.
What is unfortunate in this that you did not see or assess the environment of a house, you quickly married off your daughter and now you are crying. ‘Hai Nasib’.
Rumi had to spend part of his life learning in his parents’ house. If she is living with her in-laws then the same mistakes will be made and are happening while learning.
Moving on from Nasib, all the male characters suffer from extreme artificiality and the women are overwhelmed by materialism.
If a child Ahmed is in love with his uncle, it sends a good message about how important relationships are.
How do babies feel attracted to their own blood? It is a natural thing that in joint family system, these loves are divided equally, but sister-in-law has made this love a punishment of life. Even if a brother loves a sister, it is difficult to bear.
If the sons love the mother, it is also difficult. If the mother loves the son, why?
If it’s not difficult, then a husband loving his wife is fun. How long will we have to see him in dramas?
Just as five fingers are part of the same hand even though they are not equal, in the same way one finger is bigger in every house in relation to parental love.
Now it could be any child. Instead of making it a problem, nature could have been shown that Asad is the first child, the mother has more respect for him.
Both because of this and because Asad’s younger brother married against his mother’s wishes and before Asad’s marriage, the two conundrums together become a problem of his mother’s ego.
She highlights being her mother-in-law. Anyone who has nothing to do will do what is happening in this play. They don’t say, ‘an empty mind is the home of the devil.’
Mehreen’s mother-in-law Sahiba continues to make her own personal evaluations of mother-in-law dramas on TV. But in practical life, she is a traditional mother-in-law far from analysis.
The mother-in-law she used to see in dramas. There are scenes of domestic politics that our apolitical mind is unable to digest.
There is a strong reaction from sensible women on social media that ‘this is not a picture of our society.’ ‘Not every daughter-in-law is like that.’ ‘Not every mother-in-law is like that.’ ‘Sons are not like that.’
Aji, after reading and seeing all this, we felt that Mr. Man’s plays are not like this. The houses that are being shown in the location, these are not the problems of those houses.
Those who have good taste often have good habits and thoughts. Men’s businesses are not conducted sitting at desks. Travel expenses also come into play.
Diseases of life attack. When sons take over their father’s business, they have 10 cover-ups that make the father come across as a father because of his lifelong experience of one mistake that sinks the business.
When a businessman is in a meeting, his first lesson in ethics is a mobile phone call. There are strange men and scenes of strange happenings.
Only hero ji’s mobile rings and he acts intensely. Now a large part of the business has shifted to laptops and mobiles. A record is kept in the backup files that have been created in the past.
If the old housekeepers are shown, it should also be known that the old family worker knows what to throw away and what not.
Despite being such a big blunder, Aba Huzoor does not care about business, the problems of his sons’ relationships have been discussed.
All these men have no male problem. Their problems start and end here with their mother, sister, daughter, wife and their cousins.
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Even if a successful businessman is illiterate, his lifetime of hard work is reflected in his body language.
The beauty of hard work does not exist in these men. That asset lives that is not visible here.
Such business does not run, nor does such business life run, that the mood of men and women does not come down.
Only mothers-in-law and daughters-in-law have been selected for the temperament of Neshab and Fazaz. As if only they are complete human beings, the rest of us are slaves.
Sanifa has mistakenly put 10 pots of spices in one pot and cooked it and did not arrange a sweet dish with it.
So the mirchi is feeling high and the entire team has not taken care of what they are going to present.
There is a dire need for ARY to focus on the quality of its plays and the actual situation of the society and we too should not blame fate and others without doing our part.
Javed Danish writes in his drama book ‘Hijrat Ke Tamashe’, ‘Drama is a symbolic expression of the journey of life. A journey of understanding humanity and human relationships.’
One definition of drama is entertainment. Does this drama meet these two elements?
#drama #Taqdeer #Rishte #Wali #Aunty
2024-09-20 13:05:48