Isabelle Huppert’s Controversial Bérénice Performance at Théâtre de la Ville

Isabelle Huppert’s Controversial Bérénice Performance at Théâtre de la Ville

2024-03-21 20:41:00

By Bertrand Bielle | Journalist

Curious by nature, Bertrand is always on the lookout for the slightest little scoop. Passionate regarding football, he is never far from football and all the news that comes with it. However, showbiz or political events are also part of his preferred journalistic research.

Isabelle Huppert is starring in Racine’s play “Bérénice” at the Théâtre de la ville in Paris. Last Tuesday, the show was not unanimous, which did not disturb the actress.

“We understand nothing”, “Shush”, “Rhô”… Isabelle Huppert divides the spectators, the actress far from shying away from criticism

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Isabelle Huppert divides the spectators at the Théâtre de la ville in Paris. The one who has a true admiration for the Basque Country plays Bérénice, Jewish princess and queen of Palestine, in the play of the same name, written in the 17th century by the great playwright Jean Racine. Many people do not appreciate Romeo Castellucci’s stage adaptation. During the performance on Tuesday March 19, many of the critics were very acerbic, highlighting a show that was difficult to access and often unintelligible. Release mentions in particular “a daring bias with chaotic results.”

In the room: bursts of laughter during tragic silences, and insults between spectators. “chut“, “Rho“, “Shut up“, we might hear, before the boos during the final salute. A little chaos which, according to the journalist from Figaro Alban Barthélémy, not discouraged Isabelle Huppert. “During the final salute, my neighbor and a few others started booing. Others stand up and applaud wildly. Isabelle Huppert, bravado, returns 3 times (!) on stage with an air of defiance”, he wrote on his X account, when he had also just reported that his famous neighbor in question had yelled: “We don’t understand what you’re saying, Isabelle!

Incomprehensible reviews?

If no spectator went on the stage occupied by the mother of 3 children, contrary to the scenario of Quentin Dupieux’s film Yannick, in which the winner of the male revelation of the César 2024 Raphaël Quenard is dazzling, the vehement exchanges nevertheless continued in front of the room, reports the journalist. The Italian visual director Romeo Castellucci is, however, already identified for his divisive bias. And there was no lie regarding the merchandise, as evidenced by the presentation of this adaptation, available on the theater’s website: “There will only be two other actors on stage who will play Titus and Antiochus, and several Roman senators. All their replies will be incomprehensible and covered up by Bérénice’s voice.”

But the bet was perhaps too ambitious…As a reminder, this play tells the tragic love story between Emperor Titus and Princess Bérénice, expelled from Rome. This adaptation with Isabelle Huppert in the leading role plays until March 28 in Paris. And will then be on international tour until May 2025 in Milan, Geneva, Clermont-Ferrand, Naples and Rennes.

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