Although it seemed that Agnese Rakovska was completely immersed in her “Zvaigznāja” works and what was said about the work on a new album of the band “Triānas Parks” are only stories that will result in a tangible or at least an audible format in the best case in 2026, this is not the case – the album is here!
“The album marks a new stage in the group’s creative activity and continues to explore the collective cultural space, with a strong emphasis on the text and sound design,” the press release immediately warns the mass media, and it’s good that they are warned, because before getting into the new “trians” listening to the album really requires prior preparation.
In short and without going into details, here from “Triana Park” there is only Agnes Rakovska and her voice, as well as, of course, musical ideas, but they are far from what we have ever understood by the term “Triana Park”. This is basically an autobiographical audiobook of Agnes with some songs – statistically speaking, seven of the 17 compositions are like readings, and two are stories – by the way, be sure to listen to the audio story “Agnese Rakovska” included in the album number eight, which is not only educational explanatory, but also stylish. You will have to use the website “YouTube” for listening, because Agnes probably has objections to “Spotify”. But about everything in turn.
In this album, Agnese is a songwriter and performer, but for the first time she also presents herself as a record producer, which, of course, significantly changes the rules of the game. This approach creates a significant turning point in Agnes’s own career as well, expanding her artistic vision. “For me, in the focus of this process, the component of the written word is important, which makes the album a conceptual work with an interdisciplinary character, because it is interwoven with an audio fairy tale,” says the musician.
On the other hand, here is the story of Agnes’ team about the new work: “The album “Island of Lonely Poets” is an anthropological study of loneliness and its manifestations, which are symbolically embodied by the image of the poet – a sensitive, fragile and deeply empathetic member of society, who perceives the world with a special focus. This poet symbolizes the soul of each individual, whose poetic experience is often misunderstood and alien to others. The image of the servant is also examined, which stands out in the canon of Latvian art through [Ilmāra] Blumberg’s work. The album also explores music as art
a function that has an aesthetic, spiritual and entertaining dimension. This is especially important now, when our daily lives are being taken over by AI-created “artworks”, opening a wider discussion about the functionality and role of art in society.
However, one should not think that the album is bad and/or uninteresting – Rakovska is not capable of composing such things at all. The somewhat scandalous song “Liepu laipas” or a collaboration with hit musician Normunda Zuša has been playing on radio stations for a long time (because it was not accepted by LR2 “Muzikālā Banka”), but this song is by no means the best piece on the new album. The reviewer would crown the just-released superb single “Labirints” as No. 1, only it creates close associations with another “TP” and/or Agnes hit (the name does not come to mind). No. 2 – the excellent “Systemic attraction” (listen to the text – Rakovsky tells a lot about his feelings here!), and No. 3 – “The universe is silent” endowed with an impressive climax.
Agnese: “In this album, I go back to the past. The sources of inspiration for the album are the greats of Latvian literature and writing – I read a lot of the works of Jānis Jaunsudrabiņš, a special photo session was made at the Eduards Smilģis museum. I’m also inspired by young people who passionately want to start in the industry – one of the producers of the album is 17-year-old Sabīne Mustermane, who has already released her debut album and is currently learning jazz vocal skills at the Ventspils Music High School. Also important was the trip to Japan in June, where I got to know the people and their culture. A poet is an essential element of society, which tries to understand the world and convey this message to others.” Agnes wanting to “dive into the wealth of our culture and draw from it ideas for the future, which is currently so uncertain and anxious.”
The process of creating the album took place largely in the music and education platform “Zvaigznājs”, which is a new hybrid studio in Riga – its goal is to create a platform where everyone can learn the use of digital music technologies and realize both audio and video projects. According to Agnes, the new industry standard is exactly a hybrid, and it also creates challenges for representatives of the creative industry. Therefore, it should not be surprising that the sound of the “Triānas Park” album is eclectic and experimental. “I had the opportunity to explore and expand musical boundaries without losing the connection with pop music, which has always been important to me,” says Agnese.
She admits that recently the biggest focus is education – Agnese works in “Zvaigznāja” as a mentor and makes significant changes in education
system in Latvia to introduce digital technologies in music rooms. In this new role, the singer’s performance and also the amplitude of her personality has expanded significantly, and the new album also serves to some extent as a manifestation of these various ideas. “Releasing an album is an important event in the life of every artist, and Agnes wants to inspire girls in particular to learn digital skills in order to realize their creative ideas independently. She emphasizes that in the era of digital technologies, the opportunities to release your own album are wider than ever before,” summarizes the “Zvaigznāja” team supporting the musician.
In any case, this album will be talked about and somehow it seems that this is exactly what Agnes wanted to achieve with the release of her “Island of Lonely Poets”. It should be noted that “Triānas Parks”, continuing the started tradition, will give 16 concerts in churches throughout Latvia in December (there will be a completely, completely different repertoire), while two special concerts will be announced in 2025, in which the material of the new album will be heard.
