Gustave Courbet’s ‘Les Demoiselles des bords de la Seine’ at Museo e Real Bosco di Capodimonte

Courbet’s Masterpiece Takes a Break in Naples

Hold onto your berets, folks! Gustave Courbet’s ‘Les Demoiselles des bords de la Seine (Étés)’ has rolled into town like an art rockstar on a European tour. This oil on canvas wonder—in all its 174×206 cm glory—is strutting its stuff for the first time in Naples, up until February 2025. And believe me, it’s causing quite the stir!

Art That Makes Waves

The director of the Museo e Real Bosco di Capodimonte, Eike Schmidt (I like to picture him with a turtleneck and a ghastly amount of art history knowledge), stated that this “new space for dialogue” with international museums is not just a fancy chat—it’s essentially Naples flexing its cultural biceps.

“With this installation, we aim to create a dialogue that brings significant works of art history to Naples.” – Eike Schmidt

Who knew a painting could create more chatter than a gossip column in a tabloid? Courbet’s painting, which shows two languorous young ladies likely sizing up potential clients, makes you rethink a casual day in the sun. (And no, not everyone sunbathing has a PhD in art history.) This painting went public back in 1857 and had critics sweating like they were in a sauna—thanks to its rather scandalous message intertwined with the sweet, sweet embrace of realism!

A Stroll Through Art History

Now, let’s not get lost in the sauce. Courbet’s work draws inspiration from giants like Giorgione and Titian but gives it a modern twist. Where they glided, Courbet walked—he was realistic about life as it unfolded on the banks of the Seine. The grass, the girls, and oh that humid Parisian air, all wrapped up in naïve sensuality. Who can blame him for turning heads?

His style fueled a bunch of Neapolitan artists—yes, you heard me right—who dashed off to Paris, seeking to break the shackles of Naturalism in favor of the bolder Realism. Amongst these brave souls were: Michele Cammarano, Domenico Morelli, and the illustrious Palizzi brothers. Did someone say “artistic brotherhood”? More like “artistic rivalry” when ego is involved!

The City of Art and Masters

At a recent press conference, the Mayor of Naples, Gaetano Manfredi, chimed in about this cultural coup. He suggested that with Courbet’s painting on display, Naples isn’t just a bowl of spaghetti; it’s now a veritable feast for culture vultures! The local French consul also graced the occasion, probably waving a croissant and looking overly pleased.

“The arrival of this masterpiece certainly represents a further attraction for our city.” – Gaetano Manfredi

Even the experts—Isabella Valente, Maria Tamajo Contarini, and Stefano Causa—were there, possibly clashing over the finer points of brushstroke vs. societal implications. Truly a gathering for any true art lover who enjoys a side of intellectual banter with their visual delights!

So, What’s the Big Deal About Courbet?

You might wonder, who is this Gustave Courbet chap and why do we care? Born in 1819 in the charmingly named Ornans, Courbet threw himself into the Parisian art scene and became a pioneer of realism, giving a finger to romanticism and its whimsical ways. Not just an artist but a revolutionary, Courbet was neck-deep in politics and socialism—who says art and politics don’t mix? Apparently, he even got into a bit of trouble and had to skedaddle to Switzerland before his untimely demise in 1877.

Conclusion: A Must-See Exhibit

If you find yourself wandering the captivating streets of Naples, make a beeline for the Museo e Real Bosco di Capodimonte. Not only will you witness a pivotal piece in art history, but you’ll also be contributing to the ongoing dialogue of art, culture, and social commentary. So get a ticket, head over, and remember: It’s not just a painting; it’s a cultural experience that might just leave you feeling a bit *enlightened*. Or at least a touch giddy! Cheers to art being a bit cheeky!

Gustave Courbet’s masterpiece ‘Les Demoiselles des bords de la Seine (summer)’ takes center stage as the esteemed French Alex Reed at the Museo e Real Bosco di Capodimonte. This significant exhibition also extends to the Petit Palais, Musée des Beaux-Arts de la Ville de Paris, enhancing the cultural dialogue between these two iconic museums.

In a remarkable showcase, this stunning oil on canvas (measuring 174 x 206 cm) by the prominent figure of French realism will be displayed for the very first time in Naples. Visitors can view this exquisite artwork in room 6 from November 7, 2023, until February 23, 2025.

The Director of the Museum and Royal Forest of Capodimonte, Eike Schmidt, emphasized this collaboration: “With this installation, we create a new avenue for dialogue between Capodimonte and other prestigious international museums. This initiative will bring significant works of art history to Naples, enriching our cultural landscape. Our ‘French Alex Reed’ has reignited conversations about the society of its era, showcasing themes of modernity, realism, and the leisurely outdoor pursuits that were so prevalent. ‘Les Demoiselles des bords de la Seine (summer)’ represents a monumental cultural loan, not only for our institution but for the entire city, particularly given the influence Courbet had on numerous Neapolitan artists of the 19th century.”

The painting ‘Les Demoiselles des bords de la Seine (summer)’, unveiled at the Paris Salon in 1857, immediately stirred controversy due to its provocative depiction of two young women, likely sex workers, languorously resting on the grass by the river on a sultry summer day. The ambiance is palpable, as hints of perspiration glisten on their skin.

At first glance, one might connect this work to the long-standing tradition established by masters like Giorgione and Titian; however, Courbet’s interpretation profoundly integrates the influences of 17th-century Spanish artists, particularly Ribera.

