We have to become chaitanyamatis through karma in the noble human birth that we reach through many births. When Ishvara and Atman are together, we can experience self-enjoyment. Every life is for that. We call those who have attained that vision Atmajjanani. We have such a great man – K. Jayakumar. He completed his seventy years in the maiden month of Kartika.
Ritam pbantau sukrtasya loke
Guham Pravishtau Parame Parardhe
Chaya Tapau Brahmavido Vidanti
Panchagnayo ye cha trinachiketa:
(Third Valli of Kathopanishad)
There are two souls residing in the heart that experience the results of karma in the body. The Brahmins who follow the Nivritti Marga, the householders who follow the Karta Marga and the Karmis who lie on the Nachiketagni desiring heaven, all say that those two souls are like the shadow and the sun.
We have to become chaitanyamatis through karma in the noble human birth that we reach through many births. There are no two in this universe; Only one heart! When Ishvara and Atman are together, we can experience self-enjoyment. Every life is for that. There (in the mind) is its possibility. We call those who have attained that vision Atmajjanani. They are present in Bhakti Yoga, Jnana Yoga and Karma Margam. In Padanupada yatra, they have defiled their Karmamandalam. They become the identity and property of a people by spreading the spiritual-organic fragrance.
We have such a great man – K. Jayakumar. He completed his seventy years in the maiden month of Kartika. Seventy years is just an arbitrary number, eternal youth by virtue and virtue!
Famous film director and Swatikapurush M. He was born as the son of Krishnan Nair and Sulochana in Karthika in the maiden month of the year 1128. His father’s simple life and inner purity and mother’s noble life inspired him in later life.
His father, mother, Indian tradition, books and experiences gave him strong attitudes. It can be inferred from the memory book ‘Krishna Paksha’ that father is a feeling and a role model. The father is also present in this heart as a dense emotional sound. At some point we can see father and son become one in a single point of vision.
After studying B.Sc and post graduation in English, when I told my father regarding my desire for civil service, he gave me full support. This was my father’s advice when I got civil service selection and went for training.
“With a lot of responsibility comes a lot of temptation. Do not desire or accept anything that we do not deserve.”
The son memorized those words. It’s always a great lesson. We live in a time when we know full well the depth and extent of temptation. At the highest levels of his career, he saw every moment as a blessing and performed good deeds. The reason was the self-strength gained from youth. The idea of the first verse we saw now becomes clear. The principle that Godliness is complete in his mind. The father becomes the sun and the self becomes the shadow, and the bhavavaibhava of self-reflection in Nachiketagni can be seen. As a father, a son, a husband, an official, a hard worker, a lover of humanity, a creator, a visionary, a socio-cultural hero and a guru, he plays many roles beautifully. Atmasatta is also included in the physical universe. As a high-ranking official, above all as a friend and an artist, he continues to leave his mark on this earth.
During the performance of official duties, he saw the facts of life contained in every file that came before him. The humanity of the poet was reflected there. He proved by his deeds that if poetry is within, humanity will be with it, just like the sage Adikavi Ardrachithana.
Every talent is a creation of time. Time will create them. It is the essential dharma of the times. They carry on their journey in their own spheres of selfless action. Although effort is an essential element in any field, smell is the source of art. The artist is a combination of the sanctity of time, God’s touch and guru’s touch!
The song “Mandaramanamulla Kaate…” from the film Bhadradeepam, which was released in 1973, has continued to be a hit. We must remember that he was 21 when he wrote it, directed by his father, and the other songs were by Maharathnaya Vayalar.
Poet, lyricist, orator, painter, translator and lecturer, so many faces! You can find Indian address everywhere. He completely infused the Vangmayasiddhi imparted by Vagdevata into his works.
‘Black ink spread on the stone lamp
You should bloom like a flower
It should turn out to be a machine.
(Sauparnikamrita…)
Its imagination and prayerfulness are unparalleled.
‘In the eyes that cover the darkness of the abyss
Nirakathir you pour – on life
finish the sunrise’
(In Kutajadri…)
This is not only a song but also a prayer to ward off the darkness of ignorance through Nadabrahman. Even today artists sing in ganams and bhajans.
‘Sunflowers or wildflowers
Is there animosity…’
The all-time famous song is rich in melody, imagination, beautiful words and imagery. At the same time, there is another secret in it; spirituality Spirituality is filled here if we see the infinite spirit of the sun and the sun component of the field flower as the living soul. Let us once once more recall the lines of Kathopanishad written at the beginning. (Ritam Pibantau Sukritasya Loke…) Jivatmaparamatmas can be seen here becoming one.
Two famous songs arranged in Mohanaraag are still haunting even today.
‘Sandalwood-scented tar or wind or fire…’,
‘Sympathy will bloom in you
When I was just looking at the eyes, poetry in the liver…’ His many songs make us happy.
‘Sayantanam did not cast a shadow…’, ‘Is the color lamp bright…’, ‘So fragrant…’, ‘Ashadha sings the soul’s tunes…’, ‘Eastern voice and bird…’, ‘Gana written in blue eyes.. .’, ‘Gandharva night’s heart-calling…’, ‘Like mist or pollen…’, ‘Dalamamaram at a year’s point…’, ‘On the road where blue kurinjis bloom…’, ‘Mandara-scented wind…’, ‘Yamam madabharam…’, ‘Sarangi marilanium…’, ‘Sharike to see you…’, ‘Samaganalaya bhavam…’, ‘Eka binduai virinchu ninmei…’, ‘Hey Krishna, Ghana Shyamamohana Krishna …’ Thus more than five hundred songs delight us as movie songs and alternative songs. Murddha, who has the karanguli mudra of the goddess of poetry and the man of time.
We see a son ‘enshrine’ the father in his heart and they become one and experience the bliss of self-fulfilment as they pass through the middle of a Mahayana.
A Sattvic Karma Yogi is the necessity of the land. The sages animate the land. The pride and identity of the country is in them. They are also a lesson for future generations.
‘Khurasyadhara Nishita Durtyaya –
Durga pathastat kavayo vadanti…’
Kathopanishad says that the path of knowledge is as difficult to walk as the edge of a sharp knife which is difficult to tread. A Mahapurusha continues his Karma without even an iota of deviance in seventy years of life. This life is also a dedication to the Father and to that Supreme Light.
In personal experience beyond these lines, he is a great link in the Bharata Guruparampara. He constantly stands to meet, encourage and give space to the next generation. It makes karma, dharma, nishtha and life vow. That is where a journey ends. Where others are cared for, where they shine. Be careful of such people. One can feel the spirit flowing, as if from the sun’s splendor to the other planets…
Binuviswanathan, Haripad