Agnese Rakovska: The Island of Lonely Poets
Oh, the irony of time! Just when we thought we had to wait until 2026 for any new sounds from Triānas Parks—like eagerly waiting for a bus that never arrives—Agnese Rakovska swoops in with her latest album, “Island of Lonely Poets”. And believe me, it’s not just a whisper of the past; it’s a loud proclamation that echoes through the chambers of cultural introspection and, quite possibly, your nearest coffee shop!
New Beginnings and Old Hearts
The album is heralded as a “new stage” for the group, and while it carries the title of a band, you might want to leave those expectations at the door. Step right in, and you’re greeted by the voice of Agnese—her vocal cords twinkling like fairy lights amid a storm of avant-garde musical ideas that make your brain do somersaults. Did I mention there’s an audio fairy tale woven in this fascinating tapestry? Because there is! It’s like trying to read a classic novel while simultaneously trying to finish a crossword puzzle.
“For me, in the focus of this process, the component of the written word is important…” – Agnese Rakovska
The Autobiographical Audiobook
Now, if you’re thinking, “Seven of the seventeen tracks are readings?!”, you’d be spot on. It’s basically an autobiographical audiobook disguised as an album. Grab your notepad and prepare to write some poetry yourself, or at least look very thoughtful over a cup of something warm with the latest existential crisis on your mind!
Sound & Furor
The first time you drop the needle—or click the link, let’s modernize this— you might find yourself jolted awake. The eclectic sound and experimental influences are reminiscent of a wild party where the only RSVP was sent by a confused but charming poet. The vibrant statement about loneliness wrapped in artistic flair might just make you reconsider your weekend plans—no more Netflix and chill; it’s more of a Netflix and… existential dread!
But let’s not toss shade here. Agnese has some genuine bangers in the mix. If you haven’t heard “Labirints,” do yourself a favor and prepare to have that track on loop. It’s nearly impossible to ignore! This track is so catchy even the Spotify algorithm might just send a thank-you note!
The Importance of Context
And let’s talk about context, shall we? “Island of Lonely Poets” isn’t just a collection of songs; it’s a manifesto of sorts, tackling what it means to be a poet in a world that seems far more interested in “trending” than “treading softly.” Rescuing the sensibilities of Latvian literary giants like Jānis Jaunsudrabiņš, Agnese aims to bridge the gap between art and the everyday emotions of us mere mortals.
“In this album, I go back to the past. The sources of inspiration for the album are the greats of Latvian literature…” – Agnese Rakovska
The Future is Here (and It’s Digital)
In an age where artificial intelligence is knocking on the creative doors, Agnese champions the role of humanity in art. Admittedly, trying to teach digital skills to aspiring artists is like trying to teach a cat to use the toilet—it can be done, but it’ll involve tears and extensive cleanup. But worry not; Agnese has the tenacity of a thousand caffeinated bunnies!
Conclusion: A Conversation Starter
In the end, “Island of Lonely Poets” is guaranteed to stir conversations in cafes, art studios, and perhaps even at your next family gathering (just wait until your uncle starts philosophizing!). So take a plunge into this eclectic mix of musical experimentation and philosophical rescue missions. Agnese Rakovska might just inspire you to create, to reflect, or at the very least, to raise an eyebrow as she deftly straddles the realms of loneliness and artistry. Who knew loneliness could sound so musically fulfilling?
Although it seemed that Agnese Rakovska was completely immersed in her “Zvaigznāja” works and what was said about the work on a new album of the band “Triānas Parks” are only stories that will result in a tangible or at least an audible format in the best case in 2026, this is not the case – the album is here!
“The album marks a new stage in the group’s creative activity and continues to explore the collective cultural space, with a strong emphasis on the text and sound design,” the press release immediately warns the mass media, emphasizing the need for listeners to mentally prepare for this unique experience. This collection, while wholly emanating from “Triānas Parks,” reflects a marked departure from the traditional sound that fans may expect, centering primarily around Agnese Rakovska’s distinctive voice accompanied by her fresh musical direction.
This is basically an autobiographical audiobook of Agnes with some songs – statistically speaking, seven of the 17 compositions are like readings, and two are stories – by the way, be sure to listen to the audio story “Agnese Rakovska,” included in album track eight, which is not only educational and explanatory, but also stylishly woven into the overall narrative. You will have to use the website “YouTube” for listening, because Agnes probably has objections to “Spotify.”
In this album, Agnese takes on multiple roles as a songwriter, a performer, and for the first time, she presents herself as a record producer, which significantly alters the traditional dynamics of her music projects. This transformative approach signifies a pivotal change in Agnes’s career trajectory, broadening her artistic horizons. “For me, in the focus of this process, the component of the written word is important, which makes the album a conceptual work with an interdisciplinary character, because it is interwoven with an audio fairy tale,” elaborates the musician.
