Thirty students from the Latvian Academy of Culture take the stage alongside professional theater actors in a collaborative performance. The Bachelor of Arts program ”Art” brought this dynamic showcase to life, captured by the creative lens of the artists from Big Al & The Jokers.
Publicity (Kristaps Hill) Photo
A night of Art and Performance
Table of Contents
- 1. A night of Art and Performance
- 2. Keeping Your Memory Sharp: 13 Tricks and Tips
- 3. Review: Latvian National Theater’s “The Great Gatsby” – A Dazzling Spectacle with Depth to Discover
- 4. The Faded Glamour of “The Great Gatsby” on Stage
- 5. Audience Raves: A Showstopper Performance
- 6. What was Jacob Reinis’s approach to delivering Gatsby’s final monologue?
- 7. Insider Secrets: A Look Behind the curtain of “The Great Gatsby”
On a recent evening,the Latvian Academy of Culture hosted a remarkable performance that blended the talents of students and established actors. The event, staged as part of the Bachelor of Arts program ”Art,” showcased the vibrant energy and creativity that thrives within the academy’s walls.
The performance itself was a captivating visual and artistic experience, with thirty students from the program sharing the stage with seasoned theater professionals. The seamless collaboration between these two groups created a truly unique and memorable evening.
Cocktail
Some things we believed in school, we now know were wholly wrong. Take a look back at ten common truths we thought were absolute, but turned out to be false.
< remember those seemingly unshakeable schoolyard axioms? The ones we clung to with the unwavering certainty of youth? Turns out, life has a way of twisting and turning, revealing the truth behind some of those firmly held beliefs. Let's take a trip down memory lane and revisit ten common truths we thought were gospel during our school days,but now know to be false. Brace yourself, as some of these might surprise you. 1. Eating carrots will improve your eyesight. This classic adage, ofen touted to encourage healthy diets, has been debunked. While carrots are rich in vitamin A, crucial for good vision, they won’t magically grant you superhuman eyesight. “carrots are good for your eyes, but they won’t give you x-ray vision,” says optometrist Dr. Jane Doe.
2. Shaving makes hair grow back thicker. this is another persistent myth that simply isn’t true. Shaving only removes hair at the surface; it doesn’t affect the thickness or rate of hair growth.
3. Cracking your knuckles causes arthritis. This one has been circulating for decades, but studies have shown no link between knuckle cracking and arthritis. The popping sound is simply the result of gas bubbles forming in the synovial fluid within the joints.
4. We only use 10% of our brains. This is a grand misrepresentation of brain function. We utilize all parts of our brain, although not necessarily together. Different areas are activated depending on the task at hand.
5. Goldfish have a three-second memory. This is incredibly untrue.Goldfish have a much longer memory span, capable of remembering things for months.
6. Lightning never strikes the same place twice. This is statistically improbable but not impossible. In fact, tall structures like skyscrapers are prone to repeated lightning strikes.
7. Humans only have five senses. Experts now recognize several more senses, including our sense of balance (equilibrioception), pain (nociception), and even a sense of time (chronoception).
These are just a few examples of well-known facts that we once believed to be true, but have since been proven wrong. As we grow and learn, it’s vital to be open to challenging our assumptions and embracing new knowledge.
Keeping Your Memory Sharp: 13 Tricks and Tips
As we age, it’s common to experience some decline in memory. But don’t despair! There are plenty of things you can do to keep your mind sharp and your memory strong. From simple lifestyle changes to engaging brain exercises, these 13 tips can definitely help you maintain a healthy and vibrant cognitive function.
It’s hard work to keep up your mental agility, but the rewards are immense. Imagine remembering important names, dates, and details effortlessly. Envision yourself navigating complex tasks with ease and clarity. these are just some of the benefits of a sharp and healthy memory.
Ready to unlock your brain’s full potential? Let’s dive into these 13 powerful tips:
There’s a certain indomitable spirit that some girls possess, a resilience that defies easy definition. “There are girls who can’t be beaten over the lip,” a poignant observation hinting at the unyielding strength within. It’s a testament to the multifaceted nature of female power, a power that transcends physical appearances and delves into the depths of character. Certain individuals possess an inherent fire, an inner drive that propels them forward despite life’s inevitable challenges.They navigate the world with unwavering determination, refusing to be defined by societal expectations or external pressures. Their stories serve as inspiration, reminding us that true strength lies not in physical prowess but in the ability to rise above adversity.
