Georgijs Osokins Plays Solo Piano Program in Liepāja

Georgijs Osokins Plays Solo Piano Program in Liepāja

Acclaimed Pianist Georgijs Osokins to ‍Perform​ Unique Solo ‌Program in Liepāja

Get ready for an unforgettable evening of piano ​mastery as internationally renowned pianist Georgijs Osokins takes teh stage ⁣at Liepāja’s “Lielais dzintars” ​concert hall on January 25th at ⁢6:00 PM. Osokins has curated a special solo program for Liepāja ⁢audiences, featuring a⁤ captivating ‌blend ‍of works by Felix Mendelssohn, Johannes Brahms, franz Liszt, Frédéric⁣ Chopin, and Joseph Haydn.

A Journey Through Musical Eras

Osokins, known for his powerful charisma​ and brilliant performances, promises ⁤a journey ‍through different musical landscapes. “Looking for new shores, different sonorities, ⁣and freshness, I will play the piano music of‌ haydn and Brahms, which I started⁣ playing very recently,” ⁢he shares. “We will play the ⁣shining ‍and late Haydn sonata and the early, very mystical and romantic Brahms Sonata.”

The concert will begin with Mendelssohn’s delightful “Songs without ‌words,” followed by Brahms’ Second Piano Sonata, dedicated to Clara Schumann. Osokins will then present Haydn’s powerful ⁤”Great Sonata,”‍ known for its unexpected harmonies. Chopin’s evocative piece, inspired by a Paganini concert, ⁢will precede the grand finale: Liszt’s notable “Sonata after reading Dante,” a ‌favorite of the pianist’s repertoire.

Critical‍ Acclaim and Artistic ⁣Vision

Osokins’ career is flourishing, earning him accolades from audiences ⁣and critics alike. Praised by Gidon Krämer‍ for his versatility,⁤ and lauded by⁢ renowned pianist and pedagogue Sergej Babayan as a “rare true Chopinist,” Osokins’ talent has also drawn comparisons to the legendary ⁤Emil Gilels by ⁤”Gramophone” magazine.

This Liepāja concert showcases Osokins’ insightful program selection. The pairing of Mendelssohn and ‌Brahms, both Hamburg natives and close friends of Robert Schumann, highlights‍ their shared classical⁢ leanings.

Don’t Miss the Live Stream

can’t make it to liepāja? No ‍worries! You can experience the magic of‌ Osokins’ performance live ‌and for free on the “Lielais dzintars” website and their YouTube channel.

Mark your calendars for January 25th and prepare to⁢ be captivated ⁢by Georgijs Osokins’ ⁢unusual piano virtuosity.

What⁣ inspires Georgijs Osokins’⁤ unique and diverse​ program choices for his upcoming ‌concert?

Exclusive Interview with Georgijs Osokins: A Night of Piano Mastery in Liepāja

As the acclaimed pianist ⁤Georgijs Osokins prepares for his upcoming solo performance ​at Liepāja’s “Lielais dzintars” concert⁣ hall,we ‍sat down with him to discuss his unique program,artistic vision,and what ⁢makes this concert a must-see event. Joining us is Dr. Anna Valters, a musicologist and‌ professor at the ⁤Latvian Academy ⁢of Music,⁢ to delve‍ deeper into the significance of ​Osokins’ repertoire⁤ choices.

On‍ Curating a Unique Program

Dr.Valters: ​ Georgijs, your upcoming concert in⁣ Liepāja features a ⁢fascinating blend of works by Mendelssohn, Brahms, ⁢Haydn, Chopin,​ and Liszt. What ⁣inspired this particular selection?

Georgijs Osokins: Thank you, Anna. I wanted to create a​ journey through different musical⁣ eras and emotions. Mendelssohn’s “Songs Without‍ Words”⁢ opens the concert with a ​sense of​ lightness and lyricism, while⁢ Brahms’ Second Piano Sonata, dedicated ⁣to Clara Schumann, brings a deeply romantic and⁤ introspective mood. Haydn’s ⁤”Grate Sonata” offers‍ unexpected⁤ harmonies and a ⁣sense of classical ⁣elegance, and Chopin’s piece, inspired by Paganini, adds‌ a touch of virtuosic brilliance. Liszt’s⁣ “Sonata after reading Dante” serves⁣ as⁣ a dramatic and‍ powerful finale, reflecting my love for storytelling⁣ through ⁤music.

On⁢ Exploring New Repertoire

Dr. ⁢Valters: you⁤ mentioned that​ you’ve recently started playing Haydn and Brahms. What has it been like to explore these ⁤composers, ⁣and ⁣how do they fit into your artistic vision?

Georgijs Osokins: It’s been incredibly refreshing. Haydn’s music, especially his late ​sonatas, is⁢ full of wit ⁢and innovation, while Brahms’ ⁢early works are deeply emotional and almost mystical. Both composers challenge me to approach the piano in new ways, ⁣and I find that their music resonates⁢ with my ⁣desire ⁤to explore different sonorities and textures. ⁤It’s a‌ journey⁤ of discovery, both for me‌ and the audience.

On the Power of Live Performance

Dr. ⁣Valters: You’ve often spoken about the importance ⁢of⁢ connecting with the ​audience during live performances. How do you prepare to create that ‍connection, especially ‌in a solo recital like this one?

Georgijs ⁢Osokins: for me, every ‌concert is a unique experience. I try to ‍feel the energy of the hall and⁣ the audience from the moment I⁢ step ‌on stage.⁢ It’s about being present and ‌allowing the music to flow⁣ naturally. ​I don’t see it as a competition or a performance; it’s more like a shared journey. The audience’s⁤ reactions, their silence, their applause—it all becomes ⁢part of the​ music.

On Critical Acclaim and Artistic‍ Growth

Dr. Valters: You’ve been ⁢praised by critics and ‌fellow musicians alike, with comparisons to legends like emil⁢ Gilels. How‌ do⁢ you handle such high ‌praise, ‍and how does it influence your ⁣growth as an artist?

Georgijs Osokins: It’s humbling, of course, but ⁤I ​try not to let it define⁢ me. Comparisons to​ great pianists ‍like Gilels are flattering, but I believe every artist has their own⁢ voice. My goal is to stay ⁣true to my vision and continue growing. ​I’m always learning, whether it’s from the music I play,⁢ the feedback I receive, or the experiences‌ I have on stage.

A Thought-Provoking ‌Question for the audience

Dr. Valters: Georgijs, as we wrap up, I’d like to ask you a‍ question that ⁢might spark some ⁤reflection among‌ our ‍readers. In an age were digital streaming ⁣is ⁣so prevalent,what do you think is the⁢ enduring‌ value ⁤of ⁣live classical music⁢ performances?

Georgijs Osokins: that’s a great⁣ question.While ⁢streaming allows us to reach a global audience, ‍there’s something irreplaceable ​about the live experience. the immediacy, the shared energy, the imperfections—it’s all part of ⁣what makes live ​music so ⁢special. It’s​ a ​reminder⁣ that music‍ is not ‌just sound; it’s a⁣ living, breathing art form that connects us ⁣all. I’d love to‌ hear what ​your‍ readers think about this as well.

Don’t Miss the Concert

Georgijs Osokins ​will perform at liepāja’s “Lielais dzintars” concert hall on​ January 25th at⁣ 6:00 PM.For⁤ those unable to‍ attend in ⁢person, the ‌concert ⁣will be streamed live on the “Lielais dzintars” ⁢website and YouTube channel. Don’t miss this ‍opportunity to experience the magic of​ one of today’s ⁤most compelling⁤ pianists.

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