If we do not teach our children to love the birds, the meadows, the seas and the mountains, all efforts at education will be futile, pointless and crippled. When we can meet nature and follow its rhythm, we will have made a good start.
Netflix’s Into the Seine begins with a stark depiction of environmental degradation in the Pacific Ocean, where researchers aboard a ship investigate the Great Pacific Garbage Patch, a colossal mass of plastic waste three times the size of of France. Their primary mission, however, is not pollution but the study of sharks, one of which they have previously tagged with a transmitter. The narrative takes a dramatic turn when the researchers dive to observe the tagged shark and are horrified to find that it has grown to a terrifying length of 7 meters – an unnatural increase from the original 2.5 metres. This anomaly alludes to the deleterious effects of pollution and the unintended effects it can have on marine life. The shark’s transformation from a tagged specimen to a monstrous predator becomes apparent as it devours the researchers. The sole survivor, Sophia, is left traumatized by the experience.
The French film “Sous la Seine” (Sous la Seine) directed by Xavier Jeanes presents a chilling and unexpected version of the classic shark horror genre, transferring the terror from the vast expanse of the ocean to the iconic and bustling city of Paris.
After the opening scene we are transported three years later, to the summer of 2024, and the peaceful image of Paris is contrasted with the imminent threat lurking beneath the waters of the Seine. The city, adorned with its historical and cultural grandeur, is set to host the triathlon world championship for the first time on the river. This fact symbolizes the constant efforts of Paris to restore the cleanliness of the Seine and integrate it into the intense life of the city. However, beneath the surface, danger lurks, as the same monstrous shark from the Pacific has found its way into the river, posing a serious threat to the citizens and visitors of the City of Light.
Sophia, now an accomplished and respected scientist still haunted by her previous encounter with the beast and the terrible losses, learns of the shark’s presence from Mika, a fiery young environmental activist. The discovery of the shark in the Seine signals the unchecked effects of human actions on nature, reinforcing the film’s underlying ecological message.
To prevent a disaster during the triathlon, Sofia must work with Andile, the police commander in charge of the Seine region. Antill’s role is crucial as he represents the police’s pragmatic and protective approach to protecting the city. The dynamic between Sophia, Adil, and Mika drives the film’s central narrative, combining scientific ingenuity, youth activism, and authoritative action to combat the looming threat. Because Sophia feels what Aristotle bequeathed to us: “Nature does nothing either imperfectly or in vain.”
The film impresses us with its realistic portrayal of suspense and terror, deftly incorporating the Parisian cityscape with the primal fear of a shark attack. The Seine, usually associated with romance and tranquility, turns into an arena of horror and survival. Jans’ direction ensures that the audience is constantly on their toes, contrasting the beauty of Paris with the menace that lurks beneath its waters.
The cinematography captures the charm of the city while also evoking a sense of claustrophobic tension as the characters navigate the dark depths of the river.
Deep in the Seine also delves into the psychological trauma Sophia experiences, adding a layer of depth to her character. Her journey from traumatized survivor to determined protector of her city highlights themes of resilience and redemption. The interactions between Sofia, Mika, and Adil are well done, with each character bringing their own unique perspective and experience to the fore. The director of the film is Xavier Jans and the protagonists are Bérénice Bezo, Nasim Lies, Lea Levian, Ann Marivan.
The environmental message of the film is clear and compelling, urging us to reflect on the consequences of pollution and the interconnectedness of ecosystems. The monstrous shark serves as a metaphor for nature’s reaction to human indifference, emphasizing the need for immediate action to address environmental issues.
“In the depths of the Seine” is a provocative film that combines with interesting, although we do not know how scientifically correct, elements of horror, thriller and environmental commentary. Its unique setting, strong character development, and core message make it a noteworthy addition to the genre. Bringing the terror of the deep sea to the heart of Paris, Javier Jans not only entertains but also provokes a necessary conversation regarding the impact of human actions on the natural world. This French film is a must-watch for fans of horror and environmental dramas. Watching the film if we keep in mind Cousteau’s words “Water and air, the two vital fluids on which all life depends, have become global dustbins”, we understand that Nature is only tamed if one submits to her, if he adores her and protects her with passion.
#depths #Seine #Man #interconnectedness #ecosystems