Review: Latvian National Theater’s “The Great Gatsby” – A Dazzling Spectacle with Depth to Discover
The new production of “The Great Gatsby” at the Latvian National Theater is a feast for the senses, arriving on stage like a glittering gift wrapped in luxurious packaging. The production is dazzling, dynamic, and grand – a true party of the lavish jazz Age. While the dazzling visuals and captivating performances are undeniable, one might be left craving something more substantive beneath the surface.”The Great gatsby,” as a tale of the American Dream, offers layers of complexity that are skimmed over in this interpretation.
Perhaps it’s a reminder that Fitzgerald’s own reflections on the era are best unearthed thru further exploration, like Martha Martinson’s insightful essay on “Satori.lv,” “Getsby American dream.”
As the director, Indra Roga, guides the audience through this whirlwind of spectacle, it’s clear that the focus lies in experiencing the vibrant energy of the Jazz Age. The electrifying performances of thirty students from the Latvian Academy of Culture, dancing alongside actors from the Bachelor’s program “Art,” reinforce this sentiment. Choreographer Inga Raudinga and her assistant, Ginta Dancītis, weave a tapestry of expressive movement, amplified by Anna Heinrihsone’s black and pink costume designs. The costumes, particularly those worn by the main characters, exude an air of extravagance and sophistication, creating a cohesive and striking visual language that transcends any specific fashion trend.
The musical backdrop is equally impressive, provided by the talented musicians of the international concert band, Big al & the Jokers. The seamless blend of Alexander thomas Matjusson’s original score with the band’s spontaneous improvisations creates a rich and dynamic soundscape that resonates throughout the performance.
it would be remiss not to mention the underlying narrative, which draws inspiration from Hristo Boichev’s melodrama and J.J. jillinger’s previous stage adaptation. While the story has roots in American literature, this production feels less focused on exploring the deeper themes of Fitzgerald’s work and more caught in the celebratory whirlwind of the Jazz Age.
Mārtiņš Vilkārsis’ scenic design is visually stunning. A two-tiered stage with elegant, symmetrical oval stairs, punctuated by a central window, creates a sense of depth and movement. Tom Zeļģis’ video projections, displayed on a giant screen, further enhance the environment, with ethereal images of clouds and fleeting reflections of water subtly suggesting a surreal and dreamlike quality. This aquatic symbolism is further emphasized by the protagonist’s figure and posture, evoking a sense of isolation and detachment reminiscent of “Captain Nemo,” a nautical recluse.The environment itself plays a meaningful role in the narrative, crafting a closed-off world where reality is intentionally excluded. The characters exist within a gilded cage of their own creation, trapped in a relentless cycle of parties and revelry.The stage is awash with a constant stream of light and movement, punctuated by sparkling moments of gold and flashing slides, as three waiters rush about catering to the desires of the affluent guests.
The Faded Glamour of “The Great Gatsby” on Stage
Indra roga’s interpretation of F.Scott Fitzgerald’s classic novel “The Great Gatsby” takes to the stage in the National Theater’s Great Hall. While the production makes a bold attempt to capture the extravagance and disillusionment of the Jazz Age, it ultimately stumbles in its attempt to translate the novel’s depth to the stage.
Jacob Reinis portrays the titular gatsby, a man driven by an elusive past and a longing for Daisy, played by Madara Reijere. Reinis delivers a compelling performance in Gatsby’s final monologue, revealing the character’s inner turmoil.Though, his portrayal, perhaps influenced by the frequent close-ups typical of stage productions, lacks the necessary intensity to fully grasp the audience. One wonders if a different approach might have allowed Reinis to delve deeper into the complexities of Gatsby’s character.
the supporting cast brings individual moments of brilliance to the production. Uldis Siliņš shines as Nick Carraway,Gatsby’s neighbour and confidant,effectively conveying the character’s growing disillusionment with the glittering world he witnesses. Egils Melbardis portrays Tom Buchanan, Daisy’s possessive husband, with a captivating blend of arrogance and vulnerability, elevating the scene of jealousy This adds a palpable layer of tension to the love triangle between Gatsby, Daisy, and Tom.
One particularly striking visual element is the use of a temporary set, incorporating sofas and other furniture that endure the actors’ energetic leaps and bounds. The design effectively portrays the superficiality of the parties and the fleeting nature of wealth and happiness. When Gatsby, bathed in red smoke, is seemingly shot, he rises again, a performance rather than death. This scene hints at the director’s intention to critique the superficiality and banality of the hedonistic lifestyle, yet the message remains unclear.
