2023-05-21 22:53:56
Popcorn or dry diet?
Questioned at the entrance office of the Palais des Festivals before handing over the accreditations. Today, the Caesar of the best male hope Bastien Bouillon.
César for best male hope in February for his role as an obsessive inspector in the night of 12 by Dominik Moll, the actor and director is one of those selected by Unifrance in their list of prominent talents “Ten to Watch”, a showcase of French cinema abroad.
What’s your survival kit for the Cannes Film Festival?
The SNCF station area far from the red carpet, and a bathing suit so I can jump into the sea and swim.
The film (or sequence) that marked your childhood?
The King and the Bird by Paul Grimault.
A film that your parents prevented you from seeing?
Shining by Stanley Kubrick.
A fetish scene or a scene that haunts you?
In the legend of great judo of Kurosawa, the protagonist claims to his master that he can die for his art. Suddenly, to prove it, he throws himself into a pond in the hope of drowning there, but he spends the night there clinging to a piece of wood. In the morning, a white flower bloomed right next to him. He comes out of the pond and throws himself at the master’s feet to apologize; he found the way of man.
Popcorn or dry diet?
It depends on the movie.
To be silent or to discuss during the projo?
Be silent but let the word out if it needs to, stay active.
The soundtrack that’s stuck in your head?
That of Moss, my short film made in 2020. Emile Parisien is the author. That ofIn the Mood for Love signed Michael Galasso for Wong Kar-wai too.
A movie that makes you want to tear up the screen.
If it’s anger, too many to list. If it’s fun, Mad Max, Fury Road by George Miller in 3D.
A film where it would be good to live?
Mary Poppins.
The last time you cried in a room?
I cry alone in the toilet following the screening, or while walking away from the room, but rarely inside during the screening. Recently, Will come the fire by Oliver Laxe overwhelmed me.
Your life becomes a biopic. Who in your role? And who behind the camera?
Gena Rowlands in front and a 4-year-old child behind the camera.
Which movie monster or psychopath do you feel closest to?
Viggo Mortensen’s dance A History of Violence by David Cronenberg.
The last picture?
The ending sequence We won’t grow old together of Pialat when the pole enters the frame, it’s magnificent, cinema what!
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#cry #toilet #session #rarely #screening #Liberation