The essence of realism is encapsulated here, portraying the simplicity of everyday life amidst the summer allure. This painting foreshadows the expansive formats that would later be embraced and celebrated by the Impressionists along the banks of the Seine.

Courbet’s artistic expressions captivated many influential figures within the Neapolitan culture, particularly artists who made pilgrimages to Paris in the latter half of the 19th century seeking inspiration and renewal in their academic pursuits, eager to transcend Naturalism in favor of a more profound Realism.

Cited among those influenced are Michele Cammarano, Francesco Saverio Altamura, Domenico Morelli, and the Palizzi brothers, who found in Courbet’s works a rich source of inspiration through their socially relevant themes, dynamic contrasts, and strategic use of chiaroscuro—elements that echo the naturalistic traditions that were so beloved by Neapolitan artists.

Noteworthy pieces by Morelli and Cammarano can currently be admired in the atrium of Capodimonte’s second floor.

On November 6, the mayor of Naples, Gaetano Manfredi, joined Director Eike Schmidt and the French consul, Lise Moutoumalaya, for a press conference celebrating this significant cultural event. Manfredi remarked, “The arrival of this masterpiece certainly bolsters our city’s appeal and highlights the remarkable assets of the Capodimonte Museum.” Expert insights from Isabella Valente, Maria Tamajo Contarini, and Stefano Causa further illuminated the painting’s historical importance and artistic merit.

• · Gustave Courbet, born in Ornans, France in 1819, later moved to Paris in 1840 to fully immerse himself in the world of painting. His artistic formation was greatly shaped by the observation of Flemish, Venetian, and Dutch masterpieces, alongside the impactful works of Caravaggio. The years spanning from 1848 to 1857 were pivotal in the development of his realist style, influenced by the February Revolution and his connections with notable figures like the anarchist philosopher Proudhon and poet Baudelaire. Remaining steadfast to his beliefs, Courbet actively participated in the Paris Commune of 1870, serving as a Delegate for the Fine Arts. His subsequent arrest and conviction in 1873 led him to seek refuge in Switzerland, where he was eventually charged with the destruction of the Vendôme Column. Tragically, just a month prior to his death, his artwork was seized and auctioned by the French government.

Eike Schmidt moglie

**Interview with Eike⁤ Schmidt, Director​ of​ Museo e Real Bosco di Capodimonte**

**Editor:** Today, ‌we have the pleasure of speaking with Eike Schmidt, the Director of the Museo e Real Bosco di Capodimonte in Naples. Eike, thank you for joining⁣ us!

**Eike Schmidt:** Thank you for having me! It’s an exciting time⁣ for art​ here in Naples.

**Editor:** Indeed, it is! Courbet’s iconic painting, *Les Demoiselles des bords​ de la⁢ Seine (Étés)*, is on display for the first time in Naples. What does it mean for the city to host this masterpiece?

**Eike Schmidt:** It’s ‍monumental for Naples! This⁤ exhibition is not just about showcasing⁢ a noteworthy piece⁤ of art; it’s about​ establishing⁢ a dialogue with international museums. It’s a chance for Naples to be part of a larger conversation in the ​art world, and⁤ we believe it adds ​significant value to our cultural landscape.

**Editor:** The painting certainly sparked controversy when it was first unveiled in 1857 due to its provocative⁣ theme. Do you think it still holds that power‌ today?

**Eike Schmidt:** Absolutely! Courbet’s work prompts reflection on⁢ societal themes that remain relevant. The painting invites viewers to question the context of leisure ​and labor, as the​ two women depicted seem to blend the lines between ‍relaxation and their potential societal roles. It’s a conversation ​starter—not just about art, but about the human experience.

**Editor:** You mentioned the influence of this work on Neapolitan artists. Can you tell us more about that?

**Eike Schmidt:** Courbet inspired many artists from Naples who ⁢traveled ⁤to Paris seeking new ‌artistic ⁣currents. His approach to realism⁢ challenged​ their perceptions of Naturalism. Influential​ figures like Michele Cammarano and Domenico Morelli found in Courbet’s work a pathway to express more profound social realities, thus shaping Neapolitan art in the late 19th century.

**Editor:** Besides the painting itself, what‍ else can ​visitors expect from this exhibition at your​ museum?

**Eike Schmidt:** Visitors will encounter not only the painting but also immersive discussions around the themes it presents. ⁤We’re hoping to curate a range of educational programs, talks, and workshops that deepen the understanding of⁤ Courbet’s impact on ⁢art and society. It’s about creating a holistic experience for our guests.

**Editor:** It sounds like a cultural feast for art lovers! Before we finish, what final message do you have for those who might be hesitant⁣ to visit ⁢a museum?

**Eike Schmidt:** I encourage everyone to see art not just as something to⁢ be observed but as something that interacts with our lives. ⁤This exhibition is an opportunity to engage with a pivotal piece of history ⁢and be‍ part of an ongoing ⁣dialogue about culture and society. It’s about feeling connected, gaining insights, and perhaps even being challenged by what‍ you see.

**Editor:** Thank you, ​Eike, for sharing your insights. We’re looking forward to experiencing ‌Courbet’s masterpiece in ‍Naples!

**Eike Schmidt:** Thank you for having me! I hope to​ see many visitors at the museum soon.