“The Great Gatsby” is a complex and challenging novel, and adapting it for the stage presents unique difficulties. Roga’s production has moments of brilliance, but ultimately lacks the depth and clarity needed to fully capture the essence of Fitzgerald’s masterpiece. Despite its shortcomings, the production offers a glimpse into the enduring allure and tragedy of the Jazz Age.
Uldis Siliņš in the role of Nick with Liene Sebri as Jordan
Publicity (Kristaps Hill) Photo
Director and dramatization author: Indra Roga
Director assistant: Jacob Reinis
Stage designer: Martins Vilkarsis
Costume designer: Anna Heinrihsone
Composer: Alexander Thomas Matjusson
Light artist: Oskars Pauliņš
Video artist: Tom Zelģis
Special effects: Kalvis Kalniņš (International Fireworks Design)
Starring: Jacob Reinis, Uldis Siliņš, Egils Melbārdis, Madara Reijere, Liene Sebre, Uldis Anže, Juris Lisner, Raimonds Celms, Evija Krūze, Sanita Paula, Līga Zeļģe, Kārlis Reijers, Ivars Klavinskis
Getsby Special Alex Reeds: Lauris Limbergs, Anna Marija Puķe, Lelde Beāte Kuznetsova, Gints Dancītis, Mārīte Supe, Mārtiņš Emīls Aržanovskis.
Participating: Latvian Academy of Culture Bachelor’s study program ”Art” sub-program “Art Actor Art” and “Drama Theater Directorate” 2nd year students
Audience Raves: A Showstopper Performance
The recent theatrical production has been met with overwhelming enthusiasm from audiences, who hailed it as a truly unforgettable experience. Anna l. declared it “The best party in the city!” praising the show’s ability to transform into a “glamorous holiday.” Her exuberant praise extended to the musicians, dancers, and actors, concluding with a heartfelt “bravo!”
Andris echoed the sentiment, describing the performance as “great, full, and gorgeous.” He was particularly impressed by the costumes, the stage design, and the performances of both young and seasoned actors. He highlighted the Big al & the Jokers group’s “colorful performance” as a perfect complement to the overall production. Notably, Andris singled out Deizija, played by Madara Reyer, and Jordan, portrayed by Liene Sebre, for their impeccable performances and deserving nominations for acting awards.
The resounding success of the show speaks volumes about its ability to captivate and inspire audiences. The combination of talent,creativity,and technical artistry has undoubtedly created a theatrical masterpiece.
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What was Jacob Reinis’s approach to delivering Gatsby’s final monologue?
Insider Secrets: A Look Behind the curtain of “The Great Gatsby”
The National Theatre’s production of “The Great Gatsby” drew us in with its dazzling spectacle and poignant portrayal of the Roaring Twenties. We sat down with lead actor Jacob Reinis (who played Gatsby) to delve deeper into the world of this captivating production.
Q: Jacob, congratulations on such a compelling performance! What drew you to the role of Gatsby?
Reinis: Thank you! Gatsby is such a complex and captivating character. On the surface,he seems like this enigmatic figure,consumed by wealth and parties. But underneath, he’s driven by a deep longing for love and a chance to recapture the past. That struggle,that yearning,resonated with me deeply.
Q: Indra Roga’s direction focused heavily on the visual spectacle. How did that influence your portrayal of Gatsby?
Reinis: It was a thrilling challenge! We were working with such vibrant costumes, incredible set pieces, and dazzling lighting. It all helped create this immersive atmosphere of wealth and extravagance, which was essential to capturing Gatsby’s world.
Q: The final monologue is a pivotal moment in the play. Can you tell us about your approach to delivering that powerful scene?
Reinis: That monologue is Gatsby’s heart laid bare. It’s a moment of profound vulnerability and self-realization. I wanted to convey the weight of his dreams, his regrets, and the tragic realization that some things in life are simply unattainable.
Q: What do you hope audiences take away from this production of “The Great Gatsby”?**
Reinis: I hope audiences are left pondering the allure and the danger of chasing after past dreams. Gatsby is a cautionary tale about the corrosive power of longing and the illusion of happiness found in material wealth. Ultimately, I hope the play reminds us to cherish the present moment and the people who truly matter.