On the other hand, here is the story of Agnes’ team about the new work: “The album ‘Island of Lonely Poets’ is an anthropological study of loneliness and its manifestations, symbolically embodied by the image of the poet, a sensitive and deeply empathetic individual who perceives the world through a unique lens. The album also explores music as art with aesthetic, spiritual, and entertaining dimensions – an exploration that feels particularly relevant in a world increasingly dominated by AI-generated so-called ‘artworks,’ stimulating a broader discussion about the essence and functionality of art in contemporary society.
However, one should not think that the album is bad and/or uninteresting – Rakovska is not capable of composing such things at all. The somewhat scandalous song “Liepu laipas” or a collaboration with hit musician Normunda Zuša has been resonating through radio stations for quite some time, yet it scarcely stands as the pinnacle of artistry in this new album.
The reviewer would crown the just-released superb single “Labirints” as No. 1, as it evokes strong associations with previous hits from “TP” and/or Agnese’s repertoire. No. 2 – the excellent “Systemic attraction” where Rakovska poignantly shares her explorations of deep emotions, and No. 3 – “The universe is silent” which captivates listeners with an impressive climax.
Agnese reflects: “In this album, I go back to the past. The sources of inspiration for the album are the greats of Latvian literature and writing – I read a lot of the works of Jānis Jaunsudrabiņš, a special photo session was made at the Eduards Smilģis museum. I’m also inspired by young people who passionately want to start in the industry – one of the producers of the album is 17-year-old Sabīne Mustermane, who has already released her debut album and is currently learning jazz vocal skills at the Ventspils Music High School.”
Also important was the trip to Japan in June, where Agnese immersed herself in the local culture and community. The essence of a poet, she believes, serves as an essential element of society, seeking to comprehend the larger world and convey those insights to others. Agnese aims to “dive into the wealth of our culture and draw from it ideas for the future, which is currently so uncertain and anxious.”
The process of creating the album took place largely in the music and education platform “Zvaigznājs,” a pioneering hybrid studio in Riga. This innovative platform aims to foster digital music technologies, facilitating both audio and video projects for emerging artists. According to Agnes, the new industry standard leans heavily toward hybrid approaches, presenting challenges for creative industry representatives.
Therefore, it should not be surprising that the sound of the “Triānas Park” album is eclectic and experimental. “I had the opportunity to explore and expand musical boundaries without losing the connection with pop music, which has always been important to me,” says Agnese. She admits that recently the biggest focus is education – Agnese works in “Zvaigznāja” as a mentor while making significant changes in Latvia’s educational system to introduce digital technologies into music education. This new role has allowed the singer to expand the dimension of her personality, and the album stands as a testament to her various artistic ideas.
“Releasing an album is an important event in the life of every artist,” she notes, adding that she wants to inspire young girls in particular to acquire digital skills necessary for independently realizing their creative aspirations. In the age of digital technology, the avenues available for releasing music have broadened, offering unprecedented opportunities for aspiring artists, as the “Zvaigznāja” team summarizes in support of the musician.
In any case, this album will be talked about extensively in the artistic community, and it clearly reflects a significant achievement by Agnes with her work titled “Island of Lonely Poets.” It should be noted that “Triānas Parks,” continuing their established tradition, will hold 16 concerts in churches throughout Latvia in December, featuring a completely different repertoire, while two special concerts in 2025 will highlight the new album’s material for the audience.
Io and visual artistic expressions. By blending traditional artistry with modern digital techniques, Agnese and her collaborators are not just creating music; they’re crafting a multifaceted experience that resonates with today’s audience, who are navigating a sea of ephemeral content.
Agnese’s dedication to intertwining literature and music throughout this album serves as a poignant reminder of the enduring power of storytelling. By drawing inspiration from her rich cultural heritage and the greats of Latvian literature, she challenges listeners to engage with their own narratives—the joys, struggles, and, above all, the poignant experiences that define their lives.
As you immerse yourself in “Island of Lonely Poets,” expect to encounter a narrative that is far more than mere entertainment. It’s an invitation to introspection, a catalyst for conversation, and an opportunity to embrace the complexities of the human condition. The blend of sound and spoken word not only enriches the musical landscape but also deepens the emotional resonance of her work.
So, as you venture into Agnese Rakovska’s new creative realm, remember to discard traditional expectations of what an album should be. Instead, embrace this innovative fusion as a remarkable journey through isolation, art, and the profound connections that bind us to our shared humanity. With each track, you’re not merely experiencing music; you’re stepping into an expansive dialogue about life itself—one that invites you to ponder, reflect, and perhaps even create alongside her. The world may be teetering on the brink of technological dominance, but Agnese’s artistry reminds us that at the heart of it all, the essence of being human remains beautifully and unapologetically alive.
